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David Henry Hwang  & David Henry Hwang  &

David Henry Hwang & - PowerPoint Presentation

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Uploaded On 2020-08-07

David Henry Hwang & - PPT Presentation

M Butterfly David Henry Hwang Born in Los Angeles in 1957 Studied drama at Yale amp Stanford Wrote M Butterfly in 1988 it premiered on Broadway starring John Lithgow and BD Wong B ecame the first Asian American to win a Tony Award ID: 801439

boursicot shi amp drama shi boursicot drama amp butterfly quoted prison years american premiered story diplomat david henry hwang

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Slide1

David Henry Hwang & M. Butterfly

Slide2

David Henry Hwang

Born in Los Angeles in 1957.

Studied drama at Yale & Stanford.

Wrote M. Butterfly in 1988; it premiered on Broadway starring John Lithgow and BD Wong.Became the first Asian American to win a Tony Award.

Slide3

Puccini’s Madame Butterfly

Premiered at Milan’s La

Scala

opera house in 1904.The plot is as recited in M. Butterfly—an American diplomat “marries” a Japanese woman for convenience, leaves her pining for 3 years, and comes back only to collect his son from her. She kills herself.

On of the most often performed operas in the world today.

Slide4

Intertextuality

“The

need for one text to be read in the light of its allusions to and differences from the content or structure of other texts; the (allusive) relationship between esp. literary

texts” (OED).

Slide5

Bernard Boursicot

The play is based on the true story of Bernard

Boursicot

, a French diplomat to China who was seduced by Shi Pei Pu and was blackmailed into passing classified documents to him.Shi procured a “son” for them named Shi

Dudu

.

Both Shi &

Boursicot

were sentenced to 6 years in prison, and both were pardoned early.

After his release,

Boursicot

settled down with a male partner.

After being released from prison, Shi is quoted as saying, “I used to fascinate both men and women. What I was and what they were didn’t matter,” and

Boursicot

is quoted as saying, “When I believed it, it was a beautiful story.”

Slide6

Meta-Drama

Drama in which the

author self-consciously alludes to the

artificiality or literariness of a work by parodying or departing from dramatic conventions and narrative/performative techniques.Related to “breaking the fourth wall.”