Her Own Version of History A Case Study of the
Description: Her Own Version of History A Case Study of the Guerrilla Girls Oral Histories at the Archives of American Art, Smithsonian Institution Erin Dickey UNC-Chapel Hill MS Information ScienceMA Art History, 2018 Anonymous participants privacy?
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slide1. Her Own Version of History A Case Study of the Guerrilla Girls Oral Histories at the Archives of American Art, Smithsonian Institution Erin Dickey
UNC-Chapel Hill
MS Information Science/MA Art History, 2018<br>
slide2. Anonymous participants + privacy?
Clear copyright vs. ethics?
Transcript review?
Web access? Questions with changing answers:<br>
slide3. Artifacts Jennifer Snyder, AAA Oral History Archivist (then Archives Technician)
Liza Kirwin, AAA Deputy Director (then Acting Director)
Emily Terrell, then AAA curatorial staff member
Anna C. Chave, Professor Emerita, CUNY Graduate Center
Justin Brancato, then staff member at AAA’s New York research Center Oral History Collections Processing Form
Procedures for Oral History Interviewers: A Summary (2016)
Oral History Interview Procedures (2011)
Current and past Consent & Gift forms Study Participants<br>
slide4. Cover, Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film Do women have to be naked to get into the Met. Museum?
1989
Guerrilla Girls
Collection of Smith College Museum of Art
Image via ARTStor<br>
slide5. 1985
Guerrilla Girls form 1999
Incorporation of Guerrilla Girls, Inc. by “Frida Kahlo” and “Käthe Kollwitz” 2000-2001
Formation of Guerrilla Girls on Tour; formation of Guerrilla Girls BroadBand 2003
Lawsuit against splinter groups 2007-2008
AAA records Guerrilla Girls interviews October 2010
“Kahlo” and “Kollwitz” interview goes online Summer 2011 Chave’s Art Journal article published October 2011 Transcript revised and replaced Fall 2011
Letters to the Editor of Art Journal published March 2012 Transcript with addenda published<br>
slide6. Frida Kahlo and
Kathe Kollwitz Anna C. Chave Letters. (2011).
Art Journal 70 (3): 113–14. Guerrilla Girls at
Cal Arts Valencia, Ca.
1987
Image via ARTstor<br>
slide7. Explanatory text added by AAA in March, 2012
https://www.aaa.si.edu/collections/interviews/oral-history-interview-guerrilla-girls-frida-kahlo-and-kathe-kollwitz-15837<br>
slide8. Lessons Learned Implement deadlines, clearer communication for transcript review
Show changes in transcript versions
Make changes apparent (if permitted) in online transcripts
Encourage verbatim transcripts
Continually review procedures as well as associated documentation and access technologies<br>
slide9. Soon accessible via:
cdr.lib.unc.edu Justin Brancato
Anna C. Chave
Liza Kirwin
Ryan Shaw
Jennifer Snyder
Emily Terrell
Archives of American Art, Smithsonian Institution
“Learning from Artists’ Archives” Program From What’s New and Happening at the Guggenheim?
Collection of Bucknell University, Samek Art Museum
Image via ARTStor Acknowledgements Contact: erinad@live.unc.edu @edickey<br>
UNC-Chapel Hill
MS Information Science/MA Art History, 2018<br>
slide2. Anonymous participants + privacy?
Clear copyright vs. ethics?
Transcript review?
Web access? Questions with changing answers:<br>
slide3. Artifacts Jennifer Snyder, AAA Oral History Archivist (then Archives Technician)
Liza Kirwin, AAA Deputy Director (then Acting Director)
Emily Terrell, then AAA curatorial staff member
Anna C. Chave, Professor Emerita, CUNY Graduate Center
Justin Brancato, then staff member at AAA’s New York research Center Oral History Collections Processing Form
Procedures for Oral History Interviewers: A Summary (2016)
Oral History Interview Procedures (2011)
Current and past Consent & Gift forms Study Participants<br>
slide4. Cover, Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film Do women have to be naked to get into the Met. Museum?
1989
Guerrilla Girls
Collection of Smith College Museum of Art
Image via ARTStor<br>
slide5. 1985
Guerrilla Girls form 1999
Incorporation of Guerrilla Girls, Inc. by “Frida Kahlo” and “Käthe Kollwitz” 2000-2001
Formation of Guerrilla Girls on Tour; formation of Guerrilla Girls BroadBand 2003
Lawsuit against splinter groups 2007-2008
AAA records Guerrilla Girls interviews October 2010
“Kahlo” and “Kollwitz” interview goes online Summer 2011 Chave’s Art Journal article published October 2011 Transcript revised and replaced Fall 2011
Letters to the Editor of Art Journal published March 2012 Transcript with addenda published<br>
slide6. Frida Kahlo and
Kathe Kollwitz Anna C. Chave Letters. (2011).
Art Journal 70 (3): 113–14. Guerrilla Girls at
Cal Arts Valencia, Ca.
1987
Image via ARTstor<br>
slide7. Explanatory text added by AAA in March, 2012
https://www.aaa.si.edu/collections/interviews/oral-history-interview-guerrilla-girls-frida-kahlo-and-kathe-kollwitz-15837<br>
slide8. Lessons Learned Implement deadlines, clearer communication for transcript review
Show changes in transcript versions
Make changes apparent (if permitted) in online transcripts
Encourage verbatim transcripts
Continually review procedures as well as associated documentation and access technologies<br>
slide9. Soon accessible via:
cdr.lib.unc.edu Justin Brancato
Anna C. Chave
Liza Kirwin
Ryan Shaw
Jennifer Snyder
Emily Terrell
Archives of American Art, Smithsonian Institution
“Learning from Artists’ Archives” Program From What’s New and Happening at the Guggenheim?
Collection of Bucknell University, Samek Art Museum
Image via ARTStor Acknowledgements Contact: erinad@live.unc.edu @edickey<br>