Andrews University Seminary Studies Autumn Vol - PDF document

Seminary Studies, 3, 327-340. Copyright @ 1984 by Andrews S~RING Toivonlinna SF-21 500 Piikkio, Finland Undoubtedly, HORN-MOTIFS "moon-crescent" emblem balanced of the B.C. (Author's sketch, depiction given divine orientale archa- 'ique," in Mklanges syriens ojjerts 6 monsieur Renk Dussaud. . . , 1 [Paris, 19391: 378, fig. 3.) HORN-MOTIFS Figure 3. the Egyptian depicted under the with the sun-disk enclosed horns. From the XVIIIth Dynasty, ca. B.C. G. Hoyningen-Huene George Steindorff Steindorff for photographs and text, respectively], 19431, in smaller ed. [New York, 19451, p. 107.) but rather tribes. Incidentally, monarchy period, after the tribes from the mously to this sort to horns 1:50-51 and 2:28, where the importance of the horns of the altar may be seen in a social context. When Adonijah grasped "the the altar"; texts wherein the term is used the category the most intensive study such as hymnic teFts, apocalyptic vision. with their lofty expressions, make use more often confronted with the horn-motif 22:3 and Ps 18:2, is referred qrn combined with "salvation" are compelling given the negative bull metaphor. tain the traditional incorrect) analogy here, "horn" is to the HORN-MOTIFS HORN-MOTIFS 339 that none characteristics are as to [the horns] to the same power."l6 horns are (8:9) as reaching out into the two "little horns" are ruler Antiochus Epiphanes, but there are various make such the context. First, a close study 7:7, 24 and 8:3, the word qrn is used with the interchangeable "king(s)"/"kingdoms," appears that "king(s)" house or Second, the to make the individual rulers view) hardly the context, for the ten is surely suggested horn" puts (7:24): Seleucid rulers, only the last three-should have (Also, the as to the tends to confirm the tenuousness this article pursue this the "little literature," and that serious questions have also recently been raised concerning the paralleling iden tif ica tion so generally 161bid., p. 31. "See, e.g., a fascinating appeared in the commemora- 500th anniversary Ricardo Abos-Padilla, Pliidoyer fiir Antiochos IV. Epiphanes, 47 4/2 Thesen iiber das Daniel-Martin Luther Jahrestag seiner a two-part and 8, the other "47 $$ with Dan raises some concerning the identify the "little horn" variety of Palestine. (Author's sketch, depictions given in den "moon-crescent" emblem balanced of the ��2113-2096 &#x/BBo;&#xx [1;.1;Ƈ ;Ų.;㈆&#x 128;&#x.638; 17;.40; ];&#x/BBo;&#xx [1;.1;Ƈ ;Ų.;㈆&#x 128;&#x.638; 17;.40; ];B.C. (Author's sketch, after depiction given &#x/BBo;&#xx [1;.1;Ƈ ;Ų.;㈆&#x 128;&#x.638; 17;.40; ];&#x/BBo;&#xx [1;.1;Ƈ ;Ų.;㈆&#x 128;&#x.638; 17;.40; ];archa- &#x/BBo;&#xx [6;.55; 15;�.96; 8;.39;‡ 1;X.1;؃ ;&#x]000;&#x/BBo;&#xx [6;.55; 15;�.96; 8;.39;‡ 1;X.1;؃ ;&#x]000;ique," in &#x/BBo;&#xx [9; .11;‡ 1;Q.4;Ι ;ı.;馅&#x 158;&#x.640; ]0;&#x/BBo;&#xx [9; .11;‡ 1;Q.4;Ι ;ı.;馅&#x 158;&#x.640; ]0;Mklanges &#x/BBo;&#xx [1;4.3;™ 1;Q.2; ;Ř.;㦇&#x 158;&#x.400; ]0;&#x/BBo;&#xx [1;4.3;™ 1;Q.2; ;Ř.;㦇&#x 158;&#x.400; ]0;syriens &#x/BBo;&#xx [1;`.7;঒ ;ő.;䎙&#x 182;&#x.399; 15;.40; ];&#x/BBo;&#xx [1;`.7;঒ ;ő.;䎙&#x 182;&#x.399; 15;.40; ];offerts &#x/BBo;&#xx [1;„.7;ঈ ;Œ.;蠂&#x 188;&#x.159; 15;.64; ];&#x/BBo;&#xx [1;„.7;ঈ ;Œ.;蠂&#x 188;&#x.159; 15;.64; ];ci monsieur &#x/BBo;&#xx [2;&.7;খ ;Œ.;蠂&#x 244;&#x.559;&#x 158;&#x.879; ]0;&#x/BBo;&#xx [2;&.7;খ ;Œ.;蠂&#x 244;&#x.559;&#x 158;&#x.879; ]0;Rene' Dussaud. . . , &#x/BBo;&#xx [6;.99;“ 1;B.8; ;g.6;ޑ ;ň.;ࠃ&#x ]00;&#x/BBo;&#xx [6;.99;“ 1;B.8; ;g.6;ޑ ;ň.;ࠃ&#x ]00;1 [Paris, &#x/BBo;&#xx [9;.43;ˆ 1;A.1;ȅ ;Ė.;掅&#x 148;&#x.320; ]0;&#x/BBo;&#xx [9;.43;ˆ 1;A.1;ȅ ;Ė.;掅&#x 148;&#x.320; ]0;19391: 378, fig. 3.) ��3. Hathor, the Egyptian depicted under the with the sun-disk enclosed between ��XVIIIth Dynasty, ca. ��B.C. (Author's sketch, after photograph in George Steindorff Steindorff for photographs and text, respectively], respectively], York, &#x/BBo;&#xx [9;.67;” 6;.95;• 1;.6;΅ ;t.1;֙ ;&#x]000;&#x/BBo;&#xx [9;.67;” 6;.95;• 1;.6;΅ ;t.1;֙ ;&#x]000;19431, p. 94. The same photograph, in smaller ed. [New York, HORN-MOTIFS