American Romanticism 1800 - 1860 - PowerPoint Presentation

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American Romanticism1800 - 1860

We will walk with our own feet

we will work with our own hands

we will speak our own minds

-Ralph Waldo EmersonSlide2

Political and Social MilestonesThe Louisiana Purchase - 1803

The Gold Rush - 1849

Education and ReformSlide3

Rationalism vs. Romanticism

The rationalists believed the city to be a place to find success and self-realization

The romantics associated the countryside with independence, moral clarity, and healthful living.Slide4

Characteristics of American Romanticism

Values feeling and intuition over reason

Places faith in inner experience and the power of the imagination

Shuns the artificiality of civilization and seeks unspoiled nature

Prefers youthful innocence to educated sophistication

Champions individual freedom and the worth of the individual

Contemplates nature’s beauty as a path to spiritual and moral developmentSlide5

Characteristics (continued)

Looks backward to the wisdom of the past and distrusts progress

Finds beauty and truth in exotic locals, the supernatural realm, and the inner world of the imagination

Sees poetry as the highest expression of the imagination

Finds inspiration in myth, legend, and fold cultureSlide6

Rising to higher truths Belief of obtaining higher truths

through the exploration of the past and of exotic, even supernatural, realms--the Gothic novel--old legends and folklore

through the contemplation of the natural world--lyric poetry--its underlying beauty and truthSlide7

New American NovelistsHerman Melville - (ex-sailor) wrote

Moby Dick

Nathaniel Hawthorne - wrote

The Scarlet Letter

More a “coming of age” not a renaissance Slide8

The Fireside PoetsOpposite of novelists - worked within European literary traditions

Used English themes, meter, imagery with American settings and subjects

Henry Wadsworth Longfellow, John Greenleaf Whittier, Oliver Wendel Holmes, James Russell LowellSlide9

Transcendentalism

The idea that in determining the ultimate reality of God, the universe, the self, and other important matters, one must transcend, or go beyond, everyday human experience in the physical world.

Ralph Waldo Emerson influenced by ancient Greek - Plato

Also based on Puritan belief and Romantics

Based on intuition; optimistic

Henry David Thoreau Emerson’s close friendSlide10

The Realm of DarknessEdgar Allen Poe with Hawthorne and Melville known and anti-Transcendentalists

Had much in common with Trascendentalists

Explored conflicts between good and evil, psychological effects of guilt and sin, and madnessSlide11

American Gothic Literature

Edgar Allan Poe Author StudySlide12

The Dark Side of Individualism

American GothicSlide13

Gothic Literature Gothic Literary tradition came to be in part from the Gothic architecture of the Middle Ages.Gothic cathedrals with irregularly placed towers, and high stained-glass windows were intended to inspire awe and fear in religious worshipers.Slide14

Gargoyles—carvings of small deformed creatures squatting at the corners and crevices of Gothic cathedrals—were supposed to ward off evil spirits, but they often look more like demonic spirits themselves.

Think of the gargoyle as a mascot of Gothic, and you will get an idea of the kind of imaginative distortion of reality that Gothic represents.Slide15

Gothic vs. Romanticism

Romantic writers celebrated the beauties of nature.

Romanticism developed as a reaction against the rationalism of the Age of Reason.

The romantics freed the imagination from the hold of reason, so they could follow their imagination wherever it might lead.

For some Romantics, when they looked at the individual, they saw hope (think “A Psalm of Life”).

Gothic writers were peering into the darkness at the supernatural.

For some Romantic writers, the imagination led to the threshold of the unknown—the shadowy region where the fantastic, the demonic and the insane reside.

When the Gothic's saw the individual, they saw the potential of evil. Slide16

Gothic Movement in America

The Gothic Tradition was firmly established in Europe before American writers had made names for themselves.

By the 19

th

century, Edgar Allan Poe, Nathanial Hawthorne, and to a lesser extent Washington Irving and Herman Melville were using the Gothic elements in their writing.

Edgar Allan Poe was the master of the Gothic form in the United States. Slide17

Edgar Allan Poe

His stories have:

Settings that featuring

Dark, medieval castles

Decaying ancient estates

Characters that are

Male—insane

Female—beautiful and dead (or dying)

Plots that include

Murder

Live burials

Physical and mental torture

Retribution from beyond the graveSlide18

The Gothic dimension of Poe’s fictional world offered him a way to explore the human mind in these extreme situations and so arrive at an essential truthSlide19

Nathanial HawthorneHe also used Gothic elements in his work to express what he felt were essential truthsInstead of looking at the mind for its dysfunction, Hawthorne examined the human heart under conditions of fear, vanity, mistrust, and betrayal. Slide20

Southern GothicAfter the real horrors of the Civil War, the Gothic tradition lost its popularity. During the 20

th

century, it made a comeback in the American South.

Authors like William Faulkner, Carson McCullers, Truman Capote, and Flannery O’Connor are grouped together because of the gloom and pessimism of their fiction. Slide21

Edgar Allan Poe

During a life marked by pain and loss, Edgar Allan Poe wrote haunting tales in which he explored the dark side of the human mind.

A well-read man with a taste for literature, Poe was cursed with a morbidly sensitive nature and made his feelings of sadness and depression the basis of a distinctive body of literary work.

The following is a look at the life and work of a mysterious American master.Slide22

Marked by Loss Poe was born in Boston, Massachusetts in 1809, one of three children born to a couple who toured the East as actors.

Before he was three years old, his father had abandoned the family, and his mother had died of tuberculosis.

John and Francis Allan, took Poe to their home in Richmond, Virginia and became his foster parents.

With the Allan’s he briefly lived in England, and continued his education in the United States.Slide23

A Restless SpiritThis period in Poe’s life was full of high’s and lows.

1826, he started at the University of Virginia, where his reckless habits led to heavy debt, forcing him to leave school.

He moved to Boston, where he published his first book,

Tamerlane and Other Poems

in 1827.

In 1828, he was flat broke and enlisted into the army. John Allan got him an appointment at West Point, but he found the school confining and made sure he was expelled.Slide24

A Man of LettersAfter leaving West Point, he moved to Baltimore to live with his aunt Maria Clemm and her young daughter Virginia. There he began writing short stories.

In 1834, he moved to Richmond to work for the

Southern Literary Messenger.

His reviews in the

Messenger

led to increased in the magazine’s circulation.

In 1836, Poe married his cousin. Soon after, a disagreement led to him leaving the

Messenger

and moving again, this time to New York City.

After publishing another short novel, he moved again searching for work, this time to Philadelphia.Slide25

Poe in PhiladelphiaHis years in Philadelphia would be Poe’s most productive.

In 1839 he was the editor of

Burton’s Gentlemen’s Magazine

, to which he contributed both reviews and stories.

His first collection of short stories was published,

Tales of the Grotesque and Arabesque

.

He was then fired from Burton’s in 1840.

He attempted to begin his own literary magazine, but it failed.

He accepted an offer as editor of

Graham’s Magazine

, where he published his groundbreaking story The Murders in the Rue Morgue”

The was considered groundbreaking because it was the first detective story. Slide26

The real trouble beginsPoe was awarded a $100 prize for his short story “The Gold Bug” published in 1845.This brought his the recognition and success that he had always wanted.

With the success, he was hit with a major personal blow; Virginia, who had been battling illness since 1842, died.

In the years following Virginia’s death, Poe struggled with despair as well as his own failing health.

He moved back to Baltimore in 1849, where his health declined quickly.

He collapsed on a Baltimore street where he was taken to a hospital. He died a few days later.Slide27

Poe’s ReputationPoe’s work generated strong responses. Critics either loved his work, or they hated it.

Shortly after his death, a one-time friend published a biography on Poe.

This work established the view of Poe as a gifted, but socially unaccepted writer.

This tainted his reputation in America for many years.

Eventually in the United States, his reputation was regained.

Today, Poe is recognized as a master of poetry, a superb writer of short stories, and a profound explorer of the torments of the human soul.

He wrote only one novel, around 50 poems, and 70 short stories.Slide28

Timeline of Poe’s Work

1809

Poe was born on January 19

th

1827

Poe published

Tamerlane and Other Poems

1831

Expelled from West Point

Publishes

Poems

1839

Poe published

Tales of Grotesque and Arabesque

including “The Fall of the House of Usher”

1841

Poe wrote “The Murders of Rue Morgue”

1845

Poe published “The Raven”

1847

Poe dies in Baltimore on October 7

th

1836

Poe married Virginia Clemm