Macbeth William Shakespeare Sources Mrs Golden and Prestwick House Shakespeare and His Times When William Shakespeare 15641616 was born in StratfordonAvon England Queen Elizabeth I was the ruling ID: 613328
Download Presentation The PPT/PDF document "Elizabethan Drama" is the property of its rightful owner. Permission is granted to download and print the materials on this web site for personal, non-commercial use only, and to display it on your personal computer provided you do not modify the materials and that you retain all copyright notices contained in the materials. By downloading content from our website, you accept the terms of this agreement.
Slide1
Elizabethan Drama
MacbethWilliam Shakespeare
Sources: Mrs. Golden and Prestwick House Slide2
Shakespeare and His Times
When William Shakespeare (1564-1616) was born in Stratford-on-Avon, England, Queen Elizabeth I was the ruling
monarch
It
was a time of national strength and wealth, and the prevailing attitude was that life was excitingSlide3
It was an age of exploration, not only of the world but also of man's nature and the English
languageShakespeare's time was
also
considered the
English Renaissance
of
1500-1650Slide4
Important ideas that characterized this
period found in Macbeth:
Humans had potential for
development
Christian beliefs changedMedieval Christianity: this
world is a preparation for eternal
life. Elizabethan Christianity: everyday
life
is meaningful
and an opportunity for noble activity…leading to
humanism
“The Divine Right of Kings”: The king was ordained by God and was to be obeyedSlide5
This was a time for
heroesThe ideal Elizabethan man was a talented courtier, adventurer, fencer, poet, and conversationalist
He
was a witty and eloquent gentleman who examined his own nature and the causes of his
actionsMarriages were arranged, usually for
wealth
Women had a lower social status than menThe “Great Chain of Being” was followed
To
kill a King was a heinous crime; the
heavens
would show ominous signs when such evil was presentSlide6
Shakespeare's Use of LanguageSlide7
blank verse
Shakespeare's essential pattern in his plays is blank verse
Therefore, whenever a reader notices a change in this pattern (a change in
rhythm;
a shift in meter; a shift from poetry to prose)
there
is a reason for the changeWith the change, Shakespeare is creating a mood, establishing character ...
Something needs your attention as a readerSlide8
Be aware of shifts in language like this. For example:
the witches speak in rhymed couplets of irregular iambic tetrameter;the Porter (Act II, scene iii) speaks in prose;Lady Macbeth's sleepwalking scene (Act V, scene
i
) is in proseSlide9
use of figurative language (especially simile
and metaphor)
Shakespeare's characters
often
speak in similes and metaphors — to expand ideas and amplify imagery
Be certain not to miss the "like" or "as" or the text will indeed seem
incomprehensibleSlide10
For example, in Act I, scene ii, the bloody sergeant describes the battle against Macdonwald:
Doubtful it stood;As two spent swimmers, that do cling together And choke their art
The merciless Macdonwald
Worthy
to be a rebel, for to that the
multiplying villainies of
nature do swarm upon him—from the western isles Of kerns and gallowglasses
is supplied;
…
For brave Macbeth--well he deserves that name-- Disdaining fortune, with his
brandish'd steel, Which smoked with bloody execution,Like valour's
minion carved out his passage Till he faced the slave;Which neTer shook hands, nor bade farewell to him, Till he unseam'd him from the nave to the chaps, And fix‘d
his head upon our battlementsSlide11
Macbeth and Banquo are not swimming. Neither is drowning. The sergeant is explaining that the two sides of the battle were both exhausted yet each
impeding the other's victory
...
as
two spent swimmers
The second simile is
a pretty clear one:
Macbeth fights his way to Macdonwald like the special favorite or "pet" of
valour
(bravery, fortitude, etc
.)Slide12
Here lay
Duncan, His silver skin laced with his golden blood;
And
his gash’
d
stabs look’d
like a breach in nature For ruin's wasteful entrance
:
Here Macbeth is describing the appearance of Duncan's body. The skin is not literally silver, nor the blood gold, but Shakespeare is giving us information about how much Macbeth valued Duncan and thus regrets killing him — and how conflicted (noble yet evilly ambitious) Macbeth
isSlide13
Lady Macbeth does not use much figurative language
Macbeth used a great deal of figurative language; besides metaphors and similes, he uses personification, hyperbole, and understatementWhy? Perhaps because Macbeth is a dynamic character, and we see his emotional growth through his use of comparisons and imagerySlide14
MotifsSlide15
Notice how Shakespeare repeats certain
themes or phrases:
Fair is foul, foul is fair;
Cleaning Duncan's blood from their hands;
The witches' abuse of words — ambiguities and hidden meanings;
Guilt, repression, and madness;
Sleep and sleeplessnessSlide16
Dramatic Conventions and Author's TechniquesSlide17
Soliloquy
A soliloquy is a monologue. The character is alone
onstage; it
is a
device the playwright uses to give the audience insight into the character's thoughts and emotions
Shakespeare uses soliloquies to allow the reader to witness the conflict between Macbeth's honorable nature and his ambition combined with his desire to please his
wifeSlide18
Aside
The aside is another
device used
by the playwright to give the audience insight into the character; Here, the character is speaking either to himself or directly to the audience; There are other characters onstage who by convention do not hear the aside
We see an example of this in Act I when Macbeth thinks about the ramifications of the witches’ propheciesSlide19
Foil
A foil
is
a character who
highlights or emphasizes certain traits of the
main
character
by contrasting them
In
Macbeth,
Shakespeare uses both Banquo and Lady Macbeth as foils for MacbethBanquo's staunch integrity and Lady Macbeth's unmitigated ambition heighten the inner conflict between Macbeth's own wavering integrity and ambitionSlide20
Allusion
An allusion is
an indirect reference to another event, person or work with which the writer assumes the reader is
familiar
Shakespeare uses allusions as
techniques for establishing character, building theme, setting
moodIn
Macbeth,
there are allusions to Greek and Roman mythology, Roman history, and the BibleSlide21
Conflict
there can be no drama at all without conflict ...
In
Macbeth,
the primary conflict is internal between Macbeth's strong sense of Right and his strong desire both to be king and to please his wifeSlide22
Miscellaneous Devices
Use of the supernatural is
another
device used extensively in
MacbethMadness,
either real or pretended, was another popular
device in Elizabethan drama; Lady Macbeth displays this quality
One also cannot discuss Elizabethan tragedy without a discussion of the
tragic heroSlide23
Dynamic and Static CharactersSlide24
Dynamic Character
Macbeth
is
a strong example of a
dynamic characterAt the beginning of the play he is a courageous general, a man of honor with a strong sense of duty and
responsibility
These traits are what cause him to anguish over whether or not to kill his king and
cousin
In
the middle of the play, he is guilt
.- ridden and paranoidBy the end of the play he is a brooding tyrant who laments the meaninglessness of his lifeSlide25
Static Character
Lady Macbeth,
on the other hand
is
a static character
From
the beginning of the play
she
is set — Duncan must be
killed
To doubt or to speak of guilt is foolishIronically, it is her inability to change that ultimately leads to her insanity and suicideSlide26
The Weird Sisters and the Tragic HeroSlide27
Witches?
the Weird Sisters are referred to as "witches" only in the stage directions. No one
seeing
the play will hear the word "witch" even once.
In the text Banquo and Macbeth call them the "Weird
Sisters;"
this is what they call themselves.According to the Oxford English Dictionary, the word "weird" is derived from the Old English
wyrd
meaning fate or
destiny…remember Beowulf? Slide28
L
ater uses refer to one who pretends or is supposed
to have the power to foresee and control future
events
Still later the uses include persons who
have
the power to control the destinies of others
So
how
much control does Shakespeare intend his Weird Sisters to wield over Macbeth's destiny? Keep in mind that the
Elizabethan tragic hero's downfall was the result of his own choices and actions
Therefore, if the Weird Sisters cause the action of the play and control Macbeth's destiny, where's the tragedy in that?Slide29
What, then, is their role?
Be careful not to
give too
much power or control to the
witchesThese characters are designed
to propose possible temptations
for Macbeth…but they never
FORCE him to give in to them
Macbeth still practices free willSlide30
Tragic Hero
A tragic hero is, by classical definition, a person of high power who, through a combination of fate and his own foolish choices, falls to total death and destruction
By the Elizabethan Era, men felt that they had more control over their lives, so a tragic character fell by his own choices, not the control of outside “fates”Slide31
So, Macbeth is a tragic hero…tempted to choose things that ultimately destroy him
The weird sisters are not mystical, mind-controlling creatures…but they understand human nature and know how to “push Macbeth’s buttons”Slide32
Historical ReferencesSlide33
The Real Duncan
Duncan was only 36 when he was killed on the battlefield
Yes, Macbeth revolted against Duncan, but it was because Duncan was an incompetent king
Duncan was actually killed
on the battlefield
Malcolm was only 9 years
old at the timeSlide34
The Real Macbeth
Macbeth ruled for 17 years; 10 were peaceful and prosperous
The next 7 years were filled with turmoil as Duncan’s sons were old enough to fight for their father’s throne and Macbeth was constantly threatened by
their attempts to invade
Scotland and kill MacbethSlide35
The Real Lady Macbeth
Lady Macbeth was the granddaughter of Kenneth IV, a Scottish king of a rival family to
Duncan's
Kenneth
IV died in a battle against Malcolm II, Duncan's grandfather
So, Lady Macbeth really did believe she had a right to be a royal and hated Duncan, just as implied by Shakespeare in the playSlide36
After the Real Macbeth Died
His stepson, Lulach
, tried to continue the dynasty but
failed
Presumably Macbeth's stepson was Lady Macbeth's son by a previous marriage — which would explain how Shakespeare's Lady Macbeth has apparently been a mother ("1 have given suck and know/How tender 'tis to love the babe that milks me..." 1, vii) while Macbeth himself apparently has no
childrenSlide37
Except for the 17 years of Macbeth's reign, all subsequent rulers of Scotland were descended from Duncan — including James I (James VI of Scotland) who was England's ruler when Shakespeare wrote
MacbethSlide38
Tie to the “Present”
According to legend, the Stuarts of Scotland traced their ancestry back to Duncan I on the female side and to Banquo on the male
Therefore, Shakespeare makes Banquo a “hero” in the story and connects him to King James I – perhaps to impress the king and show the people of England that they had a “legit” king after their queen diedSlide39
The Setting
All of the historical places in the play are based on real locations in Scotland
However, as we already know, Shakespeare took great liberties with his characters and the sequence of historical events….so the setting is also changed from
historical fact to enhance
the tension, interest,
and characters in his playSlide40
Literary TermsSlide41
Tragedy
— A drama portraying the doomed struggle and eventual downfall of an admirable but flawed heroComedy - A
less serious form of drama that aims primarily to amuse, and usually as a happy ending
Tragic Flaw
— A tragic hero's error of judgment or inherent defect in character which, when combined with fate or outside factors, brings about catastrophe
Patron
— A person who supports with money, gifts, efforts, or endorsement an artist, writer, museum, cause, charity, etc.
Dramatic Irony
— A narrative poem in which the characters speak to a specific silent listener
Poetic Imagery
— Elements in a poem that are used to evoke mental images by appealing to the senses