1748 Pompeii discovered Angelica Kauffmann Cornelia Pointing to her Children as her treasures 1785 exemplum virtutis or a model of virtue Angelica Kauffmann Angelica Kauffmann c 177075 oil on canvas 737 x 61 cm National Portrait Gallery London ID: 649267
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Slide1
NeoclassicismSlide2
1738 Herculaneum discovered
1748 Pompeii discoveredSlide3
Angelica Kauffmann, Cornelia Pointing to her Children as her treasures, 1785Slide4
exemplum
virtutis
, or a model of virtueSlide5
Angelica Kauffmann,
Angelica Kauffmann
, c. 1770-75, oil on canvas, 73.7 x 61 cm (National Portrait Gallery, London)Slide6
Kauffman's
El juicio de
Paris (History
Painting
)Slide7
Jacques Louis David, The Death of Marat, 1793Slide8
Marie Antoinette
on the Way to the
Guillotine
, 16 October 1793. Sketched from a window in the rue Sainte-
Honoré
while the cart went past.Slide9
Self portrait of Jacques-Louis David, 1794, Slide10
Oath of the
Horatii
(second version; 1786)Slide11
The Death of Socrates
(1787)Slide12
The Emperor Napoleon in His Study at the Tuileries (1812)
National Gallery of Art
, Washington, D.C.Slide13
Napoleon at the Saint-Bernard Pass
(1801
)Slide14
David - Portrait of Monsieur Lavoisier and His WifeSlide15
Thomas
Jefferson's
MonticelloSlide16
RomanticismSlide17
Caspar David Friedrich
,
Wanderer Above the Sea of Fog
, 1818Slide18
The Monk by the SeaSlide19
Henry Wallis
,
The Death of Chatterton
1856, by suicide at 17 in 1770Slide20
Francisco Goya
,
The Third of May 1808
, 1814Slide21
Goya,
Self-portrait
, c. 1796-97.
Museo del PradoSlide22
No. 43,
The Sleep of Reason Produces
Monsters, From Los
CaprichosSlide23
Eugène
Delacroix
,
Liberty Leading the People
1830Slide24
Thomas Cole
, c. 1844–48Slide25
Thomas Cole - The Voyage of Life Childhood, 1842 (National Gallery of Art)Slide26
Thomas Cole - The Ages of Life - YouthSlide27
Thomas Cole (American, 1801 - 1848 ), The Voyage of Life: Manhood, 1842Slide28Slide29
Thomas Cole - The Voyage of Life Old Age, 1842Slide30
REalismSlide31
Jean-Louis-Ernest
Meissonier,
Memory of the Civil WarSlide32Slide33
Jean-Louis Ernest Meissonier
(1815-1891),Slide34
1814.
Campagne
de France
(Napoleon and his staff returning from Soissons after the Battle of Laon), 1864 (
Musée
d'Orsay
)Slide35
Napoleon I in 1814
(1862) (
Walters Art Museum
)Slide36
The Marchioness of
Manzanedo
, 1872.Slide37
Gustave Courbet - A Burial at
Ornans
, measuring 10 by 22 feet (3.1 by 6.6
metres)Slide38Slide39Slide40Slide41
Self-portrait (The Desperate Man)
, c. 1843–45, Private collectionSlide42
Rosa Bonheur - Ploughing in NeversSlide43Slide44
Rosa BonheurSlide45
Rosa Bonheur
.
The Horse Fair
(1852–55). Oil on canvasShe attended the market twice weekly for a year and a half, dressed as a man to receive less attention. ,Slide46Slide47Slide48
Honore
Daumier, Fight between schools, Idealism and Realism 1855Slide49
The Railway
,
1873 by Edouard
ManetSlide50
Edouard
ManetSlide51
Dead Matador
,
1864–65 by Edouard
ManetSlide52
Berthe
Morisot with a Bouquet of Violets
, 1872Slide53
The Cafe Concert
,
1878
by Edouard ManetSlide54
The Dance Class (La
Classe
de
Danse
)
, 1873–1876, oil on canvas, by Edgar DegasSlide55Slide56
Edgar Degas
- Musée d'Orsay, ParisSlide57
L'Absinthe
, 1876, oil on canvas, by Edgar DegasSlide58
Dancer with a Bouquet of Flowers (Star of the Ballet)
Slide59
Pre
raphaelite
brotherhoodSlide60
The brotherhood's early doctrines were expressed in four declarations:
to have genuine ideas to express
to study nature attentively, so as to know how to express them
to
sympathise
with what is direct and serious and heartfelt in previous art, to the exclusion of what is conventional and self-parodying and learned by rote
most indispensable of all, to produce thoroughly good pictures and statuesSlide61
Proserpine
, by
Dante Gabriel RossettiSlide62
Christ in the House of His Parents
, by John Everett Millais, 1850Slide63
Ophelia
, by
John Everett MillaisSlide64
Medea
by Evelyn De Morgan, 1889, in
quattrocento
styleSlide65Slide66
James Archer,
The Death of King Arthur
, 1860Slide67
William Holman Hunt
,
The Hireling Shepherd
, 1851Slide68
Dante Gabriel Rossetti by George Frederic WattsSlide69
The Girlhood of Mary Virgin
(1849). (Models: the artist's mother for
St. Anne
and his sister Christina for
the Virgin
).
[10]Slide70
Bocca
Baciata
(1859)
signalled
a new direction on Rossetti's work. (Model: Fanny Cornforth)Slide71
Lady Lilith
(1867), Metropolitan Museum of Art (model:
Fanny Cornforth
)