/
Disney Diplomacy Disney Diplomacy

Disney Diplomacy - PowerPoint Presentation

ellena-manuel
ellena-manuel . @ellena-manuel
Follow
413 views
Uploaded On 2016-03-22

Disney Diplomacy - PPT Presentation

Why Disney He personifies Cultural dominance Commerce Government policy The purpose of Disney Diplomacy Social control at home Global preeminence for US government and industry Good Neighbors ID: 265688

south disney countries culture disney south culture countries american cultural government america propaganda dominance didn

Share:

Link:

Embed:

Download Presentation from below link

Download Presentation The PPT/PDF document "Disney Diplomacy" is the property of its rightful owner. Permission is granted to download and print the materials on this web site for personal, non-commercial use only, and to display it on your personal computer provided you do not modify the materials and that you retain all copyright notices contained in the materials. By downloading content from our website, you accept the terms of this agreement.


Presentation Transcript

Slide1

Disney Diplomacy

Why Disney? He personifies

Cultural dominance

Commerce

Government policy

The purpose of Disney Diplomacy

Social control at home

Global preeminence for US government and industrySlide2

Good Neighbors

Office of Cultural Relations

Nelson Rockefeller, Coordinator of Commercial and Cultural Relations

Counters German propaganda presence in South America

Argentina and Brazil major battlegrounds

Disney is instructed to make films positive about American achievements, but avoiding “anything which might indeed cause laughter

at

us, instead of

with

us.”Slide3

What did he forget to consider?

Cultural differences between the US and the South American countries

Differences between countries in South America

That South American countries were politically independent

They were not synonymous with the European conquerors whose languages they still spoke, and they might reject European culture in favor of their own traditional cultureSlide4

The government assumed . . .

. . . that Walt Disney, ‘a benign, entertaining, and educational presence,’ could, as a representative of the US, “tour a foreign culture, come to understand it in just a short time, film it, and then bring it back home with him, all with the blessing and thanks of the culture he had visited.” (Smoodin, p. 141)Slide5

OOPS

“I tried to find a way of fixing it (

Goofy Gaucho

), but I found all my efforts so hopeless that I told them I didn’t see any way at all; such was the conglomeration of errors.”

--Florencio Molina Campos Slide6

Doomed to Fail: Why?

Conflict between:

understanding the culture and the need to sell these cartoons to American audiences

The ideas of multimillionaire businessmen and the revolutionary governments of many South American countries

The potential benevolence of a “good neighbor” and the need to maintain cultural and economic dominance over less developed countries

The need to counter Nazi propaganda and the racism inherent in US culture in this periodSlide7

Meanwhile, back at the ranch

The films fail to establish any real dominance in South America

Disney still considered a “great man” by the US government, but conflicts exist:

FBI files

HUAC cooperation

The New Spirit

Interest in promoting the FBI, but increasing impatience at their attempts to censor his workSlide8

The New Spirit

Who found it an excellent use of taxpayers’ money?

Who didn’t?

Why is this significant?

What does it reveal about class and race assumptions in the US at the time?

Would the government even consider making a propaganda film directed primarily at the upper classes? If so, would it be a cartoon?

What do the contemporary responses to the cartoon reveal about the public, as opposed to the media, response to Walt Disney?