PPT-Literary Criticism Article Research

Money in Jane Austen Robert D Hume The Pennsylvania State University Abstract Recent scholars have demonstrated that Jane Austen does not depict a bourgeois world But the attention paid to socioeconomic issues of rank or class in the novels has been accompanied by relatively little specificity about the magnitude and buying power of particular sums especially incomes Austen lived a very straitened life in economic terms and she was unsurprisingly hyperconscious of money Each novel poses economic questions but the difficulty of determining presentdayequivalent buying power makes it hard to judge the magnitude of the sums involved While recognizing that retail price and average earnings may diverge as measures of inflation by a factor of more than thirteen this essay argues that a multiplier somewhere between 100 and 150 produces a generally plausible equivalent today It also argues that attention to the size and buying power of the specified incomes of Austens principals underlines their elite status Bingleys 40005000 per annum puts him in the top onetenth of 1 of the population and . Notes for the Director. OVERVIEW. Every production engenders a response. Directors need to grow by listening seriously and . thoughfully. to the feedback your production generates. Performance. A production is never finished until an audience watches and . CMST 450/550. Genre began as an absolute classification system in ancient Greece. Poetry, prose and performance had a specific and calculated style that related to the theme of the story. . During . Major American Writers: Wallace Stevens. New Criticism. A Brief Guide to the Fugitives.  (from poets.org) . “. The Fugitive. was a literary magazine of poetry and criticism published at Vanderbilt University in Nashville, Tennessee, from 1922 until 1925. Both faculty and students, including John Crowe Ransom, Allen Tate, Robert Penn Warren, among others, contributed to this publication. They were practitioners and defenders of formal techniques in poetry and were preoccupied with defending the traditional values of the agrarian South against the effects of urban industrialization.. FORMALIST. By:. Haley A.. Erica C.. Elizabeth G.. DEFINITION:. A way of analyzing literature in which no outside information about history, politics, or society, is used, and no prior knowledge about the author’s life or time period is referenced. Strictly the text, and literary elements used within it. . Freud and His Contribution to Literary Theory. A PowerPoint Spectacular by C.J. Fusco. Sigmund Freud. Sigismund . Schlomo. . Freud. (1856-1939), . was an Austrian neurologist usually credited with creating psychoanalytic theory and, by extension, psychiatric therapy. . vs.. . New Criticism. Differences and Similarities. By: Marina . Golubeva. &. . Cristina . Popa. Russian Formalism New Criticism . Focus . on understanding the literary text through the text . Film . Theory . & Criticism. Film Studies. Literary Theory & Criticism. Film Theory & Criticism. no literary equivalent. Auteurism. Thumbnail: . Identification of the primary signatures (thematic, stylistic, geographical) of a given filmmaker, customarily the director. Archetypal Criticism. ENG4UW - Mrs. . Crowell. Frye. , Northrop. “The Archetypes of Literature,” . 20. th. Century Literary . Criticism. . ed. D. Lodge, Longman House 1972.. Literary Criticism Review. Most controversial, most abused, least appreciated form. Associated with Sigmund Freud (1856 – 1939) and his followers. Creative writing (like dreaming) represents the (disguised) fulfillment of a (repressed) wish or fear. “The study of gender, within literature, is of general importance to everyone.”. - Judith Spector. “I have a male mind with male experiences. Therefore I see things through the perception of a man. I couldn’t relate to some of Virginia Woolf’s views and I despised the way she pushed her viewpoint on the reader. This was brought on by my masculinity, I feel.”. SM ON LITERATURE. DEDY SUBANDOWO, M.A. PROGRAM STUDI . PENDIDIKAN BAHASA INGGRIS. FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN. UNIVERSITAS MUHAMMADIYAH METRO. SATUAN ACARA PERKULIAHAN. PERTEMUAN. TOPIK. TEAMWORK. lenses. . applied to an object under consideration; they bring certain qualities into focus or call our attention to particular issues.. . Why do we use different forms of criticism?. Literary criticism is an extension of the social activity of interpreting. One reader writes down his or her views on what a particular work of literature means so that others can respond to that interpretation. The critic's specific purpose may be to . Mrs. Crowell. (information adapted from Ms. . Klassen. ). Literary Criticism: An Introduction. A DEFINITION:. Literary Criticism is the . study, analysis . and interpretation of a literary work. . The . Dead Poet’s Society. Step 1: Explore the various "levels of the mind" as they relate to characters or mass psychology in the literature. Freud separated the mind's force into a trinity: id (instinct of character), ego (realistic part of the character) and superego (moralizing part of the character). The way characters use these three mental powers to navigate life's events is central to a Freudian analysis..