It is reprinted here with permission in an English translation by James Aylward Ed t used to be that orchestras when they appointed a new second bassoon would not take the best player but a lesser one on instruction from the rst bassoonist the prima ID: 37914
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bassoons are the tenor and bass of the woodwinds. !e second bassoon is the only bass and performs an important know it and hear it. (Jos used to meticulously analyze his parts to work out what his function was.) Jos: O#en it is the tonic, sometimes the !e problem with the mute is that the intonation and resistance change; playing with a mute requires more air. !is can lead to sharpness which you do not want in the low register. !e mute is always a stopgap option.Ronald: