Palace Museum Journal No52014 vol175 - PDF document

1 Palace Museum Journal No.5,2014 vol.1
Palace Museum Journal No.5,2014 vol.175 e article Chinese appears from page  to .e article Chinese appears from page  to . e Organization of e Gallery of Ancient Relics (Guwu Chenliesuo) before in Commemoration of e th Anniversary of e Gallery of Ancient Relics Wu ShizhouA: In accordance to The Conditions of Preferential Treatment of The Qing Royal Family the ancient relics preserved in the imperial residences in Rehe and Fengtian got moved back to the Forbidden City with the Boxer Indemnity refunded by the foreign invaders after The Republic of China was founded. The Gallery of Ancient Relics (Guwu Chenliesuo) which was based on the Hall of Martial Valor (Wuying Dian) and Hall of Literary Glory (Wenhua Dian) was officially set up in February, . However, as stipulated in the e Conditions of Preferential Treatment of e Qing Royal Family English abstract of the articles Zhang Tingji and His Dedication to Beiping Palace Museum before & after e Fall of BeipingHuang JinA: The Palace Museum in Beiping decided to give priority to moving objects to the south and the west after . e operation of the Palace Museum was in face of fund and talent shortage, Japanese was invading Beijing when Zhang Tingji was under the order to take oce of e General Aairs Department of e Palace Museum. Despite the action of ‘Moving Objects to e South’, many priceless treasures remained inside The Palace Museum were actually in much danger and threat. However, with greater eorts of the sta led by Zhang Tingji, the remaining objects brought through several crises ---- the Japanese troops and police destroyed books and grabbed magazines, copper and iron were collected and oered, there were struggles for presidential post of Palace Museum and so on. e Palace Museum were managed to operate properly with nancial and human supports from the society and called upon the celebrities and scholars to join in the protection of the cultural heritages from being ruined by the invaders. What’s more, it kept on surveying and mapping, displays and exhibits, restoring buildings, editing and publishing, maintaining objects and so on.K W: fall of Beiping;Zhang Tingji;maintain;Beiping;e Palace M

2 useum;undertakingse Iconography of
useum;undertakingse Iconography of Crossing Road Pagoda (Guojie Ta) Images of JuYongGuan Pass Reconstruction of Chinese Buddhist Art Images and Composition from th to th Centuries Xie JishengA: Fewer references and reviews about JuYongGuan Pass have been read except the Japanese publication of JuYongGuan Pass and e Crossing Road Pagoda (Guojie Ta) of JuYongGuan Pass Reconsidered by Chinese Archaeologist Su Bai, which were issued in  and  respectively. e early interpretation on the layout and illustration as the Tibetan Buddhist Sutras failed to make sense of the intrinsic logical relation of the images. is essay intends to probe into the history of the three damaged towers of Crossing Road Pagoda (Guojie Ta) and the philosophical expositions of the multiple sutras they embody and the text about the ve Buddhas carved on the entrance, to explain the four handprints on the slope ceiling (Xie Pi) and the form of the ten-direction-three-body Buddha (Shifang Fo), to analyze the evolution of the images of Saddharma-pundarika Buddha and Prabhutaratna Buddha by the th century on the basis of the illustration and composition of the images, to retrieve the idea of the designer who built up Crossing Road Pagoda (Guojie Ta) with multiple cultures and faiths of Western Xia and Yuan periods by observing the images of Four Devas and the armors they wear over the chests. It is studied here that JuYongGuan Pass used to be the most vital pass connecting the area north the Great Wall prairie and the hinterland of North China. Crossing Road Pagoda (Guojie Ta) built up in the Yuan Emperor Shun’s regime marked the centralized nation of dierent ethnics who were living together peacefully and friendly more than a Tibetan Buddha pagoda. K W: th through th centuries;JuYongGuan Pass;Crossing Road Pagoda (Guojie Ta);layout and arrangement;Image composition;implication;reconstructione article Chinese appears from page  to .e article Chinese appears from page  to . Palace Museum Journal No.5,2014 vol.175 e Early Iconography of “Durgatipariodhana Mandala” in Dunhuang and Western TibetWang RuileiA: The representation of Durgatipariodhana-tantra (È Qù Qng Jìng Dá Tè Luó) which m

3 ainly refers to funeral rites was early
ainly refers to funeral rites was early in Tubo dynasty translated into Tibetan language and included in the classical Buddhism sutra titled lDan dkar ma dkar chag (Dn Gá Mù Lù) that was much appreciated by the royal family of that time. In many temples and caves in Dunhuang of Tubo dynasty, Yulin Cave , Par gar bu Cave have been discovered Nine-Usnsa Mandala introduced in the two extant new and old versions of Durgatipariodhana-tantra (È Qù Qng Jìng Dá Tè Luó). Based on what is mentioned above and related historical documents recorded in the Han and Tibetan Buddhist classics, this paper talks about Durgatipariodhana-tantra as a conguration of Nine-Usnsa Mandala, and also analyzes the philosophical and functional changes of Nine-Usnsa Mandala in Dunhuang and western Tibet over the ages.K W: Durgatipariodhana-tantra;Nine-Usnsa Mandala;Yulin Cave ;Par gar bu caveLei Jinyu ReconsideredShi Zhen He BeijieA: In spite of some -word introduction about Lei Jinyu as the pioneer of Family Lei to move to capital of Beijing and the founder of Lei’s Style in On Family Lei (Yang Shi Lei Kao) by Zhu Qiqian in July, , the study of Family Lei (Yang Shi Lei) got further promoted right after the release of his posthumous A Preface of Lei’s Family Tree and An Epigraph Of Lei Jinyu, both of which made Lei Jinyu better known for his architectural achievements and events in his life. Following More Research of Lei Fada (Shi Zhen & He Beijie. (). More Research of Lei Fada. Beijing: Palace Museum Journal, vol. ), this thesis reviews Lei’s Family Tree, manuscripts of Lei Family and other related archives and research results for more knowledge of the data sources about Lei Jinyu from On Family Lei (Yang Shi Lei Kao) and his life career. K W: Lei Jinyu;Family Lei (Yang Shi Lei);Lei’s Family Tree (Lei Shi Zu Pu);Nanmu Zuo Workshop;Department of Imperial householde Manufacturer of e Porcelains Unearthed from Song & Jin Tombs of Donglongguan Graveyard of Fenyang, Shanxi Meng YaohuA: Donglongguan Graveyard of Fenyang was one of the largest during the Tang through Qing dynasties, in which are excavated a considerable amount of porcelain wares from the tombs of the Song & Jin (Jurchen) periods, but the archaeological repor

4 t presented little about the birthplace
t presented little about the birthplace of the objects. With a systematic analysis of related materials, it is concluded that those unearthed from Song & Jin tombs proved to be the products of the kilns of Jiexiu city of the Jin (Jurchen) period.K W: Donglongguan Graveyard of Fenyang, Shanxi;porcelains;Northern Song kilns of Jiexiu city;Jin kilns of Jiexiu citye article Chinese appears from page  to .e article Chinese appears from page  to .e article Chinese appears from page  to . English abstract of the articles On Compilation, Print and Circulation of One-Volume-Edited Tripitaka – Dharani in Manchu, Han, Mongolian and Tibetan Versions Together Chun HuaA: Qing Emperor Qianlong attached much importance to dissemination and development of Tibetan Buddhism during his regime. He ordered to compile, print and distribute many a seperate edition of Buddhist Sutras of Manchu, Han, Mongolian and Tibetan languages, and one-volume-edited Buddhist Sutras of Manchu, Han, Mongolian and Tibetan simultaneous versions such as Tripitaka – Dharani of Manchu, Han and Tibetan Languages (Yùzhì M n Hàn Xfn Hébì Dàzàng Quánzhòu) and Tripitaka – Dharani of Manchu, Han, Mongolian and Tibetan Languages (Yùzhì M n Hàn Mngg Xfn Hébì Dàzàng Quánzhòu). Based on related historical data like Files of Memorials to e rone (Zòu Xio Dàng), Memorials to e rone Cases (Zòu Zhé Àn), Imperial Edict to e Oce of Grand Council of State (J\rn J Chù Shàng Yù Dàng), e Memoirs of Events (Shí Lù) and A Corpus of Laws and Regulations (Huì Di n) and other documents, the whole process of compiling, distributing to temples, training to chant the sutras, printing and publishing this masterwork is analyzed in this thesis.K W: Tripitaka;Dharani;Manchu language;Mongolian language;Tibetan language;Han languageA Study of e Cultural Flourishing Emperor Xuande’s Regime Zhao ZhongnanA: In the Ming Xuande’s regime, the traditional Chinese royal culture became much prosperous with wider range extending to as many as some  aspects in terms of imperial gardens, dramas, calligraphy and painting, porcelain, lacquer, enamelware, furniture, textiles and embroidery and

5 stationery accessories, all of which em
stationery accessories, all of which embodied the ne, lively, splendid, elegant and peaceful royal style. The royal culture was at that time explorative and innovative more than following tradition. Above all the techniques for processing different products got improved and interplayed with one another well. It is analyzed that the prosperity of royal culture benefited from many factors: both Xuanzong and his son had great taste in royal culture and enjoyed luxury of life; the cultural policy of that period was liberal; the Court nance invested a lot in developing royal culture; high-level arts were growing in popularity in the Ming Court when the nation was in progressive and peaceful state; there was increasing exchange and integration of Sino-foreign royal cultures and traditional folk arts; the demand for decoration of the imperial palace went up after e Ming court founded Beijing as the capital; the society was steady and so on. K W: e Ming dynasty;Xuande’s regime; royal culture;prosperity e article Chinese appears from page  to .e article Chinese appears from page  to . e Organization of e Gallery of Ancient Relics (Guwu Chenliesuo) before 1925: in Commemoration of e 100th Anniversary of e Gallery of Ancient RelicsWu Shizhoue Full Story of Setting up e Traditional Chinese Painting Studio (Guohua Yanjiuguan)of e Gallery of Ancient Relics (Guwu Chenliesuo)Xu WanlingZhang Tingji and His Dedication to Beiping Palace Museum before & after e Fall of BeipingHuang Jine Iconography of Crossing Road Pagoda (Guojie Ta) Images of JuYongGuan Pass: Reconstruction of Chinese Buddhist Art Images and Composition from 11th to 14th CenturiesXie JishengContentsPalace Museum JournalNO.5, 2014 vol.175 \f\f\f\n\f\t\t\f\b\f\n\f\n\n\n\t\f\n\b\te Early Iconography of “Durgatipariodhana Mandala” in Dunhuang and Western TibetWang RuileiLei Jinyu ReconsideredShi ZhenHe Beijiee Manufacturer of e Porcelains Unearthed from Song & Jin Tombs of Donglongguan Graveyard of Fenyang, ShanxiMeng YaohuOn Compilation, Print and Circulation of One-Volume-Edited Tripitaka-Dharani of Manchu, Han, Mongolian and Tibetan Versions TogetherChun HuaA Study of e Cultural Flourishing Emperor Xuande’s RegimeZhao Zhongnan Palace Museum Journal No.5,2014 vol.175 English content