The Handmaid’s Tale Critical views and reviews
Description: The Handmaids Tale Critical views and reviews Feminism and Utopianism by Alessa Johns Education in Feminist Utopias Fostered through conversation, which trains girls in current affairs, language and critical thinking Judith Drakes: Essay
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slide1. The Handmaid’s Tale Critical views and reviews<br>
slide2. Feminism and Utopianism by Alessa Johns<br>
slide3. Education in Feminist Utopias Fostered through conversation, which trains girls in current affairs, language and critical thinking
Judith Drake’s: Essay in Defence of the Female Sex (1696) – suggests that girls were in fact more adept (skillfully) socially than boys because they participated in discussions of books rather than pursuing a classical education, which emphasised Latin and Greek<br>
slide4. Dystopian Work Dangers of digitisation are depicted in the fundamentalist Republic of Gilead where:
People’s identities = stolen electronically
Books = outlawed & burned
Female narrator Offred, is desperately greedy for the intellectual stimulation of words, devours even a shabby, antiquated issue of Vogue magazine illicitly acquired through her Commander<br>
slide5. Margaret Atwood: The Handmaid’s Tale by Faye Hammill<br>
slide6. Andrew Tidmarsh 1992: 24 Science fiction is a way of looking at things, and it’s a way of looking at things that is very hard to do in any other kind of fiction. It’s a creation of a different kind of metaphor.<br>
slide7. Hammill’s Views The Handmaid’s Tale (1985) remains the outstanding success of Atwood’s career, and is the novel that made her an international celebrity<br>
slide8. Atwood’s Novels In all 3 books (‘The Blind Assassin’ 2000, ‘Oryx and Crake’ 2003’ & ‘The Handmaid’s Tale’ 1985) – Atwood creates “a different kind of metaphor” by constructing temporally distant societies whose apparent unfamiliarity only barley disguises their direct relevance to the novelist’s present and to various earlier periods of human history
The Handmaid’s Tale – describes a near-future USA society, the Republic of Gilead = a totalitarian theocracy governed by white, male supremacists<br>
slide9. Atwood’s influences While acknowledging the influence of writers such as Orwell and Huxley on her own work, she notes that: “The majority of dystopias… have been written by men, and the point of view has been male” (Atwood 2003c)<br>
slide10. Endings: Nineteen Eighty-Four and The Handmaid’s Tale Winston Smith – still seems doomed
Atwood – permits a greater measure of optimism by leaving open the possibility that ‘Offred’ will escape. Her narrative ends when a van comes for her = ambiguous:
Supposedly a police van, taking her to be executed as a subversive
BUT… could belong to the underground rescue operation
- The very existence of the underground movement in Gilead, together with the Handmaid’s success in recording her story, offer hope that the ideology of the regime can be challenged, and transforms the novel itself into a site of resistance against patriarchy and totalitarianism<br>
slide11. Time Atwood’s conception of time travel, then, does not involve a tardis but an imaginative reconstruction of an unfamiliar society, which may exist in the past or future, or.. both<br>
slide12. Barbara Rigney, argues that these women are ‘personifications of a religious sacrifice, temple prostities’ (Rigney 1987: 117) due to their red gowns worn
The ideas voiced by the Aunts, the female control agency, read at times like a grotesque parody of the 1870s social purity movement, whose primary aims were the elimination of prostitution and of the sexual harassment and abuse of girls and women. The movement demonstrated ‘an interesting fusion of feminist impulses within an old fashioned purity agenda’ (Jeffreys 1997: 195)<br>
slide13. Robert Kidd – Dystopia- A Overview<br>
slide14. Dystopian Text Usually involves a world where a ruling ideology imposes its vision of social order on the masses as in Nineteen Eighty-Four or The Handmaid’s Tale
Often those in power insist that their vision of society is a ‘perfect’ one – a utopian world. What becomes clear in each re-working of the genre is that one individual’s utopian idyll is a dystopian reality imposed on those who do not share his or her perfect vision<br>
slide15. Gabriela Reigh – Writing Women’s Voices<br>
slide16. Covert Resistance Set in a dystopian regime which reduces women to their biological function. By being cast as a Handmaid, Offred’s identity = reduced to her physical body, as her ability to bear children is exploited by the government
By naming her Offred (Of-Fred), the government attempts to wipe away her individuality and emphasise the fact that she is the property of the Commander, the man whose children she is required to conceive<br>
slide17. Telling their own stories An important step in all the women’s journey of self-discovery is the ability to tell their own stories
Atwood uses the first person narrative to show the importance of women using language as a means of taking control of their lives – it is the patriarchal society that ‘owns’ language and therefore defines women
Offred’s desperation is portrayed during an illicit game of Scrabble with the Commander, where the pleasure she takes in controlling language again takes on an almost physical intensity …. ‘The feeling is voluptuous. This is freedom, an eyeblink of it’<br>
slide18. Independent: Lesley McDowell<br>
slide19. McDowell’s Review ‘Atwood’s feminist dystopia has now reached the status of classic, and may well prove to be the book she is remembered for’
‘Its freshness, its anger and its disciplined, taut prose have only grown more admirable in the intervening years’
‘Atwood’s novel was an ingenious enterprise that showed, without hysteria, the real dangers to women of closing their eyes to patriarchal oppression’<br>
slide20. The Guardian: Charlotte Newman<br>
slide21. Newman’s Review ‘Atwood’s chilling tale of a concubine in an oppressive future America is more vital than ever’
‘Fiercely political and bleak, yet witty and wise… but Atwood has always maintained that the novel is not classifiable science fiction. Nothing practiced in the Republic of Gilead is genuinely futuristic. She is right, and this novel seems ever more vital in the present day, where women in many parts of the world live similar lives, dictated by biological determinism and misogyny’<br>
slide2. Feminism and Utopianism by Alessa Johns<br>
slide3. Education in Feminist Utopias Fostered through conversation, which trains girls in current affairs, language and critical thinking
Judith Drake’s: Essay in Defence of the Female Sex (1696) – suggests that girls were in fact more adept (skillfully) socially than boys because they participated in discussions of books rather than pursuing a classical education, which emphasised Latin and Greek<br>
slide4. Dystopian Work Dangers of digitisation are depicted in the fundamentalist Republic of Gilead where:
People’s identities = stolen electronically
Books = outlawed & burned
Female narrator Offred, is desperately greedy for the intellectual stimulation of words, devours even a shabby, antiquated issue of Vogue magazine illicitly acquired through her Commander<br>
slide5. Margaret Atwood: The Handmaid’s Tale by Faye Hammill<br>
slide6. Andrew Tidmarsh 1992: 24 Science fiction is a way of looking at things, and it’s a way of looking at things that is very hard to do in any other kind of fiction. It’s a creation of a different kind of metaphor.<br>
slide7. Hammill’s Views The Handmaid’s Tale (1985) remains the outstanding success of Atwood’s career, and is the novel that made her an international celebrity<br>
slide8. Atwood’s Novels In all 3 books (‘The Blind Assassin’ 2000, ‘Oryx and Crake’ 2003’ & ‘The Handmaid’s Tale’ 1985) – Atwood creates “a different kind of metaphor” by constructing temporally distant societies whose apparent unfamiliarity only barley disguises their direct relevance to the novelist’s present and to various earlier periods of human history
The Handmaid’s Tale – describes a near-future USA society, the Republic of Gilead = a totalitarian theocracy governed by white, male supremacists<br>
slide9. Atwood’s influences While acknowledging the influence of writers such as Orwell and Huxley on her own work, she notes that: “The majority of dystopias… have been written by men, and the point of view has been male” (Atwood 2003c)<br>
slide10. Endings: Nineteen Eighty-Four and The Handmaid’s Tale Winston Smith – still seems doomed
Atwood – permits a greater measure of optimism by leaving open the possibility that ‘Offred’ will escape. Her narrative ends when a van comes for her = ambiguous:
Supposedly a police van, taking her to be executed as a subversive
BUT… could belong to the underground rescue operation
- The very existence of the underground movement in Gilead, together with the Handmaid’s success in recording her story, offer hope that the ideology of the regime can be challenged, and transforms the novel itself into a site of resistance against patriarchy and totalitarianism<br>
slide11. Time Atwood’s conception of time travel, then, does not involve a tardis but an imaginative reconstruction of an unfamiliar society, which may exist in the past or future, or.. both<br>
slide12. Barbara Rigney, argues that these women are ‘personifications of a religious sacrifice, temple prostities’ (Rigney 1987: 117) due to their red gowns worn
The ideas voiced by the Aunts, the female control agency, read at times like a grotesque parody of the 1870s social purity movement, whose primary aims were the elimination of prostitution and of the sexual harassment and abuse of girls and women. The movement demonstrated ‘an interesting fusion of feminist impulses within an old fashioned purity agenda’ (Jeffreys 1997: 195)<br>
slide13. Robert Kidd – Dystopia- A Overview<br>
slide14. Dystopian Text Usually involves a world where a ruling ideology imposes its vision of social order on the masses as in Nineteen Eighty-Four or The Handmaid’s Tale
Often those in power insist that their vision of society is a ‘perfect’ one – a utopian world. What becomes clear in each re-working of the genre is that one individual’s utopian idyll is a dystopian reality imposed on those who do not share his or her perfect vision<br>
slide15. Gabriela Reigh – Writing Women’s Voices<br>
slide16. Covert Resistance Set in a dystopian regime which reduces women to their biological function. By being cast as a Handmaid, Offred’s identity = reduced to her physical body, as her ability to bear children is exploited by the government
By naming her Offred (Of-Fred), the government attempts to wipe away her individuality and emphasise the fact that she is the property of the Commander, the man whose children she is required to conceive<br>
slide17. Telling their own stories An important step in all the women’s journey of self-discovery is the ability to tell their own stories
Atwood uses the first person narrative to show the importance of women using language as a means of taking control of their lives – it is the patriarchal society that ‘owns’ language and therefore defines women
Offred’s desperation is portrayed during an illicit game of Scrabble with the Commander, where the pleasure she takes in controlling language again takes on an almost physical intensity …. ‘The feeling is voluptuous. This is freedom, an eyeblink of it’<br>
slide18. Independent: Lesley McDowell<br>
slide19. McDowell’s Review ‘Atwood’s feminist dystopia has now reached the status of classic, and may well prove to be the book she is remembered for’
‘Its freshness, its anger and its disciplined, taut prose have only grown more admirable in the intervening years’
‘Atwood’s novel was an ingenious enterprise that showed, without hysteria, the real dangers to women of closing their eyes to patriarchal oppression’<br>
slide20. The Guardian: Charlotte Newman<br>
slide21. Newman’s Review ‘Atwood’s chilling tale of a concubine in an oppressive future America is more vital than ever’
‘Fiercely political and bleak, yet witty and wise… but Atwood has always maintained that the novel is not classifiable science fiction. Nothing practiced in the Republic of Gilead is genuinely futuristic. She is right, and this novel seems ever more vital in the present day, where women in many parts of the world live similar lives, dictated by biological determinism and misogyny’<br>