Ferdinand de Saussure 18571913 linguist Claude LeviStrauss 19082009 anthropologist Roland Barthes 19151980 literary critic Take a wellknown media text Lets say The Dark Knight ID: 636392
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Slide1
Structuralism
‘Things cannot be understood in isolation…’
Ferdinand de Saussure (1857-1913), linguist
Claude Levi-Strauss (1908-2009), anthropologist
Roland Barthes (1915-1980), literary criticSlide2
Take a well-known media text. Let’s say,
The Dark Knight (2011).A
structuralist would argue that The Dark Knight cannot be fully understood without knowledge of the history of the many Batman movies, and in turn, the comic book in which the character originated.
StructuralismSlide3
Take a well-known media text. Let’s say,
The Dark Knight (2011).In turn, comic book heroes can’t be understood in isolation – we must recognise
Batman as one of many superheroes in the Marvel and DC Universe.
StructuralismSlide4
Take a well-known media text. Let’s say,
The Dark Knight (2011).Furthermore, we must understand comic books as having certain characteristics different from other literature, such as children’s books, graphic novels or video games.
StructuralismSlide5
Structuralism
Animated Batman (1990s TV series)
Batman Forever
Batman & Robin (1960s TV show)
Christopher Nolan’s Batman series
New Batman & Robin (1990s revival)
DC Comics
Batman Begins
The Dark Knight
Marvel
Video Games
Graphic Novels
Children’s literature
Comic BooksSlide6
These are all just some of the cultural structures that seem to take us further and further away from our original text –
The Dark Knight (2011).
StructuralismSlide7
So,
structuralists say that the meaning of a text is not contained within it, but in the cultural relationships surrounding and connecting it.
The focus is not on the text itself, but on the larger, abstract structures than contain them.StructuralismSlide8
Structuralists
consider:GenreOver-arching narrative
Source text
Style influences
Stock characters
Binary opposites
Recurring themes
Text’s position in the series of sequels/prequels/spin-offs
Adaptations
Text’s position within director’s previous work
Text’s position within actor’s previous work
StructuralismSlide9
Task
Choose a media text.
Draw its network of cultural structures, like I have done for The Dark Knight.
StructuralismSlide10
The structure of language and the relationships of meaning
SaussureSlide11
Ferdinand de Saussure
(1857-1913)
Swiss
linguist and
semiotician
His
ideas laid the foundation for many significant developments in linguistics and semiotics.
He
wasn’t described as a
structuralist
, but the
structuralists
of the 1950s would consider him the father of their theories.Slide12
What does the word ‘
hut
’ mean to you?
Is there any reason why those particular three letters – ‘h’, ‘u’ and ‘t’ – and the sound they produce, make us think of an image of a small dwelling?
No, it is an arbitrary association. Slide13
The word ‘hut’, for instance, is not in any way appropriate to its meaning.
The meaning of the word ‘hut’ is maintained by convention only.Slide14
So, Saussure said that the meaning attached to all words are arbitrary; they are there only by convention.
Discuss:
Can you think of a type of word that might be an exception?Slide15
He said that the minor exception to this is the small group of words called
onomatopoeia
– words created out of the sound that
something makes.
However, not even these are fixed, because they vary between languages…Slide16
OnomatopoeiaSlide17
OnomatopoeiaSlide18
OnomatopoeiaSlide19
So, if a
word’s association to its meaning is just random, then language isn’t a reflection of the world, but a completely different system altogether.Slide20
Saussure
also emphasised that the meanings of words are
relational
.
That is to say, no word can be defined in isolation from other words.
For example, the word ‘hut’ depends on its position in a chain of other words for it to be understood.Slide21
Task
Fill in the gaps in the chain:
Shed
Hut
Mansion
House
PalaceSlide22
So, we define a word such as ‘mansion’ by explaining its position between the two words either side of it.
Shed
Hut
House
Mansion
PalaceSlide23Slide24
c
One man’s terrorist is another man’s freedom fighter
What is meant by this statement?
Can you think of any similar statements?Slide25
So, finally, Saussure
stated that meaning does not exist within the word itself.
Meaning is applied by experiencing an object/concept and labelling
it with a word based on your own previous experiences.Slide26
Another example is colour. The words for colours ‘make’ a reality. The spectrum isn’t divided into 7 colours. They all merge into one another. We just label useful points on that spectrum.Slide27Slide28
0
In summary:
Meanings attached to words are only
arbitrary
The meaning of words can only be understood
in relation
to other words
Meaning does not exist within the word itself – we apply our own labels to experiencesSlide29
Structuralists
found Saussure’s distinctions useful because they showed that the
meaning of a
text doesn’t exist within itself.
It must be understood in relation
to the
structures
surrounding and connecting it.Slide30
Task
Can you find any flaws in Saussure’s argument?Slide31
Claude Levi-Strauss
Structuralism
andBinary OppositionSlide32
Task
Connect the binary opposites to each other...
Claude Levi-StraussSlide33
Levi-Strauss was a French anthropologist - now considered one of the ‘fathers of anthropology’- who in the 1950s developed some of Saussure’s theories into what is called Structuralism.
Claude Levi-StraussSlide34
Levi-Strauss studied hundreds of myths and legends around the world, as well as modern texts such as Hollywood Westerns.
Claude Levi-StraussSlide35
He said that as humans, we make sense of the
world,
people and events by seeing and using......binary opposites.
Claude Levi-StraussSlide36
This
structuralist idea is also an important
narrative theory, because he said:“all narratives are arranged around the conflict of binary opposites.”
Claude Levi-StraussSlide37
Just like Saussure, who said words can only be understood in relation to the words around them,
Claude Levi-Strauss
so Levi-Strauss said that narratives can only be understood by a conflict of opposing ideas (an idea on its own is not enough).Slide38
So, in a film such as
The Dark Knight (2011), we can see the following
binary opposites:Good
vs
Evil
Madness
vs
Sanity
Greed
vs
Charity
Night
vs
Day
Law
vs
Criminality
Corruption
vs
Fairness
Past vs Present
Government vs The Masses
Claude Levi-StraussSlide39
Task
Choose a film or TV show you enjoyed recently
Write a list of all the binary opposites you can for it
Try to be more original than simply ‘Good
vs
Evil’
Claude Levi-StraussSlide40
Roland Barthes
Narrative CodesSlide41
Roland Barthes
was a 1950s/60s French semiologist; basically he was paid to look at ‘texts’ and decipher how they were put together.
If you imagine a text is like a ball of string; can it be unravelled in one way or in many ways?Texts are like a ball of stringSlide42
Open or Closed?
All you need to know, very basically, is that texts may be '
open' (i.e. unravelled in a lot of different ways) or 'closed' (there is only one obvious thread to pull on).Barthes also decided that the threads you pull on to unravel meaning are called narrative codes and that they could be categorised in the following five ways: Slide43
The 5
Narrative CodesAction code - applies to any action that implies a further narrative action.
Example: We see a gunslinger draw his gun on an enemy and we wonder what the resolution of this action will be. Slide44
Enigma code
- refers to any element in a story that is not explained and, therefore, exists as an enigma for the audience, raising questions that demand answers.Example: We see a hooded figure pour poison into a bowl of soup – raising the enigma of who the murderer might be.
The 5 Narrative CodesSlide45
The cultural code
- any element in a narrative that refers to what is considered common knowledge. In other words, the cultural codes tend to point to our shared knowledge about the way the world works. Example:
Santa Claus is part of our culture and might appear in many different media texts.The 5 Narrative CodesSlide46
The
semic code - any element in a text that suggests a particular, often additional meaning by way of connotation
. Example: A shot focusing on a rope might suggest that someone will be tied up later, or that the plot itself is complex.
The 5
Narrative CodesSlide47
The
symbolic code – an extension of the semic code. When
semic codes combine they form symbols, which often give a text its theme.Example: images of starving children, trench warfare and atom bomb explosions combine to give us the theme of apocalypse. This links to Levi-Strauss’ binary opposites.The 5 Narrative CodesSlide48
You are going to watch an advert for Apple... http://www.youtube.com/watch?v=KNnX6XRQBec
During the screening you need to make notes on the following headings: Narrative (is it open or closed?)
Action
code
Enigma code
Cultural code
Semic
code
Symbolic code
Audience
The 5
Narrative CodesSlide49
Now answer this question
Q: How are Mac and PC represented in the advert? Explain your answer referring to Roland Barthes’ narrative codes theory.
Try
to also identify the ideology behind the advert.Slide50
Ideology
An ideology is an organized collection of ideas. An ideology can be thought of as a comprehensive vision, as a way of looking at things, a belief which helps explain the world around us.