TENDULKAR’S VIEWS ON CHARACTERIZATION AND
Description: TENDULKARS VIEWS ON CHARACTERIZATION AND STRUCTURE TWO ESSENTIALS FOR A PLAYWRIGHT TWO VITAL SKILLS A PLAYWRIGHT MUST POSSESS: THE SKILL OF CHARACTERIZATION: DIALOGUE AND THE IMPORTANCE OF SPEECH PATTERNS SKILL OF OBSERVATION AND ACTING
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slide1. TENDULKAR’S VIEWS ON CHARACTERIZATION AND STRUCTURE TWO ESSENTIALS FOR A PLAYWRIGHT<br>
slide2. TWO VITAL SKILLS A PLAYWRIGHT MUST POSSESS: THE SKILL OF CHARACTERIZATION: DIALOGUE AND THE IMPORTANCE OF SPEECH PATTERNS SKILL OF OBSERVATION AND ACTING<br>
slide3. characterization Requires skillful handling and observation
Unique speech patterns
Mannerisms
dress
Profession
Pitch
These are what make the characters individuals rather than types<br>
slide4. WHAT IS THE STRUCTURE OF A PLAY? IT REFERS TO THE TOTAL FORM OR FRAMEWORK
THE BASE SHOULD BE ABLE TO HOLD THE OUTER FORM OF THE PLAY<br>
slide5. structure SHOULD BE FELT AND NOT SEEN
THE STRUCTURE IS NOT THE STORY
A PERFORMING STRUCTURE IS NEVER STATIC
IT FLOWS WITH A FLUENT AND STEADY MOVEMENT
ITS BASE IS THE UNDERCURRENT OR THEME OR BINDING ELEMENT
IF IT IS WEAK THE PLAY WILL NOT BE DURABLE<br>
slide6. Thank you and all the very best!<br>
slide2. TWO VITAL SKILLS A PLAYWRIGHT MUST POSSESS: THE SKILL OF CHARACTERIZATION: DIALOGUE AND THE IMPORTANCE OF SPEECH PATTERNS SKILL OF OBSERVATION AND ACTING<br>
slide3. characterization Requires skillful handling and observation
Unique speech patterns
Mannerisms
dress
Profession
Pitch
These are what make the characters individuals rather than types<br>
slide4. WHAT IS THE STRUCTURE OF A PLAY? IT REFERS TO THE TOTAL FORM OR FRAMEWORK
THE BASE SHOULD BE ABLE TO HOLD THE OUTER FORM OF THE PLAY<br>
slide5. structure SHOULD BE FELT AND NOT SEEN
THE STRUCTURE IS NOT THE STORY
A PERFORMING STRUCTURE IS NEVER STATIC
IT FLOWS WITH A FLUENT AND STEADY MOVEMENT
ITS BASE IS THE UNDERCURRENT OR THEME OR BINDING ELEMENT
IF IT IS WEAK THE PLAY WILL NOT BE DURABLE<br>
slide6. Thank you and all the very best!<br>