Poems of the Atomic Bomb Genbaku shish Written by TGE Sankichi - PDF document

1 Poems of the Atomic Bomb (Genbaku shish
Poems of the Atomic Bomb (Genbaku shish!) Written by T!GE Sankichi Translated by Karen Thornber Winner of the University of Chicago William F. S

2 ibley Memorial Translation Prize, 2011
ibley Memorial Translation Prize, 2011 Shadow 50 Friend 53 Landscape of Rivers 55 Morning 57 Smile 59 August 6, 1950 61 Night 65 In the St

3 reet 68 To a Certain Woman 69 Prelude
reet 68 To a Certain Woman 69 Prelude give back the fathers! give back the mothers! give back the elderly! give back the children! can we fo

4 rget that flash? suddenly 30,000 in the
rget that flash? suddenly 30,000 in the streets disappeared in the crushed depths of darkness the shrieks of 50,000 died out when the swirling yel

5 low smoke thinned buildings split, bridg
low smoke thinned buildings split, bridges collapsed packed trains rested singed and a shoreless accumulation of rubble and embers Ð Hiroshima befo

6 re long, a line of naked bodies walking
re long, a line of naked bodies walking in groups, crying with skin hanging down like rags hands on chests stamping on crumbled brain matter burnt

7 clothing covering hips corpses lie on t
clothing covering hips corpses lie on the parade ground like stone images of Jiz!, dispersed in all directions on the banks of the ri

8 ver, lying one on top of another, a grou
ver, lying one on top of another, a group that had crawled to a tethered raft are no longer electric cables, lumber, nails, glass sheets an undul

9 ating tile barrier nails burn and heels
ating tile barrier nails burn and heels come off and stuck to my back, molten lead sheet metal "oh Ð oh Ð oh Ð oh" already, flames blacken both tel

10 ephone poles and plaster whirlpools of f
ephone poles and plaster whirlpools of fire and smoke spewing into my broken head "Hiro-chan Hiro-chan" pressing down on the breast ah! a blo

11 ody cotton hole caving in shoulders oh
ody cotton hole caving in shoulders oh! I can go forward no longer alone in the depths of darkness the deafening roar in my temples suddenly

12 goes away ah! why why in this sort of pl
goes away ah! why why in this sort of place on the roadside separated from you too must I die di pushing smoke aside from a world partly dimmed by

13 a low-hanging cloud the shroud that str
a low-hanging cloud the shroud that struck the canopy of the heavens that turned inside out and spread showing their teeth dancing up joining forc

14 es with one another black red blue
es with one another black red blue flames blowing about glimmering sparks now tower over the entire city the tide approaches the riverbed

15 and reaches fullness arms are soaked, l
and reaches fullness arms are soaked, legs are soaked and sea water seeps into the countless wounds of those who donÕt move At a Field-Dressing

16 Station you you cry, but there is no ou
Station you you cry, but there is no outlet for your tears you scream, but there are no lips to become words you try to struggle, but your fingers

17 have no skin to grasp you who let flut
have no skin to grasp you who let flutter your limbs, covered with blood, greasy sweat, and lymph and who let eyes shut like a thread shine whit

18 e your underwearÕs elastic, all that rem
e your underwearÕs elastic, all that remains on your swollen stomachs and you, who no longer feel shame, even when exposed oh! that until a little

19 while ago you all were lovely schoolgir
while ago you all were lovely schoolgirls who can believe it? The Sixth Day: In the shade of a pillar over there a young factory w

20 orker, his eyes alone emerging from a bo
orker, his eyes alone emerging from a body wrapped entirely in bandages, sings the national anthem in a faint voice. "What are the B-29

21 's of the enemy? We have Zero fighters
's of the enemy? We have Zero fighters and Hayates. The enemy thinks theyÕre so great. Hang in a little more, everybody, a little more," he says

22 with weak and feverish breath.
with weak and feverish breath. "Keep your spirits up, get some sleep. If you call me Aunt, IÕll come to you right away," calls out a

23 one-eyed woman next to him, crawling ove
one-eyed woman next to him, crawling over on her knees, her head wrapped in bandages. "Aunt? YouÕre not my aunt; Mother, you are my mo

24 ther!" His arms motionless,
ther!" His arms motionless, little by little he turns away his dark red cheekbones which are running with greasy sweat, and the tears f

25 rom both glittering eyes flow under the
rom both glittering eyes flow under the bandages in two tracks. Aged Mother you must not die aged mother you must not go like this a corner of

26 a home for widowed mothers and their chi
a home for widowed mothers and their children that trembles and creaks in the wind a vacant four-and-a-half mat room in front of an or

27 ange box Buddhist altar memorializing yo
ange box Buddhist altar memorializing your familyÕs ancestors lying down your body of sagging skin and tendons under thinly stuffed bedding too hea

28 vy for you all day grumbling something,
vy for you all day grumbling something, aged mother chilly sunlight coming from the west, from the hills of Koi reflecting the evening dust collec

29 ted on the window pane faintly lights up
ted on the window pane faintly lights up the white hair on your temples Season of Flames FLASH! the entire city in burning magnesium like a shad

30 ow, falls apart. not a sound that is co
ow, falls apart. not a sound that is consciousness flung away lightly. a far away self at the instant of burial, ten million pieces of glass scatt

31 ering. Little Child little child, dear
ering. Little Child little child, dear child where can you be? like a stone stumbled on accidentally that clear morning, parting from your eyes,

32 open so wide you have no mother suddenly
open so wide you have no mother suddenly behind your pupils, which sharply reflect the sky a dark red cloud rises and up above is turned inside out

33 and spreads the disaster of that light
and spreads the disaster of that light with no sound in front of your endless questions who will tell you of that day? Grave Post you stand hu

34 ddled together like children playing in
ddled together like children playing in the cold trying to keep warm gradually growing smaller, shoved into a corner and now no longer does anyone

35 notice you a grave post small and thin?
notice you a grave post small and thin? "The War Casualties of Seibi Elementary School"1 a foundation enclosed by burnt bricks and a strip of wood

36 standing not even three feet a cracked
standing not even three feet a cracked bamboo pipe is leaning, no flowers inside truly what kind of strange thing this is your ears sharp as

37 a rabbit's hear from the eaves of a chip
a rabbit's hear from the eaves of a chipped roof a radio with static in triumph spill out the news with a devilish voice a bomb of how many hundred

38 s of tons dropped where and how many bil
s of tons dropped where and how many billions of dollars the budget for the manufacture of atomic weapons has been increased and how re

39 inforcements are landing in Korea from t
inforcements are landing in Korea from the depths of the grassy smelling horseweed even rusty spikes are picked up and bought Alas! you will

40 be cleaned away and forgotten this small
be cleaned away and forgotten this small thin barely remaining grave post too soon will be buried in the earth and sand as an engineering company e

41 xpands the place the bones of those smal
xpands the place the bones of those small hands and necks are buried will be beneath something eternally forgotten are as strong as men "never gi

42 ve in never give in" your Korean friends
ve in never give in" your Korean friends in the scorching sun of Hiroshima Station collect signatures to prevent war "never give in never give in"

43 the children of Japan throwing away thei
the children of Japan throwing away their shoe-shining supplies sell newspapers that have written the truth Shadow movie theaters, bars

44 , open-air markets whatÕs burnt rebuilt,
, open-air markets whatÕs burnt rebuilt, whatÕs standing falls, and spreads like the itch oil dissolves on the shiny head of the young Hiroshima in

45 its shameless revival so quickly have
its shameless revival so quickly have signboards with Western writing been hung found here and there, their number growing "Atomic Bomb Historic

46 Site" is another of these surrounded by
Site" is another of these surrounded by a painted fence on a corner of the bankÕs stone steps stained deeply into the grain of the dark red stone

47 a still pattern that morning a flash of
a still pattern that morning a flash of tens of thousands of degrees suddenly branded someoneÕs loins on thick slabs of granite Friend when

48 he took off his dark glasses, tears ooze
he took off his dark glasses, tears oozed out from the scar left when his eyelids, ripped off, healed and stuck together at that aid station, they

49 moistened the congealed blood and remove
moistened the congealed blood and removed sheet by sheet the white cloth that covered his entire face, and when the last piece of gauze

50 was torn off a thin trickle oozed out f
was torn off a thin trickle oozed out from his eyes, which had healed as a single mass he talked about the wife and children heÕd lost, his finger

51 tips, groping for a hand to
tips, groping for a hand towel, trembled Night the countless small lights of Hiroshima lay siege to my field of vision and

52 make my optic nerve ache drawn up by th
make my optic nerve ache drawn up by the smooth, slippery skin of swollen keloids damp rails squirm and buds sprout from the trunks of charred tre

53 es that line the muddy road smelling of
es that line the muddy road smelling of entrails in the depths of an endlessly falling rain a woman's eyes are redder than the end of a cigarette

54 she doesnÕt hide the ulcerating bruise o
she doesnÕt hide the ulcerating bruise on her thigh To a Certain Woman the ghost of a cart horse stepping on the air torn belly to the sky hove

55 rs around the stone flooring of the wate
rs around the stone flooring of the water trough this street of temporary shelters where once there was an armory Scenery always, we carry with

56 us a burning scenery city on a sandbar
us a burning scenery city on a sandbar of an island chain of fire building windows emit colorless flames traffic signals stop and release homele

57 ss people decorated by fire chimneys cru
ss people decorated by fire chimneys crumble into fire large station clocks hidden in flames ships loaded with fire going in and out of the b

58 reakwater rings on the headlandÕs tip
reakwater rings on the headlandÕs tip a sudden whistle of fire without sound the train drags along at top speed, penis covered in fire fiery pu

59 s accumulates in a woman's crotch sto
s accumulates in a woman's crotch stopping, a foreigner scatters the fire of a lighter beggars in black fight for it oh! over there

60 seized tobacco continues to burn nigh
seized tobacco continues to burn night lights all around the city above flickering neon embers in sky dark as a tunnel congeal

61 ed and flickering indications of flame
ed and flickering indications of flame siblings of the marked in throngs oh! legs that are only legs arms that are only arms in both open

62 wounds licked by flames in
wounds licked by flames in the end brains split apart and the Milky Way burns and crumbles roses of flame blue sparks a squalli

63 ng whirlpool darkness with voices raised
ng whirlpool darkness with voices raised together enmity repentance anger curses hatred appeals lamentation sky where, having str

64 uck the earth, all the groans flicker th
uck the earth, all the groans flicker the us inside ourselves another I the foul stench of my burned and ulcerating body your tor

65 n skin the woman's bald head the c
n skin the woman's bald head the child's spots oh! the living family of the atom humans no longer humans Appeal itÕs not

66 too late, even now itÕs not too late to
too late, even now itÕs not too late to summon your true strength just as long as the tears continue to trickle from the wound caused that day when

67 the flash that struck your retinas pene
the flash that struck your retinas penetrated your heart provided that you carry with you the brand of Hiroshima that today too makes the bloody p

68 us that curses war trickle out steadily
us that curses war trickle out steadily from those fissures the true you who abandoned your little sister, reaching out both her hands from beneat

69 h the main house, where flames were clos
h the main house, where flames were closing in who, covering not even your privates with scraps of charred clothing both arms of raw flesh, hanging

70 down in front of your chest falteringly
down in front of your chest falteringly, on burnt and bare feet wandered off through a desert of self-reflecting rubble on a journey with no solac

71 e no sound, yet signs of a heat that c
e no sound, yet signs of a heat that cracked every fragment of tile no movement, yet in the blinding August sky smoke that rises with a blur the

72 remainder Ð in the middle of a brain-sco
remainder Ð in the middle of a brain-scorching emptiness, complete destruction you, your body bent at an angle, like a little girl and

73 like a small bird, both your hands cling
like a small bird, both your hands clinging desperately to the ground, lie half prostrate, dead, 5. Alas! this was not an accident, not a natura

74 l disaster mankind's first atomic bomb o
l disaster mankind's first atomic bomb owing to a precise plan and a will of insatiable ambition was dropped with a flash, one flash over the easte

75 rn archipelago, the Japanese people as o
rn archipelago, the Japanese people as one of the 400,000 victims extinguished contorted and writhing, y that is atrocity that is suffering that is

76 pathos no, more than that what are we t
pathos no, more than that what are we to do with this mortification! no longer do you feel any shame but this mortification, burning itself onto t

77 he eyes of those who saw, with the passa
he eyes of those who saw, with the passage of time will vividly penetrate their hearts already having separated itself from you, this mortification

78 is carved on all Japanese! Plea Ð for
is carved on all Japanese! Plea Ð for Pictures of the Atomic Bomb before these monstrous shapes let me stand before this severity let my steps

79 be exposed the voices that close in on
be exposed the voices that close in on me as I follow the pages are something of the deepest darkness the shower of tears that falls as I go from

80 picture to picture is so heavy it will n
picture to picture is so heavy it will never dry within this book I see vividly the faces of those I knew who fled, of the loved ones who died shud

81 ders consume my heart at the incalculabl
ders consume my heart at the incalculable agony of the swarms of naked bodies in these pictures beyond the flames, stretched out, staring fixedly o

82 n me I dare say, my own eyes! Alas! wh
n me I dare say, my own eyes! Alas! who would be able to arrest the need to make bent legs straight to cover naked loins to unravel one by one cl

83 enched fingers covered in blood The
enched fingers covered in blood The atomic bomb was dropped the morning of August 6, 1945, just before I left home for downtown, so I was more

84 than three kilometers from ground zero.
than three kilometers from ground zero. I suffered only cuts from shards of glass and several months of radiation sickness. But the people who ha

85 d been within about a two-kilometer radi
d been within about a two-kilometer radius of the cityÕs center were not so fortunate: those who had been inside either died of shock or were buri

86 ed alive and then consumed by fire and t
ed alive and then consumed by fire and those who had been outside simply disappeared, burned to death, or, escaping with burns, died within a week.

87 People who had been a bit farther away
People who had been a bit farther away from the epicenter died within several months from either burns or radiation sickness. Those at a slightl

88 y greater radius barely survived. Famil
y greater radius barely survived. Families in the surrounding municipalities all had someone who had been sent by the neighborhood association to

89 help clean-up after the evacuation effor
help clean-up after the evacuation effort and who never returned. Making the tragedy all the more difficult to bear were such factors as the rumor

90 that Hiroshima would be consumed by fir
that Hiroshima would be consumed by fire the night of the fifth, a rumor started by the flyers dropped during an air raid over nearby towns and vi

91 llages a few days before the bombing, an
llages a few days before the bombing, and the mobilization of junior high-school students and those in the lower grades of the girlsÕ schools to he