PPT-Chapter 5 Capturing and Editing Digital Audio
Author : alida-meadow | Published Date : 2018-12-09
1 Ways to Acquire Digital Audio Record Digitize analog medium 2 Recording Hardware Requirements Computer with a sound card Almost all computers nowadays are equipped
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Chapter 5 Capturing and Editing Digital Audio: Transcript
1 Ways to Acquire Digital Audio Record Digitize analog medium 2 Recording Hardware Requirements Computer with a sound card Almost all computers nowadays are equipped with a sound card Sound card. Video. © 2013 . Cengage. Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.. Lessons. Digital Media, 3e. 2. Lesson 12.1: . Capturing and Editing Digital Audio. “Computers and Creativity”. Richard D. Webster, COSC 109 Instructor. Office: 7800 York Road, Room 422 | Phone: (410) 704-2424. e-mail: . webster@towson.edu. Capturing and Editing Digital Audio. 1. Ways to Acquire Digital Audio. Record. Digitize analog medium. 2. Recording:. Hardware Requirements. Computer with a sound card. Almost all computers nowadays are equipped with a sound card.. Creating a Documentary Using Premiere Pro and Audition CS6. Transferring and Importing . Video. The . documentary. is a broad category that describes videos meant to document history.. Capturing occurs when you connect a live video camera or an analog tape device, such as a camcorder or VCR that uses videotape, to your computer and you then record the video from the source to a hard disk.. Overview. Introduction to sound.. Multimedia system sound.. Digital audio.. MIDI audio.. Audio file formats.. MIDI versus digital audio.. Adding sound to multimedia project.. Professional sound.. Production tips.. Objectives. Explain the Features of Digital . C. ameras. Compare Methods for Transferring . I. mages from a Digital . C. amera. Identify Several . W. ays to Edit and Print . P. hotos. Recognize Important . “Computers and Creativity”. Richard D. Webster, COSC 109 Instructor. Office: 7800 York Road, Room 422 | Phone: (410) 704-2424. e-mail: . webster@towson.edu. 109 website: . https://. tigerweb.towson.edu/webster/109/index.html. Cengage. Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.. Lessons. Digital Media, 3e. 2. Lesson 12.1: . Selecting Video Equipment. Objectives. Explain the Features of Digital . C. ameras. Compare Methods for Transferring . I. mages from a Digital . C. amera. Identify Several . W. ays to Edit and Print . P. hotos. Recognize Important . 1. Scanners. Types. Flatbed. Sheet-fed. Handheld. Drum. Resolution. Optical resolution. Enhanced resolution. Reported in dpi (dots per inch). 2. How Scanners Work. A flatbed scanner has a moving scan head.. V204.03. Summer workshop-Guildford County, July, . 2014. Video Post-Production.. Creating an animation using a program such as 3D Studio Max or trueSpace is often just a part of a total video production process.. “Computers and Creativity”. Richard D. Webster, COSC 109 Instructor. Office: 7800 York Road, Room 422 | Phone: (410) 704-2424. e-mail: . webster@towson.edu. 109 website: . https://. tigerweb.towson.edu/webster/109/index.html. cutty. ”. This means taking out unnecessary pauses between actors’ delivery of dialogue lines. Sometimes it . means . tightening the gaps within dialogue sentences through the use of carefully placed cutaways. It may also mean losing redundant lines of dialogue, after the director has reviewed your cut.. TW . Josey. Comprehensive High School. Lesson 2 – Video & Audio Editing. Lesson 1 recap. Principles of Videography . Aspect Ratio. Framing & Rule of Thirds. Elements of Videography. Types of Shots.
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