THE EDITING BOOTH This is the editing equipment that I used to create the final product It includes a AKG C1000S Condenser Microphone with cover a Behringer Euromix MX 1604A Mixer and Adobe Audition on a PC with Windows 7 ID: 378224
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Slide1
THE RECORDING PROCESSSlide2
THE EDITING BOOTH
This is the editing equipment that I used to create the final product.
It includes a
AKG C1000S Condenser Microphone with cover, a
Behringer
Euromix
MX 1604A Mixer and Adobe Audition on a PC with Windows 7.Slide3
STAGES OF EDITING
I have used the Software Release cycle model as a basis for how each stage of the production will work.
First is the ALPHA stage. This is where the articles will first be
contructed
.
Next is the BETA stage. The articles will be checked over, and the soundbed and jingle will be added into the main session file.Finally is after checking and editing out some unnecessary content the bulletin can be said to have gone GOLD, and is finished.Slide4
Parts of the Bulletin
Each article is split into Studio Recordings introducing each story (or in the case of the Hard Story, introducing and explaining the full story), Outside Recordings explaining the story, and Interviews and Vox Pops that give the opinion of a specified interviewee or a certain group respectively.
After the creation of each article the soundbed and jingle with stings will be added.Slide5
Recording Studio and Outside
For each paragraph of recording, multiple takes were recorded in case of minor mishaps or mispronunciations.
For the studio recordings, I used a certain code for each recording that separated by story, recorded paragraph and take.
(For instance, the second take of the hard story’s third paragraph was labelled “Hard C 2”.)Slide6
Editing Studio and Outside
After choosing the best take of each paragraph for an article, I cut the excess noises from each clip and slightly overlaid them so that the background noise would mix , making each paragraph flow into each other in a smoother fashion.Slide7
Editing Interviews and Vox Pops
When editing the interviews, I cut out the pre-selected samples from the main body of the interview and edited out non-fluency features like long pauses and fillers.
Editing the
vox
pops was slightly different. I chose several samples from the folder of previously cut samples, and arranged five that would cover both questions and give a wide range of responses. The clips were left mostly as they were so that they would sound more spontaneous. Slide8
Arranging the articles
I arranged all the different clips for each article into separate session files.
Then I balanced the audio levels so that there were no huge alterations to the overall audio.
Each article was then exported to be arranged in the final session file.Slide9
Creating the
Jingle
The jingle was created by combining music with my own vocals.
The vocals were edited to alter the flanger and make my voice seem more “robotic”.
This was then exported to be used in the final session file.Slide10
Arranging the
Final Cut
After arranging all the articles and the jingle into a final session file, I added music –which was quietened - as a soundbed.
I overlaid the end of one track and the beginning of another so that it would “loop”.
This final track was then exported as the final bulletin.