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A Revolution in Color & Style  Art in La Belle  Epoque [1871-1914]: A Revolution in Color & Style  Art in La Belle  Epoque [1871-1914]:

A Revolution in Color & Style Art in La Belle Epoque [1871-1914]: - PowerPoint Presentation

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A Revolution in Color & Style Art in La Belle Epoque [1871-1914]: - PPT Presentation

A Revolution in Color amp Style Art in La Belle Epoque 18711914 Impressionism Impressionism An Overview 18621866 Began in France started by rebellious art students at same studio Rejected ID: 761386

impressionism amp color picasso amp impressionism picasso color pablo world style van gogh painting light expressionism early paul braque

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A Revolution in Color & Style Art in La Belle Epoque [1871-1914]:

Impressionism

Impressionism: An Overview 1862-1866 Began in France started by rebellious art students at same studio Rejected the traditional style of painting (Renaissance style)Blasted by contemporary critics & considered dangerous to the viewer

Characteristics of Impressionism: GOAL create an “impression” Portray immediate visual sensations of a scene Color of object changes constantly according to effects of light, reflection & weather New Painting Techniques: Short, choppy brushstrokes Mosaic of irregular daubs of color throbbing w/ energy Shadows composed of many colors (rejected black & gray) LOOK a new perspective:Unintelligible up closeFrom a distance, the viewer’s eyes fuse streaks of color into intense huesSubjects Outdoors, seaside, Parisian streets & cafés

A Revolution in the Arts: Impressionism broke all the rules!!! Painted in open air Use of light & color as form No discernible narrative contentNatural landscapes (not artificially arranged) Composition is non-existent Est. artists right to experiment w/ personal style Let the light of nature & modern life blaze through the shadowy traditions of centuries Set the standard for the next century 20th c. artists either extended their practice or reacted against it

Claude Monet “Impression: Sunrise” (1872) The painting that gave the movement its name!

Claude Monet “ Waterlilies ” Series (1899-1916)

Claude Monet Rouen Cathedral Series (1890s) West Façade in Sunlight West Façade at Sunset

Edouard Manet “A Bar at the Folies-Bergér” (1882)

Pierre Auguste Renoir “Luncheon at the Boating Party” (1880-81)

Edgar Degas “Glass of Absinthe” (1876)

Edgar Degas’s Ballerinas Prima Ballerina (c.1876) The Dance Class (1874) Little Dancer – Sculpture (1874)

Women Impressionists Mary Cassatt, The Caress (1902) Berthe Morisot, The Cradle (1872)

Post-Impressionism

Post-Impressionism: An Overview 1880 - 1905 Began in France Influenced by Impressionism, but different: Sinuous lines instead of blurred hazeSolid, rainbow-bright colorsEmphasis on how the tormented mind understands the world Movement split into two factions: Formal, near-scientific design (Seurat & Cezanne) Expression of emotions & sensations through color & light (Lautrec, Van Gogh, Gaugin)

Georges Seurat “A Sunday on La Grande Jatte ” (1884-86) “pointillism” = the dot-theory

Paul Cézanne : The Flowers & Fruit Guy Mont Saint- Victoire (1902-04) Still Life with Apples and Oranges (1895-1900)

Paul Cézanne “Large Bathers” (1906) His Later nudes modeled on paintings by Rubens & El Greco

Henri de Toulouse-Lautrec “At the Moulin Rouge” (1892) Parisian cabaret nightlife & publicity posters

Henri de Toulouse-Lautrec: Master of the Graphic Arts

Paul Gaugin “La Orona Maria” (1892) Tahitian version of the Annunciation

The Mad Monk of Post-Impressionism: Vincent Van Gogh Self-Portrait with a Straw Hat (1887) Self-Portrait with a Bandaged Ear (1889)

Vincent Van Gogh “Starry Night” (1889)

Vincent Van Gogh “The Bedroom” (1889)

Early Expressionism

Early Expressionism: An Overview Emerged in late 1880s (term Expressionism coined in 1911) Influenced by Cézanne & Van GoghUsed bright colors & jarring shapes to express inner FEELINGS! Different types of Early Expressionism: Symbolism – focused on inner world of fantasy Les Fauvres (Fauvists) – distorted, flat forms & perspective; Intense bright, clashing colorsBegan in Paris w/ Fauvism,but prospered in Germany & developed all over Europe after WWI

Edvard Munch: The Inspiration The Scream (1893) The Sin (1901)

Henri Rousseau “The Sleeping Gypsy” (1897) An example of Symbolism

André Derain “Big Ben” (1905) An example of Fauvism

Henri Matisse: Master of Fauvism The Green Stripe (1909) Dance I (1909)

Cubism

Cubism : An Overview 1907-1914 Influenced by Paul Cézanne & African art Invented by artists Pablo Picasso & Georges Braque Got its name from a Matisse criticism of a Braque landscape as nothing but “little cubes”.Created the first abstract way to picture the world Broke objects into multitude of pieces (kaleidoscope) Suggested feelings through neutral color & geometric forms The TWO types of CubismAnanlytical (1907-11) – makes an abstract depiction of the real world (Picasso & Braque)Synthetic (1911-1914) – uses bits of the real world to build up a new representation (Gris & Léger)

Pablo Picasso “Les Demoiselles d’Avignon ” (1907) The most influential painting of the 20th c.

Pablo Picasso “Studio with a Plaster Head” (1929)

Pablo Picasso “Woman with a Flower” (1932)

Pablo Picasso “Guernica” (1937) Picasso’s Greatest Masterpiece

Pablo Picasso: Cubist Portraits Portrait of Daniel-Henry Kahnweiler (1910) Portrait of Ambroise Vollard (1910)

George Braque Harbor at Normandy (1909) Violin and Candlestick (1910)

Juan Gris Sunblind (1914) Violin & Glass (1915)

Ferdinand Lêger The Bargeman (1918) The Mechanic (1920)

Sculpture & Architecture

Auguste Rodin: The First Modern Sculptor The Age of Bronze (1876) The Thinker (1879-89) The Kiss(1886)

Early Modern Architecture: Architecture for an Industrial Age Eiffel Tower (Paris) (1889) Hector GuimardEntrance to the Metro (Paris) Art Noveau style (c.1900) Louis Sullivan Carson-Pirie-Scott Department Store (Chicago) (1899-1904)