used in Poetry METER a pattern of stressed and unstressed syllables for stressed for unstressed RHYME SCHEME pattern of end rhymes in a poem To indicate the rhyme scheme of a poem use a letter of the alphabet for each rhyme ID: 406038
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Slide1
LITERARY DEVICES
used in PoetrySlide2
METER
a pattern of stressed and unstressed syllables
´ for stressed
˘ for unstressedSlide3
RHYME SCHEME
pattern of end rhymes in a poem
To indicate the rhyme scheme of a poem, use a letter of the alphabet for each rhyme
Ex)
aa
bb
Nature’s first green is
gold
,
Her hardest hue to
hold
.
Her early leaf’s a
flower
,
But only so an
hour
.
Slide4
END RHYME
rhymes at the end of lines
Ex)
If I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin
Unto his nest again,
I shall not live in vain.
~ Emily DickinsonSlide5
INTERNAL RHYME
rhymes within a line
Ex)
Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore –
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door –
Only this and nothing more.”
~ Edgar Allan PoeSlide6
APPROXIMATE RHYME
rhymes involving sounds that are similar but not exactly the same
Ex)
Leave/Live
or
Pain/AgainSlide7
STANZA
a group of consecutive lines in a poem that form a single unit
expresses a unit of thought
stanza
= an Italian word for “stopping place” or “place to rest”Slide8
REFRAIN
a repeated sound, word, phrase, line, or group of lines
used to build rhythm or provide emphasis
Ex) “coming to America” in the song
“America” by Neil DiamondSlide9
SPEAKER
the voice talking to us in a poem
best to think of voice as a character the poet has created
character could be a child, a woman, a man, an animal, or an object; it is best to think of voice as a character the poet has created, not the actual poet Slide10
EXTENDED METAPHOR
a metaphor that is extended, or developed, over several lines of writing or even throughout an entire work
Ex) “O Captain! My Captain!”
by Walt WhitmanSlide11
METAPHOR
a comparison between two unlike things in which one thing is said to be another thing
does
NOT
use
like
or
as
Ex) She has a heart of stone.
He is a bear in the morning.Slide12
SIMILE
a comparison between two unlike things, using a word such as
like
,
as, than, or resembles
Ex)
When you see me sitting quietly,
Like a sack left on the shelf,
Don’t think I need your chattering.
I’m listening to myself…
~ from “On Aging,” by Maya AngelouSlide13
ALLITERATION
the repetition of consonant sounds in words that are close together
usually occurs at the beginning of words
Helps establish mood, emphasize words, and serve as a memory aid
Ex) nodded, nearly nappingSlide14
ASSONANCE
the repetition of vowel sounds in words that are close together
Ex)
They are death’s snowbound sailors;
they know only a continual
drifting between moonlit islands,
their tongues licking the stars.
~ from “Wolves” by John HainesSlide15
ONOMATOPOEIA
the use of words whose sound imitates or suggests its meaning
Ex)
Hear the sledges with the bells –
Silver bells!
What a world of merriment their melody foretells!
How they
tinkle, tinkle, tinkle
,
In the icy air of night!
While the stars that oversprinkle
All the Heavens, seem to twinkle
With a crystalline delight.
~ from “The Bells” by Edgar Allan PoeSlide16
IMAGERY
language that appeals to the senses
Ex)
“A slow widening of her thin black lips to show even, small white teeth, then the slow effortless closing.”
~ from “Mrs. Flowers” by Maya AngelouSlide17
ALLUSION
a reference to a statement, a person, a place, or an event from literature, the arts, history, religion, mythology, politics, sports, or science
What are some examples from “The Raven” by Edgar Allan Poe?Slide18
PERSONIFICATION
a figure of speech in which an object or animal is spoken of as if it had human feelings, thoughts, or attitudes.
Ex)
Slowly, silently, now the moon
Walks the night in her silver shoon;
This way, and that, she peers and sees
Silver fruit upon silver trees.
~ from “Silver” by Walter de la MareSlide19
SYMBOL
a person, a place, a thing, or an event that has meaning in itself and stands for something beyond itself as well.
Ex) bald eagle = United States
Star of David = Judaism
cross = Christianity
white dove = peaceSlide20
HYPERBOLE
an exaggeration or overstatement used for effect
Ex)
“His smile was so wide he’d have to break it into sections to fit it through the doorway.”
~ from
Maniac Magee
by Jerry SpinelliSlide21
COUPLET
a two (2) line stanza
Ex)
But do not so; I love thee in such sort,
As, thou being mine, mine is thy good report.
~ from “Sonnet 36” by William ShakespeareSlide22
QUATRAIN
a four (4) line stanza
Ex)
Let me confess that we two must be twain,
Although our undivided loves are one;
So shall these blots that do with me remain,
Without thy help, by me be borne alone.
~ from “Sonnet 36” by William ShakespeareSlide23
SESTET
a six (6) line stanza
Ex)
I may not evermore acknowledge thee,
Lest my bewailed guilt should do thee shame;
Nor thou with public kindness honour me,
Unless thou take that honour from thy name:
But do not so; I love thee in such sort,
As, thou being mine, mine is thy good report.
~ from “Sonnet 36” by William ShakespeareSlide24
OCTAVE
an eight (8) line stanza
Ex)
Let me confess that we two must be twain,
Although our undivided loves are one;
So shall these blots that do with me remain,
Without thy help, by me be borne alone.
In our two loves there is but one respect,
Though in our lives a separable spite,
Which though it alter not love’s sole effect,
Yet doth it steal sweet hours from love’s delight.
~ from “Sonnet 36” by William ShakespeareSlide25
What literary devices are used in this poem?
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace. I love thee to the level of everyday’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints, - I love thee with the breath,
Smiles, tears, of all my life! – and, if God choose,
I shall but love thee better after death.
~ Elizabeth Barrett Browning