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Extreme Presentation - PPT Presentation

Example Page Layouts Rev 20 Andrew V Abela PhD wwwExtremePresentationcom avabelagmailcom 1 Applying the Squint Test In the Extreme Presentation workshop we discuss the importance of using what graphic designers call the squint test when laying out a page T ID: 410293

graphics text source subtitle text graphics subtitle source optional title layouts alternatives smartart page process copy label screen alternative

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Slide1

Extreme Presentation™ Example Page Layouts

Rev. 2.0Andrew V. Abela, Ph.D.www.ExtremePresentation.com a.v.abela@gmail.com Slide2

1

Applying the Squint TestIn the Extreme Presentation workshop we discuss the importance of using what graphic designers call the “squint test” when laying out a page. To pass the squint test, the layout of the page must tell you something about the page, even if you’re squinting so that you cannot read any of the text.

The goal is that the layout of the page should reinforce the main message of the page. If the message is that there are two alternatives, for example, then you should lay the page out with one alternative on each side.

To help you with this, we have created this PowerPoint™ document, which contains 36 examples of page layouts that pass the squint test. Of course, these are just a few ideas among thousands of possible

layouts.

The simplest way to use this is to save a copy of this file (with the name of your new presentation). Then go to the Slide Sorter view and move all the layouts that you want to use towards the front of the presentation, and delete the rest. Then put the remaining layouts in the order you want them (you can use CTRL-D to duplicate any layouts where you need more than one copy).

This work is licensed under the Creative Commons Attribution-

ShareAlike

2.5 License. This means that you are free to copy it, modify it, and use it for commercial and non-commercial purposes. You are not allowed to sell these templates, or any derivatives of them. If you wish to share them with others, instead of forwarding them this copy, please have them access their own copy at

www.

extremepresentation.

com

; this way they will be sure to get the most up-to-date versions of the templates. To view a copy of this license, visit

http://creativecommons.org/licenses/by-sa/2.5/

. Slide3

Introduction to version 2.0

2In Office 2007, Microsoft introduced its SmartArt feature. According to Microsoft,

A

SmartArt

graphic provides a visual representation of information so that you can

more effectively

communicate your message. Each graphic represents a different concept or idea, such as a process flow, an organization hierarchy, a relationship, and so

on.”

Several of the original Extreme Presentation layouts are included in the current set of

SmartArt

designs. This version

(

2.0

)

of the layouts now includes those

designs or adaptations of them.

We are working with Microsoft on future developments of the

SmartArt

feature, and as new designs are released we will incorporate them in new versions of the Extreme Presentation layouts.

See

www.ExtremePresentation.com

for the latest updates.Slide4

SmartArt Enabled Layouts

3Slide5

4

{Cyclical Process}{Optional Subtitle}

Source: {text}Slide6

5

{Growth Opportunity}{Optional Subtitle}

Source: {text}Slide7

6

{Tension or Conflict}{Optional Subtitle}

Source: {text}Slide8

7

{In Balance}{Optional Subtitle}

Source: {text}

Note: “In Balance” and “Out of Balance” use the same

SmartArt

design; when the number of items is uneven, the balance adjusts accordingly. Cool!Slide9

8

{Out of Balance}{Optional Subtitle}

Source: {text}

Note: “In Balance” and “Out of Balance” use the same

SmartArt

design; when the number of items is uneven, the balance adjusts accordingly. Cool!Slide10

9

{Multiple Alternatives}{Optional Subtitle}

Source: {text}Slide11

10

{Detailed Process}{Optional Subtitle}

Source: {text}

{Process Title}

{Process subtitle}

[Text]

Note: “Detailed Process” is constructed out of the “Closed Chevron Process”

SmartArt

design and a table. You will have to add or remove steps to the

SmartArt

design and table separately Slide12

11

{“To” text or graphics here}{From-To Process}

{“From” text or graphics here}

{Optional Subtitle}

Source: {text}Slide13

12

{Organization Chart}{Optional Subtitle}

Source: {text}Slide14

13

{Diverging Approaches or Ideas}{Optional Subtitle}

Source: {text}Slide15

14

{Problem Disaggregation or Decision Tree}{Optional Subtitle}

Source: {text}Slide16

15

{Segmentation (Two Dimensions)}{Optional Subtitle}

Source: {text}Slide17

16

{Relationship}{Optional Subtitle}

Source: {text}Slide18

17

{Improvement Steps}{text}{Optional Subtitle}

Source: {text}Slide19

Original Layouts

18Slide20

19

{Screening Alternatives}{list alternatives}{Optional Subtitle}

{list alternatives remaining after screen 1}

{list alternatives remaining after screen 2}

{list alternatives remaining after screen 3}

{Screen 1}

{Screen 2}

{Screen 3}

Source: {text}Slide21

20

{Barrier}{text or graphics}{Optional Subtitle}

Source: {text}Slide22

21

{text or graphics here}{Two Alternatives}

{text or graphics here}

?

{Optional Subtitle}

Source: {text}Slide23

22

{Decision}{text or graphics here}

{text or graphics here}

{text or graphics here}

{Optional Subtitle}

Source: {text}Slide24

23

{Converging Issues}{title}{text or graphics here}

{Optional Subtitle}

{title}

{text or graphics here}

{title}

{text}

Source: {text}

{title}

{text or graphics here}

{title}

{text or graphics here}Slide25

24

{Avoiding Extreme Alternatives}{Very weak alternative}{Optional Subtitle}

{Weak alternative}

{Moderate alternative}

{Strong alternative}

{Excessive alternative}

Source: {text}Slide26

25

{Course Change}{title}{text}

{Optional Subtitle}

Source: {text}

{title}

{text}

{title}

{text}

{title}

{text}

{title}

{text}

{title}

{text}

{title}

{text}

{title}

{text}Slide27

26

{Alignment}{Optional Subtitle}

Source: {text}

{Title}

{text or graphics here}

{Title}

{text or graphics here}

{Title}

{text or graphics here}

{Title}

{text or graphics here}

{Title}

{text or graphics here}Slide28

27

{Gameboard - Complex Process}{text or graphics here}

{Optional Subtitle}

Source: {text}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}

{text or graphics here}Slide29

28

{Flowchart/Process Diagram}{text}{Optional Subtitle}

Source: {text}

{text}

{text}

{text}

{callout detail}

{text}

{label}

{label}

{label}

{label}

{label}

{label}

{label}

{problem}

{problem}Slide30

29

{Downward Spiral}{text}{Optional Subtitle}

Source: {text}Slide31

30

{Inputs and Outputs}{text or graphics}

{Optional Subtitle}

Source: {text}

{text}

{text}

{text}

{text}Slide32

31

{From Chaos To Alignment}{title}{text}

{Optional Subtitle}

Source: {text}

{title}

{text}

{title}

{text}

{title}

{text}

{title}

{text}

{title}

{text}

{title}

{text}

{title}

{text}Slide33

32

{Progress Towards Goal}{text}{Optional Subtitle}

Source: {text}Slide34

33

{Tip of the Iceberg}{text or graphics}{Optional Subtitle}

Source: {text}

{text or graphics}Slide35

34

{Maze-Confusion}

{Move the white boxes around, or copy and paste new ones, to change the layout of the maze}

Source: {text}

{text or graphics}

{text or graphics}

{text or graphics}

{text or graphics}

{text or graphics}

{text or graphics}Slide36

35

{On the Edge}{text or graphics}

{Optional Subtitle}

Source: {text}

{text or graphics}Slide37

36

{Leverage}{text or graphics}{Optional Subtitle}

Source: {text}

{text or graphics}Slide38

37

{Forcefield--Pros and Cons}{text or graphics}{Optional Subtitle}

Source: {text}

{text or graphics}Slide39

38

{Component - Puzzle}{Optional Subtitle}

Source: {text}

{text or graphics}

{text or graphics}

{text or graphics}

{text or graphics}Slide40

39

{Growth Opportunity (Two Dimensions)}{text or graphics}{Optional Subtitle}

Source: {text}Slide41

40

{Segmentation (Three Dimensions)}{text or graphics}{Optional Subtitle}

Source: {text}

{text or graphics}

{text or graphics}

{text or graphics}

{text or graphics}

{text or graphics}Slide42

Andrew

V. Abela, Ph.D.www.ExtremePresentation.com