PDF-Warm Harmonization of Diatonic Major Scale Melodies or Approach Chord

Written underneath the grids 150 from left to trouble reading from the grid page Key of D 1 Diatonic Harmonization Ascending stepwise bass heading for IV 2 Expanded diatonicism via bVI. For example A major Bb major and B major are all similar in chord shape D major Eb major and E major are likewise similar to each other One should slowly play the chords of one type eg major in order Note that you play a major form until another sim Triads. Kostka. /Payne – Chapter 4. Introduction. Most chords in tonal music are made up only of notes from the scale on which the passage is based. That is, if a passage is in G major, most of the chords contain only notes found in the G major scale.. Any questions on the homework? (Please put the example number AND chord number.). Sight-Singing. Packet #124, 125, 126, 127 (. no repeats). Remember, we are having a sight-singing TEST on Thursday and Friday. Get ready for your “test” – Figured Bass and Roman Numerals. Principles of Voice Leading. Introduction. Introduction. When composing, composers think of several aspects more or less simultaneously – melody, harmony, rhythm, and so on. Hang on to your homework – we’re going to go over Part A, and Part B is part of your assignment tonight.. I will give you your “tests” back from . yesterday .  VERY HAPPY!!!. Principles of Voice Leading. What are triads?. What is a triad?. A Triad is a three note chord whose notes are stacked in thirds.. It is built from the lowest note up:. 3. FIFTH. 2. THIRD. 1. ROOT. What are Triads?. Like intervals, the bottom note of the interval, the root, determines the key of the triad.. Chords. Although there are many types of chords and chord qualities. , we will focus on the basics; Triads and Seventh chords.. Triads are 3 note chords stacked in 3rds.. Root, 3. rd. , 5. th. . I-3-5 C-E-G. Whole vs. Half steps. Major Scale. Solfege. Dominant/Tonic. Whole vs. Half Steps. Melodies sound good to us because they follow specific rules, and contain certain pitches that relate to Do, Re, . Mi. 3-in-1 Creative Tools . Using Song Analysis. Instructors. :. Chris . Klimecky. Evan . Hulse. Griffin. Part 1:. SIMPLE TRICKS TO SPICE UP YOUR CHORD PROGRESSIONS. Griffin. TERMINOLOGY. Diatonic: . Involving the notes of the scale without chromatic alteration. Diatonic Triads and 7. th. Chords . Diatonic Chords. Diatonic – Chords that belong to a specific key/scale. Altered/Chromatic Chords – chords using notes that are not part of a specific key. Minor Scale Issues. AP Music Theory. Mr. Silvagni. Mode Mixture. Mode mixture is the harmonic technique of combining chords from a major key and the parallel minor, or mixing the parallel major in a minor key. Most common is using V dominant in minor instead of the diatonic v. Road Map for the Week. Tuesday. Intervals in music and how to create chords. Monday. Masters of the musical university – the octave, scales, keys. Wednesday. Choosing chords – Circle of 5ths. Thursday. Transformations and Spelled . Heptachords. International Congress on Music and Mathematics. Puerto Vallarta, M. éxico. November. 26-29, 2014. Mariana Montiel. Department. of . Mathematics. and . Statistics. Week 1.6. Vocabulary. Pentachords. :. . First five notes of the scale make up the . pentachord. (not pentatonic scale!!). Scale degrees 1, 2, 3, 4, 5. . Major . Pentachord. . is . Do Re . Mi. Fa Sol .