at Play Mark Rouncefield and Peter Tolmie Garfinkels Bastards at Play The usual apologies Play is a commonplace word we use play as a simple ordering device Contrast with ID: 299894
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Slide1
Ethnomethodology at Play
Mark Rouncefield and Peter
TolmieSlide2
Garfinkel’s Bastards at Play
The usual apologies..
Play is a commonplace word
- we
use ‘play’ as a simple ordering
device
Contrast with
conventional sociological studies
- demonstrates
the breadth of
EM analysis
‘play
’ involves ‘work’ - all activities, even ‘play’, involve ‘work
’:
‘
For the
ethnomethodologist
there
is no domain of human practice that is exempt from this. Human action and interaction does not just tumble from the sky ready formed. Instead, even the most mundane of actions have to be produced somehow, somewhere,
somewhen
. This is a job of work
’
Slide3
Sociology and Play
Sociology - ‘
the attempt to discover what is social about the social world.
’
But Sociology uses ‘play’ for
further
rehearsal
of explanatory themes
they
have found to be interesting and relevant elsewhere
Don’t tell
us
very much
about
leisure
activities
themselves – marginalized or
sacrificed in pursuit of other disciplinary, political and theoretical goals
.
T
he
analysis of sport
becomes ‘
the
docile matrix for the exercise of a theoretical
will
’
Slide4
Standing Out while Fitting In: Serious Leisure Identities and Aligning Actions among Skydivers and Gun Collectors
One
of the most enduring expressions within the skydiving argot is the maxim, ‘Eat, Fuck, Skydive!’ By designating skydiving as belonging to the same basic category as eating and intercourse, the expression underscores the sensual, hedonistic character of the experience and implies that people skydive for the same reasons that they engage in the other two activities … Intertwined with the foregoing themes in skydiving subculture is … an ethos of ‘
hyperheterosexuality
’ and male dominance. While skydiving culture has been changing in recent years in ways that may be reducing this patriarchal hegemony, the change is variable across the skydiving community, where
hyperheterosexuality
and male dominance continue to be strong, if not as hegemonic, as in the past.Slide5
Yet More Ranting..
What’s
this? -
‘
a complex “material interaction” between the material capital that is in the objects of the kit and the embodied capital that is in the body of the sailor
.
’
Sociology risks ‘
hiding
the phenomena
’ behind an analysis of the forces that supposedly shape the form, structure and experience of play.
Sociology seems to presume that its problems are
theoretical
- as
if; ‘
persons live out the lives they do, have the children they do, feel the feelings, think the thoughts, enter the relationships they do, all in order to permit the sociologist to solve his theoretical problems.
’
Slide6
Ethnomethodology and Play
Garfinkel
– ‘do I have all the parts?’;
Sudnow
;
Livingston etc etc
Goode -
Playing
with My Dog Katie: An
Ethnomethodological
Study of Dog-Human Interaction
(Goode 2007
) :
This book is an attempt to display in detail a guardian playing with his dog, an instance of just that. That people play with dogs is in itself, in its own right, a ‘miracle of everyday society’. I am not saying that play between companion dogs and their guardians is (or is not) socially or politically important or consequential. It is more like when Sacks watched and
analysed
a videotape of a couple greeting each other at the door. He was not doing so to advance a political agenda- to change how people greet each other at doors, for example. He did it to discover and appreciate the incredible details in and of the simplest things we
do
‘to discover and appreciate the incredible details in and of the simplest things we do’Slide7
Bedtime Stories
Reading
is a commonplace activity, visible across all walks of life and in virtually all human settings.
Early sociological interest
outlined
the various ways in which sociological issues, the ‘usual suspects’ of class and gender and social groupings, impacted on what, why, how and when people
More
recently the focus of research on reading has largely moved away from an interest in the actual activity of reading towards an interest in the form, the physical mechanisms, the technologies, by which reading is accomplished
– and scare
stories telling us that such devices are ‘making us stupid’ (Carr 2008) or ‘lazy’ (Collins 2011).Slide8
Bedtime Stories
use data gathered in domestic environments that concentrates upon the actual situated practices of
reading
stories to children at bedtime.
explore
how reading is actually accomplished
as
a part of the daily fabric of life:
how
it fits within the domestic routine;
who
can do it where and when;
how
it is actually visibly done;
how
its visible character ramifies for others in the household;
how
it is manifestly about leisure and pleasure
Slide9Slide10
Book Reading as Embodied
Many aspects of reading as a social phenomenon can be seen to turn upon its physical embodied character. In the following observations the mother (M) is reading a bedtime story to her daughter Sarah (S):
M picking up the book to sit down as S reaches out to her
M gets ready to open the book
M flicks through the pages
M opens the book
M lifts out the bookmark
M puts the bookmark on the arm of chair
M sorts out the dust jacket
M positioning the book to read
M holding the book in place as asking S to recall the last part
M flicking back to the prior chapter.
M flicking back to the current chapter.Slide11
Book Reading as Embodied
S
ome
ways in which reading is embodied
the manner of sitting;
of
holding one’s arms;
of
holding one’s hands;
the
angle of the head;
the
direction of the gaze
;
the
actual relation and orientation to the book being held
;
each
of these proceeds dynamically in order to accomplish something that amounts to ‘reading to your daughter’ and ‘being read to by your mother’
.
Even the position of their heads is a feature of the embodied practices of reading. The focus is the book and the words on the
page, - looking
elsewhere becomes an accountable matter – as inattention or
tiredness
But this
isn’t just any old reading, this is ‘bedtime’ reading
- child
is ready for the bed, is physically tired and
the mother
is alert to these
signsSlide12Slide13
Reading is Manifest
Reading, by virtue of its embodied character, is also manifest to
others
open
to ordinary recognition and reasoning as a feature of the environment.
that
someone is reading, just what they are reading, just where they are within the thing they are reading, how other things are organized around them, and so on, is all available to others in the setting,
carries
a number of important implications for how others might orient to the reader.
competent
member of the setting can see, ‘at-a-glance’, that ‘Mum is reading to Sarah’ and this in turn has implications for matters such as: can I interrupt?, can I listen in?, can I put the TV on or some music? and so on.
Manifestness
here is
what
is
audible
.
Part
of being a competent member of the setting is knowing, hearing, just what is being read as the current bedtime story to Sarah right now,
if
the mother here was reading a book to her daughter in French, or it was the daughter herself who was reading to the mother, the scene could well be reasoned about as something
else.. Slide14
Book Reading has a Visible Order
It
has a beginning: books are located, picked up and brought to readiness for reading.
There
is a middle: books are
ongoingly
engaged with, with visible attention to the printed page, with the positioning of fingers just so for the fluid turning of the page, and so on. These things are only intelligible for what they are because of how they are ordered in relation to what has gone before.
There
is an end: books are closed, perhaps bookmarks inserted or pages turned down, they are put to one side so that their very placement speaks to how they are done with for the present.
B
edtime
reading has spatiotemporal
characteristics -
bedtime reading could happen
anywhere but it doesn’t -
reading has a particular time and place where members of the household will
unproblematically
see it for what it
is..Slide15
Reading is a Feature of How Social Relations within a Household are Accomplished
M picking up book to sit down as S reaches out to her …
M puts arm round S …
M Straightening out book and resting hand on top of S’s head …
M: ‘Don’t move’ breathed a voice in
Torak’'s
ear (
stroking S’s head
) …
M: Pardon me. (
Laughingly as continuing to stroke S’s head
) He couldn’t see anything. He was huddled in a rotten smelling blackness with a knife pressed at his throat. He gritted his teeth to stop them chattering. (
Shifting arm to put round S
)
S puts her hand on M’s …
M strokes S’s head and rests her hand on her head, holding the book with one hand, as she continues
S raises her arms to take hold of M’s hand …
M moves her hand down and puts it on S’s knee
S lifts her hand to hold M’s hand on her knee and M glances down and strokes her knee
Kisses her on top of her head
What things like bedtime reading do is they quite neatly provide
licence
for those kinds of contact to happen without fuss or account and on a regular basis.
Thus
bedtime reading is not just an opportunity for intimacy to occur or a place where, amongst other things, intimacy happens to be present. It is a
mechanism
for
intimacy
Slide16
Another Example: Garfinkel’s
Bastards Eat
Tarte
Tatin
Cooking is a mundane feature of everyday life, done by people around the world as a matter of necessity and, for some at least, as the business of pleasure
until relatively recently largely neglected by Sociology
Where cooking and eating has featured in sociological analysis it is often as an instantiation of some wider social process, such as the ‘
civilising
process’ (Elias 1969), or class and social structure (Goody 1982) or patriarchy and the subjection of women (Charles and Kerr 1988;
Murcott
1983).
Our focus - explicating the mundane work involved in making a meal and the enjoyment members who do cooking for pleasure find in the enterprise. Slide17
Mundane Competencies
figuring out what to eat ..
considerations that are brought to bear upon this most ordinary of daily concerns, including matters of domestic routine, lifestyle, diet, work-home-life balance, etc.
the sourcing of food and the different orders of working knowledge implicated in finding foodstuffs and assembling ingredients.
Cooking - the skilful use of heat, knives, pans, spices, herbs and seasoning; the subtle art of working with
colour
, texture, taste, smell and even sound, to transform base ingredients
..Slide18
Making a List – Checking it Twice
A:.
Tearing sheet from pad on
noticeboard
and holding it up
: That’s what I've already got on there this week.
A
takes the list to a chopping board on side and rests on it with pen poised
:
Er
: right, I want some chicken breasts don’t I? (
writes under previous items on list
) I want some
er
(
pen poised for a moment
) Some chicken breasts. Puff pastry (
writes underneath other items on list
)
Erm
.
A: How am I doing for sugar (
walks over towards shelves on other side of kitchen
) (
peers in jar and in packet
). Got some more there, great.
A writes on list under prior items
A: Yeah, so let me check that then, have we got everything we need?
A: I might actually buy some bloody onions to save me going and fucking about on a dirty horrible day and getting stuff from the allotment.
Adds onions to the list
A: (
Looking around kitchen
)
Er
, I think that’s it isn’t it?Slide19
Using the Senses
Sniffing the pears
A sniffs at pan on hob.
A: (
To P
) Get your nose in that.
P sniffs pan, then M has a sniff.
M: You can smell the sugar can’t you.
A: And you’re starting to smell the fruit.
A has another sniff.
A: Can you smell the pear in there? Coming through now?
M comes over and has another sniff.
M: Yes. There’s butter – The smell of butter is quite strong.
A: Yes.
A: It’s starting to come through. The sweetness is there and then the fruit is just percolating through in it. And that just becomes stronger and stronger as you go. So here’s a thing, with S.
Y’know
, one of the first things she often says is –
er
when she comes in the door is. That smells good.Slide20
Watching the pears
A: (
gesturing to pan
) Now basically what you’re doing there is to – because all together it gets cooked for about forty-five minutes – you’re just making a caramel sauce. You’re just doing fruit in a caramel sauce with a lump of pastry on top, soaking it all up,
y’know
? It
ain’t
complicated.
Leans over pan and studies it.
Leans further in and sniffs.
A shifts the position of the pan on the hob again and shakes it a little.
Bends down and peers at it closely.
A shaking pan then turning heat down a little.
A: Let’s turn the heat up again (.) to get a bit more (.) It’s starting to need a little bit more
colour
.Slide21
: the sound of food
A stirring contents of saucepan with a wooden spoon.
A: Can you hear that? (.) it’s going too fast.
Stirs contents of pan again.
A: Too busy.
Turns down heat under pan. Stirs contents of pan around again. Leaves wooden spoon in pan …
Stirring pan with spoon.
A: That’s a nicer sound now.Slide22
So What?
‘Implications for Design’?
Reading and the ‘affordances’ of Technology
Cooking, shopping
understanding Users..Slide23
“
New Technologies will succeed or fail based on our ability to minimise the
incompatabilities
between the characteristics of people and the characteristics of the things we create and use
” (Casey)
“..it’s the source for the failures of technocratic dreams, that if only we introduced some fantastic new communication machine the world will be transformed. Where
what happens is that the object is made at home in the world that has whatever organisation it already has
.” (Sacks)Slide24
Thank You Kindly – Questions?