PPT-Othello

Act I Act I Scene I Summary Roderigo amp Iago are going to tell Barbanzio that his daughter Desdemona married Othello Rodrigo is angry with Iago because he has been paying him to help secure Desdemonas hand in marriage. SHAKESPEARE SCRIPT, STAGE AND SCREEN. by . Bevington. , Welsh and Greenwald. OTHELLO is unique among Shakespeare’s later plays as essentially a domestic tragedy. First recorded performance was November 1604. Dramatis Personae. Duke of Venice. Othello: Moor, married to Desdoma. Iago: Solider in Othello’s army. Cassio: Lieutenant in Othello’s army. Desdemona: Othello’s wife. Emilia: Iago’s wife. Rodreigo: Solider, love Desdemona. assessment task #2. How to prepare?. Where to start?. What process should you follow?. …what does it all mean???. ESSAY QUESTION: . ‘Shakespeare’s . OTHELLO . continues. to . engage audiences. & Thesis Statements. Getting off to a good start…. The most important part of an essay…. SKELETON OF L.A.E. HOOK: GRAB THE READER`S ATTENTION. MINI SUMMARY: TRANSITION TO WHAT THE STORY IS ABOUT. Thinking about . Othello. , . an interactive study guide produced by Shakespeare Help.. Viewing this Presentation. To view this presentation in Slide Show View:. Press the F5 key on the top row of the keyboard, or click the Slide Show tab on the ribbon and then click the From Beginning button. . William Shakespeare’s Othello. NEXT YEAR .... READ THE NOTES FROM IAIN’S REVISION LESSONS – SUPERB. More emphasis on imagery – beasts, monsters, animals, Heaven and Hell Black and white. Emphasis on Setting and Order Vs Chaos. William. Shakespeare. /Gospels of Mark, Luke, Matthew, and John. Quote from the literature which shows a Biblical Allusion: ”Of one whose hand, like the base Judean, threw a pearl away” (V. ii. 77-83).. Lecture 22. Common Mistakes (1/3). The location of a shape in an array/. ArrayList. does not directly impact the graphical location of the shape.. you still must call the . setX. /Y. (or similar) method of the shape. Györke. . Ágnes. gyorke.agnes@arts.unideb.hu. What is . postcolonialism. ?. Why do we need to rethink Shakespeare from the perspective of postcolonial studies? . A postcolonial reading of . Othello. PARAPHRASE/ANALYZE. Theme TOPICS (NOT THEMES). Manipulation and deception. Love (Destructive Power of… Loss of…) . Jealousy/Envy. Appearance vs. Reality. Justice/Vengeance . The Source of Evil/The Power of Evil. English 12 Unit Two. You know it’s true. Session one. Literary essayists create . claims for their positions by reviewing the collected evidence . from their readings.. Unit assessment prompt. Choose ONE of the following prompts and write a complete, thorough essay of at least three pages in response. Use proper MLA format and submit your final draft to Turnitin.com. . ACT I. p. 13: Act I . Vocab:. 1. Desolate. (. adj. ) Spiritual ruin; loss of the soul; barren. 2. Laconic. . (. adj. ) . Concise; using few words. 3. Obsequious. . (. adj. ) . Obsessive or servile to an excessive degree. Kawakami Otojiro’s . Osero. (1903), an adaptation of Shakespeare’s . Othello. Photo preserved in the Tsubouchi Memorial Theatre Museum of Waseda. Kawakami Otojiro’s Osero (1903). The premiere of . O! beware, my lord, of jealousy; It is the green-. ey'd. monster which doth mock The meat it feeds on. O! I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial.