PPT-Pentatonic Improvisation

Heres the G Major Pentatonic Scale Note how it is built up on the I II III V VI degrees of the scale It is the same pentatonic scale as Ravel starts with just a semitone higher. Bassics. Alex Ramirez. Email: . aaramirez@charter.net. Welcome Bass Players!!. Our goals for this session are:. Review basic bass playing techniques. Analyze famous bass lines. Create our own bass grooves and fills. A technique that will help you gain confidence!. Charades. Why is charades considered improvisation?. You are working towards a goal. You are creating a way of expressing emotion without pre planning. You are communicating with the other people in the room using non verbal communication. . The Nature of Improvisation. in Jazz Music. The . Nature . & Methods . of . Improvisation. The . Etymology . of “Improvisation”. Improvisation versus Composition. Musical performance. ,. flow, . and the individual. . Marc . Duby, PhD. . (Professor of Music, Rhodes . University Dept. of . Music, Grahamstown, South Africa). . . 2nd Jazz Education Network conference: New Orleans, LA (January 2011) . Free Jazz. Dixieland and swing stylists improvise melodically, and bop, cool, and hard bop players follow chord structures in their solos. Free Jazz was a radical departure from past styles, for typically after playing a quick theme, the soloist does not have to follow any progression or structure and can go in any unpredictable direction. When . Philip Joyner, Jr.. Memphis City Schools. Instrumental Music Specialist. What is Improvisation?. Webster’s New World Dictionary:. Improvise:. 1. to compose and simultaneously perform without any preparation; extemporize. Definition. : A five tone scale (not including octave) that contains no half steps. . Working Definition: . In any . Major. key, write out the scale and . remove notes 4 and 7. . The remainder is your pentatonic scale. . www.opus28.co.uk/jazzarticles.html B. PENTATONICS BY CHORD TYPE1.WHAT TO PLAY ON A MINOR 7TH CHORD
 \n\r\n\n\n\r\n\n\n\n pictures have in common?. . . Topic Learning Goals. . . . To . consolidate all the skills learnt during . Level 1 . by . composing an 8 bar melody and writing it down using music notation. . Rhythms can be sounded out using anything. You can use your body – mouth, hands, fingers, or feet – to capture a rhythm. You can also use . found instruments . – ordinary objects like your pencil, keys, backpack, or desktop.. Definition. : A five tone scale (not including octave) that contains no half steps. . Working Definition: . In any . Major. key, write out the scale and . remove notes 4 and 7. . The remainder is your pentatonic scale. . Enrico Secchi. Ph.D. Candidate, Clemson University. Aleda. V. Roth . Burlington Industries Distinguished Professor of Supply Chain Management, Clemson University. The Art & Science of Service. 8-10 June 2011, IBM Research – . The Nature of Improvisation. in Jazz Music. The . Nature . & Methods . of . Improvisation. The . Etymology . of “Improvisation”. Improvisation versus Composition. Ja no C ohen In 1971 I took an 8 week workshop at American University at Wolf Trap in D.C. and studied with Twyla Tharp as well as modern da nce instructors. From 1972 - 1974 I studied improvisation