PPT-Introduction to Triads and Seventh Chords

Author : alida-meadow | Published Date : 2017-06-28

Kostka Payne Chapter 3 Triads Tertian Built of thirds Triads There are four possible ways to combine major and minor 3rds to produce a tertian triad Triads Major

Presentation Embed Code

Download Presentation

Download Presentation The PPT/PDF document "Introduction to Triads and Seventh Chord..." is the property of its rightful owner. Permission is granted to download and print the materials on this website for personal, non-commercial use only, and to display it on your personal computer provided you do not modify the materials and that you retain all copyright notices contained in the materials. By downloading content from our website, you accept the terms of this agreement.

Introduction to Triads and Seventh Chords: Transcript


Kostka Payne Chapter 3 Triads Tertian Built of thirds Triads There are four possible ways to combine major and minor 3rds to produce a tertian triad Triads Major minor dim. D G C F % % &'('('('(') &'('('('(') % % % % % % % % % % B E &'('('('(') &'('('('(') string, I will put a     Without the root-note (C) inversionsC add DC2Sometimes it might be stated "omit C" or "omit root"Cm add DCm2Cm(add2) inversionssame symbol as aboveWith the root-note (C)         The Pre-dominant . II and II. 7. Chords. The Supertonic Family. Major mode. : supertonic sounds . minor. and its seventh chords is a . minor seventh. (m7). Supertonic occurs as ii and ii. 6. . Seventh chord occurs as ii. Triads. Kostka. /Payne – Chapter 4. Introduction. Most chords in tonal music are made up only of notes from the scale on which the passage is based. That is, if a passage is in G major, most of the chords contain only notes found in the G major scale.. Any questions on the homework? (Please put the example number AND chord number.). Sight-Singing. Packet #124, 125, 126, 127 (. no repeats). Remember, we are having a sight-singing TEST on Thursday and Friday. The I. 6 . and IV. 6 . as Embellishing Chords . Chapter 11. Tonic and Subdominant Triads. Root position triads built on ^1, ^4, & ^5. First inversions triads add ^3 & ^6. Helps create interesting melodic lines by using various embellishing tones between essential bass notes. 1. preliminaries. definitions decide what you will find. historically defined group (descending from . Coxinga. /Ming loyalists/etc.). type: organized ethnically Chinese crime. group sharing specific rituals and myths (my preference). What are triads?. What is a triad?. A Triad is a three note chord whose notes are stacked in thirds.. It is built from the lowest note up:. 3. FIFTH. 2. THIRD. 1. ROOT. What are Triads?. Like intervals, the bottom note of the interval, the root, determines the key of the triad.. Chords. Although there are many types of chords and chord qualities. , we will focus on the basics; Triads and Seventh chords.. Triads are 3 note chords stacked in 3rds.. Root, 3. rd. , 5. th. . I-3-5 C-E-G. a . harmonious connection. Dr. Keith . E. . Mellinger. Professor of Mathematics. . and Director of the Quality Enhancement Plan. joint . work with . Bud Brown and Alissa Crans. The musical clock. What is a triad?. Diatonic Triads and 7. th. Chords . Diatonic Chords. Diatonic – Chords that belong to a specific key/scale. Altered/Chromatic Chords – chords using notes that are not part of a specific key. Minor Scale Issues. Triads and Chords. Triads. Tonal harmony makes use of Tertian (. buit. of 3rds) chords.. The fundamental sonority is the triad, a 3-note chord consisting of a 5. th. divided into two superimposed 3rds. . What is a Chord?. A chord is a group of three notes. Chords in western music are known as tertian harmony because they are stacked in thirds. Like intervals, chords can be related to the major and minor scales. Mr. Silvagni. Dominant Function. V and . vii. o. chords have a strong pull to tonic. Fa. to . Mi. and Ti to Do are tendency tones resolving. The tendencies are so strong that you can borrow this dominant/tonic motion from other keys.

Download Document

Here is the link to download the presentation.
"Introduction to Triads and Seventh Chords"The content belongs to its owner. You may download and print it for personal use, without modification, and keep all copyright notices. By downloading, you agree to these terms.

Related Documents