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Informed Pedagogy of the Holocaust Informed Pedagogy of the Holocaust

Informed Pedagogy of the Holocaust - PowerPoint Presentation

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Informed Pedagogy of the Holocaust - PPT Presentation

Corey L Harbaugh CoDirector Holocaust Educator Network of Michigan USHMM Fellow REC Member Midwest charbaugh2002yahoocom Holocaust education is at a crossroads USHMM Guideline 10 Make Responsible Methodological Choices ID: 558698

teach holocaust teaching students holocaust teach students teaching education historical content history teachers grade inquiry process questions context people instruction specific classroom

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Slide1

Informed Pedagogy of the Holocaust

Corey L. HarbaughCo-Director, Holocaust Educator Network of Michigan USHMM Fellow / REC Member (Midwest)charbaugh2002@yahoo.comSlide2

Holocaust education is at a crossroads

USHMM Guideline 10:Make Responsible Methodological Choices Slide3

The educational challenge of Holocaust education across the globe

“...the challenge (of Holocaust education) seems to lie in managing an abundance of learning and teaching materials and relies heavily on how traditional teaching methods are being adapted to new generations of children, with very diverse religious, ethnic, or national backgrounds, who will never meet a witness of these times.”Karel FracapaneUNESCO Senior OfficerSlide4

Who and Where I Am

Slide5

My Question Since 2008:roads

How Do I Teach This Stuff?Slide6

My background: where roads convergeSlide7

The CrossroadsContext vs. Relevancy

*Representation vs. Historical Accuracy*Static vs. Dynamic Narrative*Inquiry/Process vs. Didactic Instruction (open-ended) (close-ended)Slide8

Context: Information provided to students to help them make sense of content being covered in class. Information that provides a framework for the goals of a lesson/unit.

Relevancy: Ways in which the content becomes personally engaging and/or meaningful to students.Slide9

Slide10

On Wiesel's

Night

I cannot teach this book. Instead,I drop copies on their desks

like bombs on sleeping towns,

and let them read. So do I, again.

The stench rises from the page

and chokes my throat.

The ghosts of burning babies

haunt my eyes.

And that pointing baton,

that pointer of Death,

stabs me in the heart

as it sends his mother

to the blackening sky.

Nothing is destroyed

the laws of science say,

only changed.

The millions transformed into

precious smoke ride the wind

to fill our lungs and hearts

with their cries.

No, I cannot teach this book.

I simply want the words

to burn their comfortable souls

and leave them scarred for life.

--Thomas E. Thorton

English Journal (NCTE)

February, 1990Slide11

What are your thoughts about the poem and the objective of scarring kids for life? Should that be our job?Thoughts?Slide12

A Survey of Teachers Who Have Received Training/Professional Development in Holocaust Education from the United States Holocaust Memorial Museum, The USC Shoah Foundation, The Memorial Library, and other organizations.

My USHMM Fellowship Project“How do I teach this stuff when...”Slide13

Specifically, my study was concerned with two basic questions:

What conditions influence the pedagogical choices teachers make when teaching the Holocaust?Given those conditions, what pedagogical choices do those teachers then make?Slide14

July, 2014: Initial Report to USHMM: 53 Pages of Data, Research, & Findings

April, 2015: report published as a chapter in As the Witnesses Fall Silent: 21st Century Holocaust Education in Curriculum, Policy, and Practice (Springer).An Introduction to FindingsSlide15

In what content area(s) do you principally teach about the Holocaust:

56% E/LA36% History13% Elective8% Interdisciplinary7% General SSThe Specific Content Area Within History:28% American/US History22% World History11% History of Genocide

9% 20th Century History8% European HistorySlide16

Grade Level in Which You Principally Teach the Holocaust:24% 8th Grade

24% 10th Grade24% 12th GradeGrade Level at Which Holocaust Education is Introduced to Students in your School District:21% by end of 5th Grade68% by end of 7th Grade84% by end of MSSlide17

Personal Objectives/Commitment 17%Content Area 13%Grade Level 11%Student Needs 11%

Teaching Philosophy 10%Factors that Most Influence PedagogySlide18

48% Amount of Time for Teaching14% Collaboration with Others10% State or Local Objectives

Factors Influencing Pedagogy Teachers Would Most Like to ChangeSlide19

Text or Literary 31/22 = 53%Inquiry Project 16/15 = 31%

Historical Events 14/12 = 26%Thematic 15/10 = 25%Chief Pedagogical ApproachSlide20

Average of 3.63 Assessments per Teacher48% Personal Paper or Essay

38% Museum or Survivor Visit36% Class Discussion10% Service or Action Project7% IWitness ProjectAssessment Strategies UsedSlide21

Representation vs. Historical AccuracySlide22

Representation:

Making a meaning or interpretation of the Holocaust (often a symbol) that has been removed from the historical and geographical context in which the event took place.Historical Accuracy: Teaching the facts and events of the Holocaust with an emphasis on the historical/geographical context of the Holocaust as a specific, singular event.Slide23

Do we have an obligation to teach our students the lessons of historical and/or contemporary examples of social justice and injustice?

Question:Slide24

Do we have an obligation to teach our students the lessons of historical and/or contemporary examples of social justice and injustice?

If so, why?If not, why not?QW:

What are your thoughts on this? (Please write for four

(

4

) minutes)Slide25

Share & DiscussSlide26

39% YES46% SOMEWHAT15% NO

“Do you teach about the Holocaust with the goal of having students arrive at an established Belief, Moral, or Lesson?”Data from 2014 Survey:Slide27

Choosing an Image

an experimentSlide28

ASlide29

BSlide30

CSlide31

C

A

BSlide32

Representation without History

Tourist Education: non-contextualized, quick, superficial interactions;Unive

rsalizing complex histories

by turning them into symbols

;

Th

ese

images can therefore be used as

“ruling symbols of culture”

(Paul Salmons) to strengthen any political, moral, or social position I care to argue.

What Good Are A Few Cheap Tears?Slide33

What are the dangers of teaching the Holocaust as a symbol?“The Holocaust is a very distressing, unsettling topic, and will certainly not bring to pupils the sought-after answers regarding daily experience. On the contrary, it raises mostly difficult questions...To put it simply, a study of the Holocaust...should start with the Holocaust, without predetermined answers.”

Karel FracapaneSlide34

Static vs. Dynamic NarrativeSlide35

Slide36

In this photo, citizens of a small town watch Gestapo officers lead Jewish men and women to trucks for deportation from Germany. Children peek from behind the line of deportees while adults witness the event from a balcony above. These Jews of Lörrach were transported to German-occupied France. In 1942, German officials, with French collaboration, later deported most of them to Auschwitz. Few survived.

LÖRRACH, GERMANY, OCTOBER 22, 1940Slide37

Static: Examining the content of the Holocaust from one point of view (often the academic) without adjusting to consider that the events/choices were experienced subjectively.

Dynamic: Examining the content of the Holocaust from multiple narrative points of view.Slide38

Slide39

How does changing the narrative from one POV to another complicate the photo, and thereby complicate the history?Slide40

Principles of Holocaust Education:

All of our teaching will be experienced by our students through both a specific individual and specific local/community context or filter; their contexts and filters will be different than our own.

Think of your own classroom, your students, the community where you teach. Think of

your

own

personal and professional filters

.Slide41

Inquiry/Process vs. Didactic InstructionSlide42

Inquiry/Process: Learner-based or otherwise open-ended instruction which allows student questions and articulations to focus teaching and learning.

Didactic Instruction: Traditional information delivery or knowledge and skill activity which focuses teaching and learning in a limiting or close-ended system.Slide43

The Memorial Library Summer Seminar on Holocaust Education is the program (in my experience) that is most directly addressing classroom practice, especially as it relates to literacy best practice, using the NWP Teachers teaching Teachers model.Slide44

What went on in Hitler’s head? Why did he begin the Holocaust? (13)Why? (8)

Why Jewish people? (9)

What were the initial reactions of German people to Hitler’s ideas? (3)

Why did people start becoming Nazis?

How did Hitler influence people of Germany to commit genocide? (6)

What was day to day life like for Jews during the Holocaust?

What happened to the twins during the experiments? (2)

Student questions from my classroom:Slide45

Share & DiscussSlide46

Principles of Holocaust Education:

We must build capacity for our students to activate personal context in a positive, formative manner through the process of inquiry;

Writing can/should be a key strategy in that process!Slide47

Of all the available human capacities, Putting it into words is the most powerful. Thinking-it, Feeling-it, or Seeing-it by themselves are nothing. It is only when people put what they think or sense or see into words that whatever is there to be thought, felt, or seen comes into play as a force in social life.

Charles LemertThe Value of Writing:Slide48

Why should students learn

this content, this historical content and have to wrestle with the issues it raises for them, and the issues it raises for us?What factors do/will/should influence your instruction?

What are your next questions?

(write for five minutes)Slide49

Join the conversation

:

Share your voice, your experience, your models of success (and/or opportunity) from your classroom.