2 Backgrounds n nn r r2 nn n n rr r r n n ID: 138818
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1 Photographing Your Knitting: Putting Your Masterpiece in the Best Light © 2010 Conrad R. & Jeanne E. Hoffman, All Rights Reserved Introduction \n \r\n\n \r \r \n\n\n \r \r\n \r\n\n\r\n \r\r\r\n \r \n \r \n \r\r\r \r \n \n\n \n \r \r\n \r \n\n\r \r \r \n\n\r\n \n\n\r\r \r\n \r \n \n \n \n\r\r \r! \n \n \r\n \r " # \r\n \r\r \n \r\n $\n\n \r\n \r \r\n%"\n\n\n & \n \r\r' \r \r \n \n\r\n ( \r &\r \n #\r \n \n \r \r\n ' \n \n \r \r \n\n \r\n\n \r\r \n \r\r\n \r \r\n\r\n \n \n\n \r )# *\r\r \n\rDefining the Mission \n\r\r \n \r\r\n\r \n \r \n + \n \r\r\r \n\r\r\n\n \n \r \n &\n\r \n \r,-\n \n .\r\n\r \n\n/ \n\r\n \n \r0 \n 1\n \r \n\n\n \n2 \r\n\r\n \n \n#\r\n\r\n \n\n#\r"\r \n\n \n \n \n3\n \n\r \r \n \n\n \r\n \n 3 \n\r \r\r ! \n \r\n\r\r4 \n\n\r #\n\n \r\r \n\r\r\n \n \r" \n \n \n \n \n\r \r\n\n \r\n ' \r \n \nSupporting the piece 2#\r\r\n \r\n \r\n\r\n \n \n\n \r \n \n 5\n \r \r\n\n \n \n\n\n 6\r \r\n &\r\r \n \n\r \n\n ! \n \r\n \n\r \n\r\n \r \r' \r \n \n\r\n \n\r\n\n3 \n\n \n 7 \n\r\n\n\r \n\n5 \n\n\n\n \r \r "\r\n #\r\r \n\n \r \n\n \r \r \n \n 4\n\r 2#\r\n &\r \r \n\r \r\n\n \r \n\n\n 8\n \n \n\n \n \r\r\n\n\r \r 2 \r\n \n \n\r \n \r\n \r\n\r\n \r\n\r\n 4\r \r\r\n \n \n\n \n8 \n \n \n\r\n \n # \n\n\n\n \n \n\n" \n 2 Backgrounds " \n \n \n \r \r2 \n\n \n \n \r\r \r \r+ \n \n&\n\r 5 # \r \n \r\r\n \n \n \r 74 9 \r \n \n\n \n \n \n #\r\n\n \r \n \n\r \n \n\n\n \n \r \r\n\r\n\r\n\n \n\r\n \r\n \r \r\n \n \n" \n \r\n\n \n\r\n \n \r \r\n 2#\r\r\r \n \r \n \n \n\n \n \r8\n\n\r\n\n \r \n\n\r \n\n \r \n \n\r\n\r\r \n \n ! \n \r\n \r Color control : \r\n \n \r \n\r \n \r\r'\n\n \n #\r \n \r\r\n \r \r$\n \n\r\n #\r\r\n " \n \r \n\r \n\n \r \r \r\r \n\r \n\n \r\r'#\n\n\r\n \r\r\n \n '\r \r #\r \n\n \n&\n\r\n ) & \r\r\n \r \n \r\n \n\r \r\n\r( \r \r \n\r \n \n\r \r\r \r 2\n\n \r \n \r\r \n\r\r" \n\n \r &\r \n\r\n0 \r\n\r\r "\n \n \r \n \r\n\r;$7\r= \n \r$7\r \n \r \r \r \r \n \n " \n \n\r\n \n \r \r\r\r \r \n \r & &#x-4.8;Î?\r \r\r \n $7\r\n\n \r\n &\r \r \n \r2\n \n\r $7\r \r \n \n\n\n\n\r \r #\n \n\n # 3 : \n \r\n3\n \n\r \n \n \n \n \n \n \n\r \n\n \r\r \n \n\r'#\n $7\r\n\r\r\n \n\r\r\r 411?? \n\n \n \n\r \n Lights \r \n &\r \n4 \r\r \n \r\r"\r \r\r\n@-0?? \n )& \r\n\r \n-??'3 \n;./'\n\n=$7\rA \n \n\n" \r \n \n \n\r\r \r 8\n11?? B\n \n\r \n \n\r\n A#\r \r \n \r\n 4 \n\n\r \n\r " \n\r\n \r\n \r\n \n \n \r \r\r\r \n \r \r\n '\n @1 \n "\r$7\r \n\r \n \r \n \r\r \n$7\r \n\r\n \n \n \r\n\r \n\n \n\n \r\r 2 \r \n $7\r\n\r \n \n " #\r\n \r \r\n \r\r\r&Lighting & Texture \r\r \n \r\n \r \n" \r \r\n \r \n \r \r \n\n \r&\r \r \n\n\r \n \n \n \r \n\r" \r\n\r \r \n \r \n\n\r \r\r \r\n\n \n 4 " \r \r& ;\n\n \r=\r\r \r \r \n\n\n \n \n \r\r\r & \r \n"\n\r \r\n \r" \r \r \r\n \n \r \r \n\r \n \r \r\n"\r \r\r #\r\r\n \n\n #\r\n \r\n \r \n \r\n \r\n\r \r\n \n \r\r \r\n\n \r ' \r\n \r \n \r\n \r\r \n\r\r\r\n\r & "\n#\r\r \n \r \n\r 3\r" \r \r\n \n\r\n \n.&0\n\r\r #\n \n \n\r2 \n \r\r \n\n\r \r\n \r\n\r\n \rB \n \r\n \n\r"\r \r \r\n \n\r \r\n\r # \n \n \r\n\r & \n+\n \r \r \r\r& +\n \n \n\n \r \r\r;C= & \r\n\r \r\r \r \n \n \n \n\n \n \n\n \n \n\n \n "\n\r\n\n\n \n\n\r\r \n \r\n\n \n \n\n#\r 2 \n ; \n \n \n\r=\n\n\r\n \n\r\n\r .&0\n\n\n \n\r \n\n\n " \r\r\r \r \r\n \n\r \r+ \n \n \n\r\r" \r\n \n \r\n\r\n\n\r This is an example of how to use only one light. The light is bounced off of two pieces of foam board as shown in the diagram. 5 Here, one of two lights skims across the mitten from the right to bring out more texture. The other is behind the mitten on the left and provides a highlight on the left edge. It's diffused with some white plastic or fabric to reduce the brightness. Working the camera \n \n\r\n \r\n \n $\r \n \n\n\n &\n\n \r2#\r\n\r\r # \r \n \n #\r \n \n \r \n \n\n\r\r\r: \r #\r\n\r \n \n\r \r\r \n\r \n \n\r \r8 \n \n\n \n \r \r \n \r\n \n 7 \r\n\r\r\r\n\r\n \r \r7 \r '\r -??'$7\r\r #\n \n \n\r\n\r\r \n \r \n \r\n\n \r \n \n \n \n \n)&\n \n \n\r \n \n \r\n\r \n\n\r+ \r \r\n\r \n \r\n\r\n \n\r8 \n \n\r \n \n\n\r # \r \n $7\r2#\r\r\n \n\r4\r\n \r\n " \r\n\n\n # \n\r\n\r\n \n \r\r 2 \n \n \n\n\n \r\n ' \n \n\n\n \n \n \n\n\r \n\r\r \r\n \n"\n \n \n \n\n\n \nD\r# \n\r \n\n \n\r\n\r\r"\n \n&\r \r \n\r\n \n \r\r\n \n\r\n \n \n\n \n!\n \n \n\n\n\n \n \n \r \n \n \r\r \n \n\n\r\r7 \n \n\n \n \n\r \n\r \n\n\n\rCThe finishing touch- post processing \n\r\n \r\r \r"\r \n\r\n\n \r \n \n \n \n\r2\n \r \n\r4 \r\r \n \n\r\n\n \r " \n \n \n\r \n\r \n\r\r \r\r\n \n\r\n \n \n\n \r\r \n \n" 6 \r \r \r3 &\r \n \r \n \r" \r\n\r\n\n \r \n \r\n 5 \r \r \n\r \n \n \r \n\r\n\r"\n \r \n \n\n\n \n\r \n \n2 \nE 2 \n5 \n; #\r (\n 4\n=8 \r \n\r- \n&\r\r\n . \n \r \r\r\r\n \r/\n \r \r\r\n \n\r0\n \r 1 \r \n \r" \r\r \r \n\r \n\n !\n 5 2\r FA \n 2\r\n \r\n \nFA\r \r \nF2 \n \r \r \r\n &\n \r\n #\r\r \r &\n \n\n\r \n\n \n \n \n \r\r \n\r\n\n \r \r\r\n 2#\r\n\r \n \r \n 5\n \n \n\n\r #\r \n\n \n \n ) \n\n \n '\r \n #\r\r\n \r\n \n\r\n \n\r\r\r \r\n \r\n\n \r \r2\r \n\n \n3 \r\n 6\r\r \n \r \r2 #\r\r \r \n\r \n \r \n \n\r\r \r \r\n\r\r\n\r \n\n\r\r\r\n# \n \r\n \n\n 4\r\r\r\n\r \rB\r \n \r\n \r\n \r \n\r\n \r\n\r \n \n\n \n \n \n\n\r \r \r\n \n2 \n\n\r\r\r\r\n\n\r\r \r8\n \r\n \r \r\r \n \n \n\n \r#\r\r \r\n 2 \n \n \n \n \r \n\n\r \n \n\n\n \r\n\r\n \r \n \n 3\n5\r\n \n\r\n \r\n\n\r \n \n\r2 \nE \n \r#2 \n \n \n \r\n \r \n\r \n \n\r \n \r $\n\r\n \n \n \n\n \n &\r\n\n \r * &-? \r\nG\n &\r 3\n B\r \n \n\r\n *4-?\n &\r "\n#\r \n \n ) \n\r\n \r \r \n \n\r\n\r2 \n #\r \n &\r \n \n \r\r \r " \n \n \n \n\r \r\n-.*? &\r\n \r\r2 \n \r\n \n\n\n\r\n\n \r \n#\r0.G &\r'#\n \n\n\r \n\r\n \n \n\r \n \n\r \nG?? &\r (\n \n \n\n \n\n \r\r \r\r \n\n \n 3% \n\r \r\n \n \r \r\r \n \n\n) \n \r \r H \r\n\r \r \n\r \n \r\n \n G?? &\r$ : 7 5 \r \n \n\r \r \r\r\n \n \n \r\r 2 \r\n \n\r\n ; = \n \r \r\r \n\r\n3\n 2\r\n \r?4-??\n\r I?4*? \r 8 \r \n\r\r\n \n \r \r\r\n.?? \rMaterials & Resources ! \r4+A$ \n( *1 $\n .II4*&#x-4.8;Î0$7\r4+A , \r -??';.I'\n\n=\n \n G.-0*?&#x-4.8;Ñ?G07\n\n J\r \n 4B \n#\r$B + \n#\r2 \nE 4 http://www.irfanview.com/ \n 5 4 http://www.corel.com \r4 http://www.adobe.com/products/photoshop/compare/ + 3\n \n $7\r4 http://www.alzodigital.com ' -H-G \n\r4!\r ' 5 \n \r " \rA4 ,HH \n\n ; D\n#\r5 =If you break a CFL $7\r\n \r\n \r\n\n $7\r\n \n \n B \n \r \r\r\r \r \n \n \r \n\n \r\r\n"(\r\n \r\r \n \r $7\n\r # http://www.epa.gov/hg/spills/#fluorescent \n 2\n \n \n\n \rA \n\n \r \n \n \r\n\r\r\n \n\n \r # ( \n 2 \n $7\r \n \n ( \n \n\n\r\r\n\n \r #\r\n \n \n