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Indonesian Gamelan Music Indonesian Gamelan Music

Indonesian Gamelan Music - PowerPoint Presentation

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Indonesian Gamelan Music - PPT Presentation

Chapter 7 Republic of Indonesia 17000 islands close to 6000 inhabited Southeast Asia Formerly Dutch East Indies Company colonized by Dutch Independence 1945 full sovereignty 1949 Java ID: 759673

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Slide1

Indonesian Gamelan Music

Chapter 7

Slide2

Republic of Indonesia

17,000 islands (close to 6,000 inhabited)

Southeast Asia

Formerly Dutch East Indies Company (colonized by Dutch)

Independence: 1945 (full sovereignty, 1949)

Java

Jakarta (capital)

Surakarta and

Yogyarkarta

(Central Java – gamelan)

National unity efforts:

Unity in Diversity (slogan)

Bahasa Indonesia (language)

Cultural nationalism (including gamelan and related arts)

Islam principal religion (but

Hinduism

principal religion of Bali)

Slide3

Gamelan

Central Javanese court gamelan (CD 1-7)Balinese gamelan gong kebyar (CD 2-12) In what ways are do they sound similar?In what ways do they sound different? Balinese gamelan video (kebyar – “Sekar Jupun”): https://www.youtube.com/watch?v=zPIZObNdJb0Javanese gamelan video (“Puspawarna”):https://www.youtube.com/watch?v=4xQttRtx35s

Slide4

Similarities

Instruments

Gongs,

metallophones

(

gangsa

in Bali)

,

drums, end-blown bamboo flutes, bowed chordophones

Cyclic forms

Related tuning systems, scales, modes

Similar polyphony (higher/faster, lower/slower)

Melodic layers: core melody, melodic elaboration

Hindu basis and related musical symbolism

Associations with dance

, dance-drama

, shadow puppetry (

wayang

), and other arts

UNESCO

wayang

video (

5:00):

https://

www.youtube.com/watch?v=pfydro4X2t0

Slide5

Differences

Energy, tempo

Mood

Social symbolism

Drumming

Interlocking vs. multiple-melody textures

Paired tuning (male-female) of instruments (Bali)

OMI 22

Slide6

The Balinese Gamelan Beleganjur

Audio Musical Guided Tour (p. 96)Instruments (know reyong, gong ageng)Gilak gong cycleCore melody and melodic elaborationRhythms and interlocking patternsPolyphonic stratification

Slide7

Kilitan Telu

Ubiquitous set of interlocking rhythms in Balinese gamelan Featured in cymbal (cengceng) interlocking in beleganjurSame set of rhythms (aka cak telu) also used in Kecak dance-drama

Kilitan Telu (Cak Telu)

Slide8

Kecak (CD 2-13)

Sanghyang Dedari (trance dance) Gamelan suara Walter Spies Island of Demons (1933 film) Ramayana Hindu epic (also Mahabharata) Rama, Sita, Rawana, monkey army (Sugriwa, Hanuman) Kecak (from Baraka) https://www.youtube.com/watch?v=nAUoa9pmokA

Slide9

Beleganjur in Balinese Ritual

Agama

Tirta

(Religion of Holy Water)

Cremation ceremony (

ngaben

)

Performed by members of the

banjar

Purpose: Release soul (

atma

) to Upper World of Balinese cosmos

Procession of

atma

to cremation grounds

Multi-tiered cremation tower (

wadah

), followed by gamelan

beleganjur

, directed by lead drummer

(CD 2-14)

Gamelan

beleganjur

functions:

Frighten and deflect evil spirits (

bhutas

,

leyaks

)

Give courage to the

atma

Energize tower carriers

Regulate pace of procession

Function of the ensemble most important at

crossroads. Why?

Beleganjur

cremation field video (

Bakan

):

https://

www.youtube.com/watch?v=ztlVXln-ZlM

Slide10

Kreasi Beleganjur

Modern, contest styleOriginated in 1986Two pioneering composers: Sukarata, AsnawaStyle is exhibitionistic rather than functional Innovations of kreasi style:Compositional originalityEnsemble virtuosity Showmanship emphasis (including gerak) Varied musical textures

Slide11

Musical Examples

Contest performance – composer:

Sukarata

(CD 2-15)

Wira

Ghorava

Cakti

’95” – composer:

Suandita

(CD 2-16)

Distinctive features of this piece:

Gong cycle drops out at some points

Unaccompanied feature sections (e.g.,

reyong

section, 0:19)

Plethora of melodic and rhythmic variations – virtuosic

Many changes in tempo and dynamics

Complex interlocking (e.g., 8 rather than 3 interlocking cymbal patterns)

Same group (

Meranggi

), 1992:

https://

www.youtube.com/watch?v=dgWIGNS-zOo

Follow Guided Listening Quick Summary GLQS, p. 108

Awesome 2005 contest performance!

https://

www.youtube.com/watch?v=28-5r9-BdwQ

Slide12

Crossing International Borders

Western composers: Debussy, Cage, Reich, Glass,

Tenzer

Indonesian

musik

kontemporer

:

Asnawa

, etc.

Syncretism of Indonesian and Western

musics

in popular, jazz, etc.

I

Wayan

Balawan

(Balinese electric guitar virtuoso)

“Country

Beleganjur

(CD 2-18)

https://

www.youtube.com/watch?v=wiz83vNXGZc

Slide13

Hip hop Gamelan?

Fusion of Balinese gamelan (

kebyar

,

beleganjur

) with hip hop/scratch

turntabling

B.A.Ph.PET

(

Bakan

)

(CD 2-19)

Turntable soloist: Charles Tremblay

Florida State University Balinese Gamelan (

Sekaa

Gong Hanuman

Agung

)

Opening

reyong

rhythm derived from

kilitan

telu

Kotekan

-style interlocking on

gangsa

(

metallophones

)

And

one more!!

Batik

Tribe, “Indo

Yo

Ey

https

://

www.youtube.com/watch?v=DFAlF7qSuKc