PPT-A Revolution in Color & Style Art in La Belle Epoque [1871-1914]:

A Revolution in Color amp Style Art in La Belle Epoque 18711914 Impressionism Impressionism An Overview 18621866 Began in France started by rebellious art students at same studio Rejected. Sheets. Brief Introduction. Norman White. Background. HTML was not intended to have tags for formatting a document.. Intended to define contents (headings, paragraphs etc.). HTML 3.2 added tags like font, color . Resources. www.w3schools.com/css/css_reference.asp . (. list of all CSS properties). www.w3schools.com/css. /. www.glish.com/css. /. www.html.net/tutorials/css. /. blog.html.it/. layoutgala. /. Great Book. THE BEAUTIFUL ERA. The Belle . Époque. or La Belle . Époque. ("Beautiful Era") . was. a . period. . of. Western . European. . history. . . It. . is. . conventionally. . dated. . from. the end . Resources. www.w3schools.com/css/css_reference.asp . (. list of all CSS properties). www.w3schools.com/css. /. www.glish.com/css. /. www.html.net/tutorials/css. /. blog.html.it/. layoutgala. /. Great Book. “. The Beautiful Time. ”. ). 1877-1914. Einstein’. s . discoveries of . “. relativity,. ”. 1905-1915. Matter and energy interchangeable. Light and time can be . “. diverted. ”. by gravity. The Beautiful Era. (1871-1914) – the pinnacle is the 1990’s. Also known as the Golden Age. Peace and prosperity allowed the Arts to flourish in Paris. Paris has Large underclass that does not get to experience the wonders and entertainment of this era. Introduction. What do you know about CSS? . What do you hope to do with CSS?. How familiar are you with HTML?. Presentation Summary. What is CSS?. CSS & HTML. The Box Model. Style Sheet Implementation. ISYS . 350. Cascading Style Sheets . Cascading Style Sheets (CSS) is a mechanism for adding style (e.g., fonts, colors, spacing) to Web documents. . A style sheet consists of a list of style rules. Each rule or rule-set consists of one or more selectors, and a declaration block.. W3Schools.com:. http://. www.w3schools.com/css/default.asp. ISYS 350. Cascading Style Sheets . Cascading Style Sheets (CSS) is a mechanism for adding style (e.g., fonts, colors, spacing) to Web documents. . W3Schools.com:. http://. www.w3schools.com/css/default.asp. ISYS 350. Cascading Style Sheets . Cascading Style Sheets (CSS) is a mechanism for adding style (e.g., fonts, colors, spacing) to Web documents. . Learning outcome. CSS. Introduction. Motivation. Advantages. Implementation. Classes . & . Ids. <span. > and <. div>. General Model. Validation. CSS Introduction. HTML was originally designed as a simple way of . styling WWW information . . CSS. Advantages. Makes . website more . flexible . CSS is . reusable. Change . stylesheet. to change design of many pages. Example: CSS Zen garden . http://www.csszengarden.com/. The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in Illuminated Paris, Hollis Clayson shows that there’s more to these clichés than meets the eye. In this richly illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies. While older gas lighting produced a haze of orange, new electric lighting was hardly an improvement: the glare of experimental arc lights—themselves dangerous—left figures looking pale and ghoulish. As Clayson shows, artists’ representations of these new colors and shapes reveal turn-of-the-century concerns about modernization as electric lighting came to represent the harsh glare of rapidly accelerating social change. At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle Époque.   The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in Illuminated Paris, Hollis Clayson shows that there’s more to these clichés than meets the eye. In this richly illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies. While older gas lighting produced a haze of orange, new electric lighting was hardly an improvement: the glare of experimental arc lights—themselves dangerous—left figures looking pale and ghoulish. As Clayson shows, artists’ representations of these new colors and shapes reveal turn-of-the-century concerns about modernization as electric lighting came to represent the harsh glare of rapidly accelerating social change. At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle Époque.