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Modern Dance Notes Vocabulary Modern Dance Notes Vocabulary

Modern Dance Notes Vocabulary - PowerPoint Presentation

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Modern Dance Notes Vocabulary - PPT Presentation

T riplet step that goes down up up S wing pendulum like movement suspend fall suspend P rance exchanging of weight from one foot to another imitates animal bambi I nitiation ID: 731199

movement dance energy modern dance movement modern energy body dancers suspend watch today youtube https release www desire ballet

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Presentation Transcript

Slide1

Modern Dance NotesSlide2

Vocabulary

T

riplet

: step that goes down, up, up

S

wing: pendulum like

movement; suspend, fall, suspend

Prance

: exchanging of weight from one foot to another, imitates animal (bambi)

I

nitiation

: the beginning of a movement with a clear starting

pointSlide3

Fundamentals of Modern Dance

Breath

: Movement that occurs when body is still and breath is focus

Head/Tail

: Shortening or lengthening of the distance between the head and

the tailbone

Core/Distal: Movement from the center of the body to the periphery or vice versa

Body Half

: Moving one half of the body at a time (right/left, upper/lower)

Cross Lateral

: Movement that occurs across the body from on distal extreme to the other (right foot/left hand) Slide4

Qualities of Movement

Collapse: A total release of

energy

Percussive: sharp bursts of energy

Suspend: Continuous release of energy with a feeling of being held

Sustain: Even release of energy that stays constant; constant flow of energy

Swing:

Pendular

; Combination of suspend-collapse-suspend energy

Vibratory: Very, very quick bursts of energySlide5

Efforts of Movement

Weight

Heavy/Light

Time

Quick/Slow

Flow

Free/Bound

Spatial Focus

Direct/IndirectSlide6

History

Formed in 20

th

century as a rebellion to ridged ballet

M

odern

dance technique

B

arefoot

U

ses

mobility of spine

I

nitiate

movement from core

U

ses

levels, including floor

Choreography based on conceptChoreographers had a desire to strip dance to the essentials, “free dance”No desire for the prettiness (ballet)Based on the process of moving rather than the product of the movementSlide7

Influenced by the idea of the furture

Developed a “philosophy of dance” based on spirituality

Advocated for the acceptance of “pure dance” as an art form

Wore tunics like greek vase figures which inspired her dances

Her technique used weaving and whirling in natural movements

Corsets and modest clothes were socially acceptable, Duncan wore

loose short clothes

Isadora Duncan

1st GenSlide8

Ruth St. Denis

Founded Denishawn School and Dance Company with husband Ted Shawn

Used improvised exotic movement and elaborate costumes to communicate

the ritualistic dance of Asian

religion

https://www.youtube.com/watch?v=XMxm9rq0FHcSlide9

Martha Graham

2nd gen

Invented method of breathing and impulse control called

contraction and release

Believed movement started in the contraction of a muscle and continued in the flow of energy released from the body as the muscle is relaxed

Her dancers are known for their hard

angular look

Because she was so unique her techniques were known as “ugly”Slide10

Doris Humphrey

Instrumental in founding Juilliard Dance Theatre in New York City

Known as primary innovator of the new modern dance

Fall and recovery was a technique and theory the foundation of her teaching method

Inspired by the German philosopher Fredrick Nietzche’s theory of the split in every persons psych:Apollonian (rational and intelectual) Dionysian side (choatic and emotiona)

true essence of modern dance is what happened in between these two extremes called “arc between two deaths”Slide11

Merce Cunningham

Former student of Graham

Worked with composer John Cage

Embraced modernist ideology using postmodern processes

Used chance processes

by rolling di or drawing cards right before performances, each number resembling a different dance

His work known for being non-linear, non-climatic, non-psychological abstract work

Designed for audience to determine its

meaning

https://www.youtube.com/watch?v=gGHvnRtr3TISlide12

Alwin Nikolais-Today

first works choreographed in 1960

known for crazy props and costumes

props that extend dancers bodies; costumes that make dancers look headless; dancers used as props, visual, and auditory

design

https://www.youtube.com/watch?v=4KFpcO0f89ESlide13

Alwin Nikolais-TodaySlide14

Alvin Ailey- Today

Trained on West Coast

First integrated company

Commonly danced about racial issues

Died in 1989, Judith Jamison ran company after

him

https://www.youtube.com/watch?v=4Fz8UhA3v30Slide15

3rd Gen - Post Modernism

Post modern movement was a reaction to the 2nd Generation modern dance philosophies.

desire to reduce movement to it’s essentials.

No need for prettiness of ballet or soul searching philosophy of modern

Movement can be striped of ornamentation with an interest in pedestrian and gestural

Trisha Brown- “Walking on the Walls”

Yonvanne RainerSlide16

Dance Today

Modern Dance has become very diverse. It has consolidated to include all types of dance. Many dancers train and work in multiple styles and choreography has grown to include ethnic dance, martial arts, and folk dance. The form is unrestricted and is open to the imagination of the choreographer.