The Hitchhiker Radio Play The Hitchhiker Radio Play Radio Plays have NO VISUALS All information must be conveyed by dialogue sound effects and narration explanation The Hitchhiker Radio Play ID: 647117
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Slide1Slide2
The Hitchhiker
Lucille FletcherSlide3
The Hitchhiker
Radio Play Slide4
The Hitchhiker
Radio Play
Radio Plays have NO VISUALS:
All information must be conveyed by dialogue, sound effects, and narration (explanation)Slide5
The Hitchhiker
Radio Play–
Radio Plays have NO VISUALS:
All information must be conveyed by dialogue, sound effects, and narration (explanation)
Story is set in the late 1930’s in New York City and during a cross country drive.Slide6
The Hitchhiker
Suspense is created through:
sound effects
chilling music
dialogue (especially through character expressing his thoughts/talking to himself)
setting unfamiliar to the character
isolation of character
plot twistsSlide7
New York City 1930sSlide8Slide9
Mom & Pop StoreSlide10
1930s American SouthwestSlide11
Lucille Fletcher
Lived from 1911-2000Slide12
Lucille Fletcher
Lived from 1911-2000
Woman writer – unusual for the timeSlide13
Lucille Fletcher
Lived from 1911-2000
Woman writer – unusual for the time
Started career as a “gopher” for CBS, running errands and typing others’ scriptsSlide14
Lucille Fletcher
Lived from 1911-2000
Woman writer – unusual for the time
Started career as a “gopher” for CBS, running errands and typing others scripts
Wrote more than 20 plays; also wrote novels and short storiesSlide15
Lucille Fletcher
“The Hitchhiker” and “Sorry Wrong Number” were presented on the Orson Welles Show.
Orson Welles was quoted as saying that these two plays were the BEST plays ever written for radio performance.Slide16Slide17
Late30’s/Early 40’s RadioSlide18
Late30’s Radio as Focal Point in Family Living RoomSlide19Slide20
Radio led to a new mass audience forming that was more inclusive, more rural, more domestic, whatever you think of its taste more broadly American. Radio was the first truly mass medium, linking great cities and remote hamlets in the same instantaneous event. Slide21
“Franklin and Eleanor Roosevelt adopted radio as a communication tool when the medium was so new no one was certain what place it would find in American culture. Radio was an unknown force, and it came right into people’s homes and spoke to them intimately. It seemed to have the potential for both good and evil…they brought home a constant, free stream of entertainment…Some critics of the radio fad worried that if families stayed home with (the radio) it would erode civic involvement and compete with traditional social gatherings. “
The Internet of the 1930’s
“Franklin and Eleanor Roosevelt adopted radio as a communication tool when the medium was so new no one was certain what place it would find in American culture. Radio was an unknown force, and it came right into people’s homes and spoke to them intimately. It seemed to have the potential for both good and evil…they brought home a constant, free stream of entertainment…Some critics of the radio fad worried that if families stayed home with (the radio) it would erode civic involvement and compete with traditional social gatherings. “
The Internet of the 1930’sSlide22Slide23Slide24Slide25
In the1930’s, this is your only “newsfeed.” It is your source of comedies, dramas, soap operas, kids’ shows, news programs, weather reports, political speeches, and sometimes…even your “fake news.”Slide26Slide27
30’s/40’s CarSlide28
Car and House Ownership by Decade
AVERAGE PRICE OF A NEW CAR:
1930: $600
2019: $35,742Slide29
30’s/40’s TelephoneSlide30Slide31
30’s/40’s Phone OperatorSlide32
250,000 women were employed in the 1930’s as telephone operators in the United States.Slide33