PPT-Archetypal Criticism

Papa Jung Papa jung says Who looks outside dreams who looks inside awakes Differences Between Freud and Jung Most of Jungs assumptions of his analytical psychology reflect his theoretical differences with Freud. What are a few examples of archetypes commonly found in literature and movies? . -Austin Hughes-. Archetypes. . in literature and film. Objective . Performance:. . Students will be able to locate examples of archetypal characters, symbols, and images. . Notes for the Director. OVERVIEW. Every production engenders a response. Directors need to grow by listening seriously and . thoughfully. to the feedback your production generates. Performance. A production is never finished until an audience watches and . A Handbook of Critical Approaches to Literature. I. Definitions and Misconceptions. Myth criticism deals with what Joseph Campbell called a “very deep chord” shared by all humans; the myth critic seeks out those mysterious elements that inform literary works and elicit near-universal human reactions, though there is no completely universal symbol.. Notes on Mythological/Archetypal Approach. Mythological, Archetypal, and Psychological criticism are all closely related. This is because Freud formulated many theories around the idea of the social archetype, and his pupil, Carl Jung, expanded and refined Freud’s theories into a more cross-cultural philosophy.. Introduction. Researchers have been able to collect and compare myths, legends, and religions of cultures from all around the world. . They discovered that for centuries, people who had NO contact with each other had passed down stories through generations that were similar to the stories of other cultures. . or The Three Faces of Cinderella. Marxist. . Feminist. Archetypal. The Three Faces of Cinderella. Three popular critical lenses used in literary criticism are: . Marxist lens. Feminist lens. Archetypal lens. Redaction Criticism. Robert C. Newman. Biblical Seminary. Form Criticism. Terminology. '. Form Criticism. '. is the English rendering of the German . Formgeschichte. . ". form history. ". or . Gattungsforschung. Have you ever been so involved in watching a movie that you react emotionally or feel a part of the action?. If so, then you have been deeply involved with a work of art.. After you see a new movie or TV program you might recommend it to a friend or tell them not to waste their time. You are judging the show and making decisions about why it was a failure or success. . It . fulfills the same function as pain in the human body. . It . calls attention to an unhealthy state of things.” . - Winston Churchill. What is Constructive Criticism?. Feedback about someone else’s work. Sigmund Freud is the father of psychoanalysis. He based many . of his theories on the idea of . the social archetype which causes archetypal theory to have similarities with Psychological Criticism (which we will look at later this semester. . lenses. . applied to an object under consideration; they bring certain qualities into focus or call our attention to particular issues.. . Why do we use different forms of criticism?. Literary criticism is an extension of the social activity of interpreting. One reader writes down his or her views on what a particular work of literature means so that others can respond to that interpretation. The critic's specific purpose may be to . Sigmund Freud is the father of psychoanalysis. He based many . of his theories on the idea of . the social archetype which causes archetypal theory to have similarities with Psychological Criticism (which we will look at later this semester. . Literary theory and criticism are interpretive tools that help us think more deeply and insightfully about the literature that we read. Over time, different schools of literary criticism have developed, each with its own approaches to the act of reading.. Dead Poet’s Society. Step 1: Explore the various "levels of the mind" as they relate to characters or mass psychology in the literature. Freud separated the mind's force into a trinity: id (instinct of character), ego (realistic part of the character) and superego (moralizing part of the character). The way characters use these three mental powers to navigate life's events is central to a Freudian analysis..