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Quiz Four Quiz Four

Quiz Four - PowerPoint Presentation

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Quiz Four - PPT Presentation

You will have 20 minutes to write a short essay response to this prompt You may use your copy of Coraline and any notes that you took during the movie I would suggest that you draw up a quick outline first and then write your response ID: 340642

coraline gothic elements child gothic coraline child elements childthe write book childhood eyes literature idea setting uncanny evil heroine

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Slide1

Quiz Four

You will

have

20

minutes to write a short essay response to this prompt. You may use your copy of

Coraline

and any notes that you took during the movie

. I would suggest that you draw up a quick outline first and then write your response.

Discuss the

primary differences between Neil

Gaiman’s

novel

Coraline

and Henry

Selick’s

film version in terms of characters and plot. Slide2

How comfortable would you be sharing

Coraline

with young readers?

What could go wrong?

What would be fun about it?Slide3

What was Neil Gaiman

thinking? What was his impetus for writing a book like

Coraline

?“More then ten years ago I started to write a children’s book. It was for my

daughter, Holly, who was five years old. I wanted it to have a girl as a heroine,

and I wanted it to be refreshingly creepy…. It was a story, I learned when people

began to read it, that children experienced as an adventure, but which gave adults nightmares. It's the strangest book I've written, it took the longest time to write, and it's the book I'm proudest of.”Slide4

The Gothic and

Coraline

Makin' up a song about

Coraline

She's a peach, she's a doll, she's a pal of

mine

She's as cute as a button

In the eyes of everyone who ever laid their eyes on

Coraline

When she comes around exploring

Mom and I will never, ever make it boring

Our eyes will be on

CoralineSlide5

Definition of The Gothic

The Gothic

novel’s ” principal

aim was to evoke chilling terror by exploiting mystery, cruelty, and a variety of horrors. The term ‘gothic’ has also been extended to denote a type of fiction which lacks the medieval setting but develops a brooding atmosphere of gloom or terror, represents events which are uncanny, or macabre, or melodramatically violent, and often deals with aberrant psychological

states” (Abrams,

A Glossary of Literary Terms

117-118).Slide6

Gothic Elements: Setting

Old houses with trap doors, secret passage ways, strange sounds, mysterious doors.

The macabre setting is meant to produce feelings of psychological dread.Slide7

Gothic Elements: Atmosphere

Everything in a gothic text is shrouded in mystery.

Authors create a sense of the uncanny (things being off a little; a bit askew), of suspense, of intrigue, of creepiness.Slide8

Gothic Elements: Female Characters in Distress

The tradition of “the damsel in distress” permeates Gothic fiction; yet,

Gaiman

plays with this idea: his heroine is in distress, but she rescues herself.Slide9

Gothic Elements: The Doppelgänger

German word meaning “double goer,” referring to the supernatural presence of oneself. Often,

the Doppelgänger

brings with it associations of evil.

Gothic literature will often dwell upon “a hidden

or double reality beneath the surface of what at first appears to be a single

narrative” (Sedgwick 12).Slide10

Gothic Elements: The Supernatural

Gothic literature focuses on the fact that as much as we may try to suppress the uncanny, the grotesque, or the strange, these things are truly a part of human existence, and we need to acknowledge this fact.Slide11

Famous Precursors

Horace Walpole's

The Castle of

Otranto: A Gothick

Story

(1764)

Ann Radcliffe's The Mysteries of Udolpho (1794)Mary Shelley’s Frankenstein; or, The Modern Prometheus (1818) Slide12

Gothic Children’s Literature

Scary, creepy, and

ubiquitiousSlide13

Gothic Elements

Not really the exception…more like the rule.Slide14

Model

Summary

The Romantic Child

The child “as superior to adults

in some ways and as aligned with nature, beauty or spirituality.”

The Sinful Child

The child as inherently

evil and in need of control and/or correction.

The Working Child

The child as competent and resilient.

The Sacred Child

The child as “precious

and fragile” and in need of protection

The Child as Radically Other

The idea that childhood is a distinctive

and separate time from childhood.

The Developing Child

The idea that childhood is on a continuum

with adulthood.

The Child as Miniature Adult

The child is just

an adult in miniature, capable of possessing an adult view of the world.

Looking for Clues in the Models of ChildhoodSlide15

The Different Ending

Wybie

LovatSlide16

Homework #1 Due on Wednesday!