FY14 Goals and Strategy Digital Media Technology Spencer Stephens Why we are here Driving the Sptech technology mission Providing technology expertise to LoBs and Corporate eg System design SPT Media Centre OTTCrackle combined infrastructure ID: 782585
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Slide1
DIGITAL MEDIA TECHNOLOGY
FY14 Goals and Strategy
Slide2Digital Media Technology
Spencer Stephens
Slide3Why we are here
Driving the
Sptech
technology mission
Providing technology expertise to
LoB’s
and Corporate.
e.g.
System design: SPT Media Centre, OTT/Crackle combined infrastructure
e.g.
Content protection requirements for content licensing agreements.
e.g.
Technical analysis of regulatory issues.
e.g
. On set camera and workflow expertise
Developing and deploying services to help
LoB’s
perform better
e.g.
Eagl
,
Cineshare
, Signal,
Aspera
, watermarking
Taking on strategic leadership roles in the industry
e.g. 4k/UHD requirements: picture and enhanced content protection
e.g
. IMF
e.g
. UltraViolet
Finding and developing new technology in support of our
mission and the company
Slide4Systems and Strategy
Ryan Kido
Slide5Goals (1/2)
Architecture Guidance/Modernization
MediaCentre
Crackle/OTT
DMG Applications/MCS
“Hub” and DBB Integration
Workflow Innovation
Digital Mastering – IMF, Dubbing & Subtitling
Exploitation of DADC/DBB Servicing
MCS/Cloud Opportunities
Digital Marketing
Slide6Goals (2/2)
Production Backbone
Operations Structure and Standardization
Address Tactical and Strategic Infrastructure Issues
Financial Model and Rate Card
Develop Services Roadmap to Support Production, IMF Creation
Look for Collaboration Opportunities with SPD
Industry Standards and Efforts
SMPTE – IMF
ETC – Production in the Cloud
Slide7DMG
Doug Chung
Slide8Strategic Goals
Continue to help SPE businesses cut costs
Keep operations running smoothly
Seek out additional cost-saving opportunities
Continue to enable SPE businesses to pursue market opportunities
Continue to build innovative digital media solutions
Reduce DMG operational costs
Better manage storage costs
Reduce support costs
Be more responsive to customer requests
Strive for Continuous Delivery
Slide9Enterprise Goals
DMG Storage Policy (storage cost reduction)
EAGL Archive Storage (storage cost reduction)
EAGL Re-Engineering / Replatform? (stability, performance, efficiency improvements)
Slide10SPT Goals
Support
MediaCentre
Project (strategic benefit)
Support B2B Integration (security and strategic benefits)
Screeners
Support WOF / Jeopardy Archive Project
New episodes ingestion
Black detection and removal (editor labor cost savings up to $562,500 for 5,000 episodes)
Usability Enhancements (efficiency gains $38,000 / year)
Linked Assets (completed)
New Audio Mappings
Event Notifications
SRO Web App: International Productions
Screening Room
iPad
: Phase II
Roles, Filtering, Streaming
Screening Room Runtime w/ DRM Download
Desktop (Mac/PC), Android, Windows 8
Slide11MPG Goals
SOAR Phase II
Cancel Order
Update Order
In-line Delivery (Upload -> Email)
Image Watermarking
Slide12SPHE Goals
Screening Room iPad app
SRO Web App: Additional Territories
Added Value Workflow
ACORN Replatform
Slide13WPF Goals
DBB Integration Support (strategic benefits)
Trailer Support (additional transcoding costs savings = $162,630 / year)
Clip Transcode Workflow (additional transcoding cost savings expected)
Migration of Workflows to EAGL (consolidation strategic benefits)
Added Value
Slide14Other Goals
Productions
Verance Embedding Workflow (security benefits)
Other
Support SCE Migration to MCS
Support DADC / BBC Migration
Slide15Support Goals
GSD Phase II
Expanded support agreement
Increased cross-training
Global Account Administration transition
Slide16Technology & Operations
Glen
Marzan
Slide17Strategic Goals
Continue to help SPE businesses cut costs
Keep operations running smoothly
Seek out additional cost-saving opportunities
Continue to enable SPE businesses to pursue market opportunities
Continue to build innovative digital media solutions
Reduce DMG operational costs
Better manage storage costs
Reduce support costs
Be more responsive to customer requests
Strive for Continuous Delivery
Pro-active rather than re-active
Slide18Enterprise Goals
DMG Storage Policy (storage cost reduction)
Cloud based storage analysis (storage cost reduction)
Slide19SPT Goals
Support MediaCentre Project (strategic benefit)
Support WOF / Jeopardy Archive Project
Complete Library Ingestion
New episodes ingestion
Signal
Continue rollout of Signal to key SPT Theatrical Clients
Reduce per device costs
Slide20MPG Goals
Signal – Theatrical Publicity
Rollout new Xperia Z Tablets in Los Angeles and New York
Continue to support all publicity efforts regarding screeners
Work with Talk shows to deliver content to existing devices.
Example: Jimmy Kimmel has a system in his office
Content distribution
Theatrical Marketing
Increase number of Aspera Nodes around the globe to continue to reduce smart jog costs. $500,000+ savings
Production
Continue to provide productions simple and efficient ways to move content. (Aspera Shares)
Get involved with productions at earlier stage to understand their needs
Pro-active
Slide21MPG Goals
Screeners
DMCV system
5.1 Audio Support
Ultra-DMCV files 45Mbps
3D
DMT(DCP Delivery)
Work with 3rd party vendors(Deluxe, Technicolor, etc.) to increase the number of managed nodes on our systemm thuus extending our reach.
Slide22SPHE Goals
SPHE Marketing
Add to EAGL TVSD
Signal
Add executives to system
Physical Media Reduction
Work with them to reduce number of physical screeners created
Slide23Trailer Support
Elimination of localized trailers being returned to TCS via
smartjog
Continue to provide
Transcoding
, watermarking, fingerprinting of all content by workflow
Analyze current workflows
Pro-active
WPF Goals
Slide24Colorworks
Better integration into their workflows so that content can be moved between
Colorworks
and the rest of the studio more effectively and efficiently.
Cloud Based workflows
Analyze how we can utilize any cloud based system that may reduce costs and increase efficiencies
OTHER Goals
Slide25Advanced Technology
Yoshikazu Takashima
Slide264K/UHD Format Creation
Target
Standardize Next Gen 4K/UHD consumer picture format, including HDR, Wider Color, HFR, and higher bit depth
Integrate 4K/UHD security requirements into the distribution channels
Create new video experience delivery format which works across many device platforms
Contribution to Business Division / SPE strategy
Make 4K/UHD content more valuable (SPE)
Protect 4K/UHD content with higher security (SPE)
Realize standardized 4K/UHD mastering and distribution format (Colorworks, WPF)
Create new highest quality movie delivery option, and expand target platforms in home & mobile (SPHE)
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Slide27Sony Group Tech/Biz collaboration
Target
Identify potential collaboration items inside Sony/SPE. Suggest how SPE content and technical expertise can help Sony’s product planning & marketing.
Use such Sony internal collaboration activity as a prototype of new content distribution.
(not in 2013, but aim expanding Sony group competitive feature to be followed by other companies)
Contribution to Business Division / SPE strategy
Provide a chance to try new technology (e.g. HDR grading, new video format delivery, etc.) in pilot project. (SPE)
Demonstrate benefit of new feature to help planning on wider business introduction. (SPHE, etc.)
Strength direct relationships between SPE and Sony business divisions. (SPE)
27
Slide28Working together
4K/UHD Format Creation
Christopher Taylor
Colorworks (Bill Baggelaar, Chris Clark, Michael Whipple)
Yoshi Takashima
Sony Group Tech/Biz collaboration
Toshino, Masaki
SPE divisions depending on the nature of collaboration
28
Slide29Advanced Technology
Christopher Taylor
Slide30UHD Content Protection
Work with industry to promote shared expectations
Evangelize advantages of a software centered approach
Identify central licensing authority to manage keys
Perform due diligence on Enhanced Content Protection candidate technologies
Monitor Global Platform development through
Movielabs
W
ork with vendors to improve forensic watermarking for needs of UHD
Slide31Business unit support
provide technical leadership for In Flight Entertainment and Non-Theatrical
Support Crackle on DRM related areas
Work more closely with Home Entertainment on Enhanced Interactivity initiatives
Continue to provide support to all teams in DECE
Develop and deploy a better digital screener solution for Anti-Piracy team
Slide32Innovation
C
onnect the studio with new startups, particularly in Silicon Beach
Develop and pitch new media business concepts
Work to develop a more systematic approach to innovation at the studio
Slide33Production Technology
Scot Barbour
Slide34ProductioN
Work with Crackle to identify and support a low budget 4k Production that utilizes only services on the Sony
lot.
Finishing
at CW, Editorial and Sound through PMC etc. This would become a solution for a future working model in this category
.
Work
with Columbia Pictures to help identify technology that can lower cost of productions.
Support
Columbia Pictures
camera
tests and productions utilizing
Sony
cameras
and/or
4k
pipelines.
Work with
ScreenGems
to support camera tests and productions utilizing Sony gear
.
Help establish 4k pipeline for Episodic TV, Single Cam Sitcoms and
MultiCam
shows.
Slide35Technology and Skills
Work with CW and other Post Entities to evangelize and train for 4k production and archiving.
Work with Stage 6 and other Production entities on the lot to support use of Sony gear and 4k pipelines.
Help
to bring 4k 3D to the home video market. Help to support 3D efforts in regards to content creation.
Develop person skills with new software packages
Become proficient with
workflows and tools for RED
and ARRI cameras as well as other cameras relevant to Sony
Pictures. e.g.
offboard
recording devices, lens data,
preston
controls etc.
Become
proficient
with software needed to support Sony Pictures Technologies efforts in camera tests and other equipment
assessments
. e.g.
nuke
,
clipster
, etc.
Build internal matrix/DB of cameras, supporting gear, recorders and post tools utilized today in Productions.
Slide36Support for Sony
Identify
and establish leads for success stories for Sony Electronics Marketing strategies.
Help
to identify and establish strategic partnerships in support of Sony
gear as it relates to Sony Pictures productions
Help
to support Sony Electronics and report potential issues with new Sony gear as well as strategic development ideas.