The Religious Landscape Igbo Mbari House to Ala the Earth Goddess Adobe and wood 20 th century Verandah Posts Olowe Wood Yoruba 19101914 Nkisi Nkonde Kongo Peoples Zaire Wood cord iron nails feathers pigment ID: 808253
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Slide1
Slide2Masking
Traditions:
h
onoring our mothers
Slide3The Religious Landscape
Slide4Igbo Mbari House to Ala, the Earth Goddess, Adobe and wood, 20
th
century
Slide5Verandah Posts,
Olowe
,
Wood,
Yoruba,
1910-1914
Slide6Nkisi Nkonde,
Kongo Peoples, Zaire
Wood, cord, iron, nails, feathers, pigment
Natural fibers
20th century h. 83 cm
Slide7Divination Tapper--
Iroke
Ifa
Ivory,
Owo
, Yoruba, Nigeria
17
th
-18
th
century
Slide8Ifa
divination Tray—
Opon
Ifa
,
Fon
Peoples, Republic of Benin,
Wood, Late 16
th
- Early 17
th
century
Slide9The mask is …
Slide10Figure with Mask like Head,
Rock Painting, Tassili, 10,000 BP
Slide11African Art and the Modernist Engagement
Slide12Pablo Picasso,
Les Demoiselles d’Avignon
Oil on canvas, 1907
Slide13“the mask weren’t just like any pieces of sculpture…Not at all.
They were magic things…The Negro pieces were
intercesseurs
, mediators…
I always looked at fetishes
...”
--
Pablo Picasso
Slide14Pablo Picasso, Les Demoiselle
D’Avignon
(detail) 1907, oil on canvas
Mbuya (sickness) mask,
Pende, Zaire, Polychrome wood,
20
th
century
Slide15Fang Mask,
Gabon, polychrome wood,
20
th
century
Mask,
Republic of the Congo,
Painted wood
Late 19
th
century
Pablo Picasso,
Detail of Les Demoiselle
D’Avignon, 1907,
Oil on canvas
Slide16The mask is the mediating force at that delicate intersection
between the real and the imagined; the concrete and the imperceptible;
The serious and the playful; the whimsical and the terrifying; the living and the dead
Ancestral veneration/worship; mediation
Rites of passage—education
Social control—punitive; intervention; social harmony
Entertainment—humor and satire
.
Slide17Ancestor Veneration
Slide18Oba William Ayeni,
Orangun of Ila wearing the
Great Crown (Ade Nla) with beaded
Veil,
Yoruba Peoples, Nigeria
20
th
cent
Slide19Chiwara Masquerades in performance during the agricultural cycle,
Bamana Peoples, Mali
Slide20Crest Mask,
Chiwara,
Bamana, Mali
Wood,
20
th
century
Slide21Bobo (Butterfly) mask,
Burkina Faso (Upper Volta),
Painted Wood, cloth,
20
th
century
Members of the Do in performance
Dossi, Burkina Faso (Upper Volta)
Wood, natural pigments, grass fibers
20
th
century
Slide22Dje (antelope) masquerade in performance, Dabuzra, Cote D’Ivoire
Slide23Rites of Passage
:
Initiation & Education
Slide24Sowei Headdress,
Gola/Vai Peoples,
Liberia and Sierra Leone,
Wood, 20
th
century
Slide25Sowei Headdress,
Sande society, (Gola, Vai Peoples)
Liberia Sierra Leone
Wood, pigment
20
th
century
Slide26Boys’ initiation, Gabon
Slide27Fire spitter mask (kponugu), Senufo, Ivory Coast
Wood, 20
th
century
Slide28Social Control
Slide29Gelede Headdress with two pythons attempting to swallow a tortoise
Yoruba, Nigeria, wood, pigment, 20
th
century
Slide30Ijele Mask at the 2
nd
Burial
Ceremony,
Achalla, Nigeria,
Mixed media, 20
th
century
Slide31Yoruba Egungun Masquerade, mixed media, 21
st
century
Slide32Egungun ensemble
Yoruba Peoples, Nigeria
Cloth, wood, metal
20
th
cent.
Slide33Egungun masquerade in
Dance motion
Yoruba Peoples, Nigeria/Benin,
20
th
cent.
Slide34Humor and Satire
Slide35Gelede masked performers, Yoruba Peoples, Ketu, Democratic republic of Benin
Slide36Masquerades, Yoruba, Nigeria, wood, cotton, 20
th
century
Slide37Parodying the Colonial “Other”
(Egungun) Masquerade
Yoruba, Nigeria
wood, animal hide, cotton, pigments
20
th
century
Slide38Diasporic
Transformations
Slide39Egungun
ensemble honoring Sango,
Oyotunji
, Sheldon, South Carolina,
May
26, 2014. Photograph by
Bolaji
Campbell.
Nick Cave
American, b. 1956
Soundsuit, 2006
Found knit sweaters, socks, drift wood, dryer lint, and paint
Helen M. Danforth Acquisition Fund 2007.11
Slide41Wole
Lagunju
Marilyn Monroe and my African
Sensibilities
Acrylic on canvas
2013