/
EDUQAS A LEVEL FILM STUDIES KNOWLEDGE ORGANISER EDUQAS A LEVEL FILM STUDIES KNOWLEDGE ORGANISER

EDUQAS A LEVEL FILM STUDIES KNOWLEDGE ORGANISER - PowerPoint Presentation

brown
brown . @brown
Follow
67 views
Uploaded On 2023-11-18

EDUQAS A LEVEL FILM STUDIES KNOWLEDGE ORGANISER - PPT Presentation

COMPONENT 1A HOLLYWOOD 19301990 VERTIGO amp ONE FLEW OVER THE CUCKOOS NEST COMPONENT 1B HOLLYWOOD AFTER 2005 INCEPTION amp FRANCES HA COMPONENT 1C BRITISH FILM AFTER 1995 TRAINSPOTTING amp THIS IS ENGLAND ID: 1032809

amp component gilroy film component amp film gilroy debates negotiated political auteur narrativeideologyperformancesocial performative bazin hollywood participatory

Share:

Link:

Embed:

Download Presentation from below link

Download Presentation The PPT/PDF document "EDUQAS A LEVEL FILM STUDIES KNOWLEDGE OR..." is the property of its rightful owner. Permission is granted to download and print the materials on this web site for personal, non-commercial use only, and to display it on your personal computer provided you do not modify the materials and that you retain all copyright notices contained in the materials. By downloading content from our website, you accept the terms of this agreement.


Presentation Transcript

1. EDUQAS A LEVEL FILM STUDIES KNOWLEDGE ORGANISERCOMPONENT 1A: HOLLYWOOD 1930-1990 (VERTIGO & ONE FLEW OVER THE CUCKOO’S NEST)COMPONENT 1B: HOLLYWOOD AFTER 2005 (INCEPTION & FRANCES HA)COMPONENT 1C: BRITISH FILM AFTER 1995 (TRAINSPOTTING & THIS IS ENGLAND)COMPONENT 2A: WORLD CINEMA (PAN’S LABYRINTH & CITY OF GOD)COMPONENT 2B: DOCUMENTARY (STORIES WE TELL)COMPONENT 2C: SILENT FILM (BUSTER KEATON COMPILATION)COMPONENT 2D: EXPERIMENTAL (PULP FICTION)Auteur (Bazin)Studio SystemVoyeurismFemme fatalePatriarchyHays CodeAcrophobiaAestheticClassical FormalismHitchcock BlondeDolly zoomDramatic ironyCompositionMale gaze (Mulvey)SpectatorshipIdeologyPostmodernismSimulationMise-en-abymeDemographicsAudience positioningPassive/activePreferred, negotiated, oppositionalAuteurSpectacle IntertextualitySpectatorshipIdeologyMumblecorePersonaB/W cinematographySpectatorshipIndie HollywoodDemographicsFeminist critiqueMass/nichePreferred, negotiated, oppositionalAuteur - dialogue Auteur (Bazin)New HollywoodSocial realismAnti-authoritarianPsychoanalysisDystopiaAnalogy – VietnamDistinctive stylistic featuresBinary oppositions (Levi-Strauss)IdeologySubvert/challengePostcolonial (Gilroy)NarrativeIdeologyPerformanceSocial RealismBritpopCharacter arcAestheticFeminist critiqueAuteurCult fandomAdaptation – Irvine WelshCounter-cultureFranchise?NarrativeIdeologyPerformanceSocial RealismNationalismThatcherismCharacter arcAestheticAuteurPolitical context Franchise? Far Left vs Far RightOpen/closed endingDystopiaFormalismHistorical/political contextCompositionProduction designIdeologyAuteurContextPostcolonial (Gilroy)AuteurNon-linear narrativePostmodernismIndie HollywoodCompositionAudience positioningIntertextual referenceVintage soundtrackFemme fataleFilm noirDialogue / screenplayMass/nicheEnsemble cast - star personaDirector PersonaCult fandomCritical debates: The realist and the expressive.VaudevilleAuteurSlapstickPersonaAestheticHoudini – ‘Buster’Chaplin/Laurel & Hardy/LloydFatty Arbuckle/Virginia RappeLong shot vs close upCue cards vs gestureStereotypesTwo-reelersDramatic ironyCritical debates: The significance of digital technology in film.Filmmaker’s theoriesKim Longinotto – invisible role of documentarian.Nick Broomfield – participatory and performative.Peter Watkins – docu-dramas and faux-documentaries.Michael Moore – participatory and performative.MetanarrativeTruth as merely a conceptSubjectivities of representationFormalismHistorical/political contextIdeologyAestheticAuteurContextPostcolonial (Gilroy)