still secretive network instigated by the - PDF document

still secretive network instigated by the Òyou too?Ó andÑamoment laterÑÒwho unpredictable implications: aworld of events.ÒSky BillboardÓ used the sky as a gallery. In 1965,Geoffrey Hendricks placed clouds orange and at the same, listen attentively to sounds of chewing, of sucking, of swallowing and external sounds words.Nina Katchadourian, 2001.WHIP CREAM PIECE (Lick Piece)Cover shapely female with whipped of yourself.Lather a soap bust of yourself.Janine Antoni, 1993-1994H A P P I N E S S McDonalds kitchen.If you see someone you know, wink.Laurie Anderson, 2001L E M O N1. Buy a large basket of lemons.2. Place consideredfinished when the butterfly flies and then onechecks box. Instead of sherry, sounds that exist around you.Tomoko placed over bells of brass instruments and tucked inside.Two performers play duet while glovesemerge from instruments and expand.Variation may be performed using inflatable leg.Joe JonesAIR EVENTInflate 6th Mixer Plan.ÓÒFlux ToursÓ were public tours of curbs and public restrooms, etc. in SoHo performed by NamJune Paik in 1976.TWO LONG PERFORMANCESi.Losing cleaned very thoroughly with various devices June Paik)p your head, hands, performers proceed toean the theater very thoroughly: wash floor, vacuum both hands and talkloudly into it. Then close the envelope quickly hair with Loving Care hair dye and mop thefloor with it.Janine Antoni, 1993LA DONNA DELINQENTAClean a theater thoroughly and wash the floors.Paint the floors.Pick up the linoleum and washthe glue with lye.Oil the floors with linseed Fleming, 1988HTML BALLETCreate ordinaryobject thoroughly. Put it on a pedestal and give it a name.Make a machine thatwill do this for you.David Rokeby, 1997INSTANT ASCII CAMERA At a grand terminal offeinstant snapshots similato passport photos.Instead of a photo, giveclients a receipt withtheir image in ASCII.Vuc Cosic, 1999 L O O KThe performer looks at an object an object thoroughly; one with which you are already familiar. Present tap with fingers (flesh and nails), knuckles, or with plectrum (any draw chains or bells across strings.5.act on strings with external objects player.t all the roles need at all times be filled. fact, there are times when a definite limitationould be imposed.yboard Player(s): plays in the orthodox manner, another manner appropriate or possible.dal Player: crouches underneath to control e pedals, or manipulates dampers wire, spring, etc. TO DRAW A LINEWalk on a tight rope.Fall.Janine Antoni, 2003INTERCOURSEÑThe File CabinetP r o j e c tListen to cabinet drawers opening and closing. subway.Place a sketchpad on lap.Hold a pencil in any way on underside of piano.To all participants: Show restraint and extremity inboth active and inactive aspects of your participation.Be constantÑexaggerate reassembled them.laying his cello while lying n his back in the streets ofrague, Milan Kniz‡k performedis ÒStreet PerformancesÓ n 1964.OPERA INSTRUCTION1.Select some objects which address themselves to your acoustic imagination.2.Play with them according one letter to another should be smooth and slow.Takehisa Kosugi, 1965C E L L OMake a cello that tunes itself.Better approaches it.Beatriz da Costa, 2002RECYCLED RECORDSBreak and re-assemble vinyl records.Play them on turntables.Christian it with flameof a candle.The ninth biggest starÑDraw a deep breath.The tenth to its composition.Jocelyn Robert, 1994TAPE FALLA reel-to-reel tape player con-tinually plays a recording oftrickling water. The player isperched magnetic tape.Christian Marclay, 1989S O U N DSIGNATURES Record several friends signing their nameAllow them to choose from marker, chalk,pencil, scents such as Dirt, Tomato, Funeral Home, Waffle, SteamRoom, Crust of Bread, Snow, etc.Christopher Brosius and Christopher Gable, 1993ÒDirty WaterÓ by Ben Vautier were bottles of dirty water sold as perfume in 1962.PE PIECE IIom Pieceke the sound of the room breathingat dawnin the morningin the afternoon in the eveningbefore dawnttle the smell whene block of ice has melted.e HeflinMONOCHROME FOR YVES KLEIN, FLUXVERSION IPerformer paints a movie Let the water lose its still form.Mieko Shiomi, 1964TEA EVENT, FLUXVERSION 1Distill tea in a still.George water.Or, freeze the water in the cooling unit of a museum. Make the museum air your signature.Hugh Pocock, 2001ICICLE AND SNOW PIECESSew, ice cubes in the North Pole.Etch, the forest with spit.Stain, the snow with burnt spruce branches. Cage, a tree in a spiral of ice.Melt, snowballs in the city.Andy Goldsworthy, 1989-1995B A L T I C AMeasure your tears in minutes in mililitersor liters. everywhere.Igor Stromajer, 2001HEAT TRANSFER EVENTGlasses: one filled with ice water, one with boiling tea, one or moreempty on someone)wood (in a tree, on the ground, in mouths, etc.)etc. etc.We may observe tracks, examine them, telepresence in a faraway and Billy KlŸverJanuary 1965SEE YOU IN YOUR DREAMSAppear Press, 1965.Fleming, Martha, Lyne Lapointe, and Lesley Johnstone. Studiolo: The Collaborative Work Of Martha Fleming and Lyne Lapointe.Montreal: Artextes Editions / Art Gallery of Windsor, Rutgers University Press,2003.Hendricks, Jon, and Thomas Kellein. Fluxus.New York: Thames and Hudson, 1995.Higgins, Press, 1969.Kaprow, Allan. Some Recent Happenings.New York: Something Else Press, 1966.Kino, Carol. ÒAndy Goldsworthy.Ó ARTnews 95 (November 1996): 131.Knowles, Alison. By Alison Knowles.New York:Something Else Press, 1965.Lupton, Ellen, Donald Albrecht, Mitchell Owens, and Susan Yelavich. Inside DesignNow: National Design Triennial. New York:Princeton Architectural Press, 2003.MacRitchie, Lynn. ÒResidency on Earth.Ó Art in America83 (April 1995): 91-125.Marclay, Christian, Russell Ferguson, Miwon Kwon, and Alan Licht. ChristianMarclay..Germany: Steidl, Happenings and Other Acts.London and New York: Routledge,1995.Schimmel, Paul. Out of Actions: Between Performance and the Object, 1949-1979.Los Angeles: Thames Gonzales-Torres.New York: Solomon R. Guggenheim Museum,1995.Very Nervous Systems. Interactive artist David RokebyÕs Website. http://homepage.mac.com/davidrokeby/home.html.Welchman, John C. ÒPeeping Over the Wall: Narcissism in the 1990s.Ó Chap. 6 in Art After Appropriation: Essays