The term sonnet derives from the Italian sonetto a little sound or song The first examples are those written by Iacopo da Lentini in 1230 The sonnet establishes its importance as a poetic form with Petrarchs ID: 685372
Download Presentation The PPT/PDF document "The Sonnet A short history of the sonnet" is the property of its rightful owner. Permission is granted to download and print the materials on this web site for personal, non-commercial use only, and to display it on your personal computer provided you do not modify the materials and that you retain all copyright notices contained in the materials. By downloading content from our website, you accept the terms of this agreement.
Slide1
The SonnetSlide2
A short history of the sonnet
The term “sonnet” derives from the Italian “
sonetto
”, a “
little sound or song
”.
The first examples are those written by
Iacopo
da
Lentini
in 1230;
The sonnet establishes its importance as a poetic form with Petrarch’s “
Canzoniere
” (started in 1335);
Petrarch describes his love for his beloved Laura using the
typical features of courtly love
.
the
lady
described by Petrarch is both
real
and
ideal, full of the highest physical and spiritual qualities
.
The poet is a man who suffers because of a disdainful lady who is beautiful, and often cruel;
He feels contrasting sensations: happiness or sorrow, love or hatred according to the presence or absence of the lady or to his different states of mind;Slide3
Italian sonnet
rigid structural form
: the poet is asked to express his thoughts and feelings in fourteen lines
Petrarchan
sonnet
Fourteen
iambic pentameters divided into:two stanzas, one octave and one sestet, usually rhyming:ABBAABBA. CDECDE or CDCDCD (even if the rhyme scheme sometimes varies).
The function of the octave is: to introduce a problem or a situation
The function of the sestet is:
to provide an answer or to make comments
on the
situation and expresses the personal feelings
of the poet.Slide4
The
sonnet
in England
Sir Thomas Wyatt
(1500 – 1542) – first English poet to introduce the
Italian sonnet to England.
Initially, he simply translates the poems into English;then, to adapt the Italian pattern to the English language, he leaves the octave unchanged and modifies the sestet dividing it into a quatrain and a couplet.The Petrarchan
theme of love remains unchanged.Sometimes Wyatt’s quatrain and couplet seem more like a sestet;
It is only with the
Earl of Surrey
(c. 1517-1547) that
the final couplet
is clearly
separated from the quatrain
and comments on the previous twelve lines.
Surrey also changes the octave into two quatrains with different rhymes;Slide5
The
final pattern
that distinguishes the
Elizabethan pattern
from the
Petrarchan one consists of three quatrains and a couplet,
and its rhyme scheme is: ABAB-CDCD-EFEF-GG.The couplet is always epigrammatic: it has the function of: summing up the subject matter dealt with in the previous twelve lines or ...
reversing the meaning previously discussed.The fortune of the genre is due to the publication of “Astrophel and Stella”
(1591) -
a sequence of sonnets
by
Philip Sidney
.
A sonnet sequence is a series of sonnets on a particular theme addressed to a particular person.
FortuneSlide6
The
sonnet
in England
Theme
The commonest
theme
is love and in the case of Sidney, his love with Stella. In accordance with Petrarch’s model, it is a conflictual love, full of tenderness and bitterness, hatred and possession.Another important sequence of sonnets is the one written by Edmund Spenser (1552-1599) entitled “Amoretti”, where the poet celebrates his lady and, at the same time,
deals with the theme of immortality gained through poetry by both the poet and his beloved. Spenser’s “Amoretti”Shakespeare’s sonnets
Published in 1609 but written in the last decade of the 16
th
century, they are the greatest collection of English sonnets.
They are clearly influenced by the Italian and classical tradition but, at the same time, they are also highly original.Slide7
Metaphysical
poets
Their works are characterised by:
elaborate style
search for the unusual
intellectualism most famous representative of metaphysical poets: John Donne Cavalier poetsTheir works are characterised by:classical eleganceclarity most famous representative of Cavalier poets: Ben JonsonSlide8
A
fourteen-line
poem in iambic
*
pentameter.Main characteristicsA carefully patterned rhyme scheme.Invented by the Italian Iacopo da Lentini in the first half of the 13th century.Introduced into England by Sir Thomas Wyatt.
Two types of sonnet: Petrarchan and Shakespearean.*Iamb: Type of foot made up of an unstressed syllable followed by a stressed oneSlide9
14 lines
of iambic pentameter
14 lines
of iambic pentameter
Division into 2 sections:
the octave presents a problem or situation
the
sestet
solves or clarifies the situation
Division into
4 sections
:
3 quatrains
present a problem or situation
a couplet
solves or summarizes the problem.
Rhyme scheme:
ABABABAB or ABBAABBA for the
octave
CDECDE or CDCDEE
for the
sestet
Rhyme scheme:
ABAB
Quatrain I
CDCD
Quatrain II EFEF Quatrain III GG Couplet
Table of comparison
Petrarchan sonnet
Shakespearean
sonnetSlide10
Chivalric
poem
Very popular during the Renaissance period
The Christian epic poem
The temptation of Adam and Eve in the Garden of Eden and man’s loss of paradise are the main themes of this poem.
Developed in France and Italy and then spread all over EuropeThe “Faerie Queene” (1591- 1596) by Edmund Spenser is the best example of this genre in England In his work, the poet creates an imaginary world in which knights, ladies, fairies, gods and goddesses tell fantastic tales through which he celebrates Queen Elizabeth and her court.
The allegorical form of the poem allows the poet to contrast Protestant England with her Catholic enemies such as the Vatican
The most important example of Renaissance epic is John Milton’s “Paradise Lost”.
The influence of Greek and Roman literature as well as of Christian humanism are quite evident in Milton’s masterpiece