By Eugene O’NeillDirected by Robert FallsBAM Harvey TheaterFeb 5& - PDF document

By Eugene O’NeillDirected by Robert FallsBAM Harvey TheaterFeb 5—7, 10—14, 17—21, 24—28, Feb 8, 15, 22, Mar 1, 8 & 15 at 2pmRunning time: four hours and 45 minutes, Kevin DepinetNatasha KatzMerrily Murray-WalshTelsey + Company, Will Cantler, CSAProduction stage managers Goodman Theatre, Chicago, IL on May 3, 2012Robert Falls, Artistic Director Roche Schulfer Season Sponsor: The Jaharis Family Foundation is proud to support BAM President Karen Brooks Hopkins Who’s Who Larry Neumann, Jr. John ReegerTara SissomPatrick AndrewsKate Arrington ED MOSHER, Hope’s brother-in-law and one-time circus manLarry Neumann, Jr.ROCKY PIOGGI, night bartenderCHUCK MORELLO, day bartenderPIET WETJOEN (“The General”), one-time leader of a Boer CommandoCECIL LEWIS (“The Captain”), one-time Captain of the British InfantryJohn ReegerJAMES CAMERON (“Jimmy Tomorrow”), one-time Boer War correspondentJOE MOTT, one-time proprietor of a Negro gambling houseLARRY SLADE, one-time Syndicalist-anarchistHUGO KALMAR, one-time editor of anarchist periodicalsWILLIE OBAN, a Harvard Law School alumnusDON PARRITTPatrick AndrewsTara SissomKate ArringtonTHEODORE HICKMAN (“Hickey”), a salesmanUnderstudies never substitute for a listed player unless an announcement is made at the beginning of the play. Stephen Lee Anderson*—Larry Slade/Piet Wetjoen/Moran/Lieb; Jeff Brooks*—Harry Hope/Jimmy Tomorrow; Wally Dunn*—Hugo Kalmar/Cecil Lewis/Ed Mosher; Roxanna Hope*—Cora/Margie/Pearl; Andrew Long*— Theodore “Hickey” Hickman; Kerry Malloy*—Don Parrit/Willie Oban; Jonathan Earl Peck*—Joe Mott; Brian Sgambati*—Rocky Pioggi/Chuck Morello*Denotes member of Actors’ Equity Association, the union of professional actors and stage managers in the United States. Andra Velis SimonFight Consultant Fight Captain Production Assistant Andi SturtevantTELSEY + COMPANYBernie Telsey CSA, Will Cantler CSA, David Vaccari CSA, Bethany Knox CSA, Craig Burns CSA, Tiffany Little Caneld CSA, Rachel Hoffman CSA, Justin Huff CSA, Patrick Goodwin CSA, Abbie Brady-Dalton CSA, David Morris, Cesar A. Rocha, Andrew Femenella, Karyn Casl, Kristina Bramhall, Jessie Malone Harry Hope’s saloon, New York. A summer’s day, early morning. Near midnight of the same day. 1:30am—the following day. Director’s NoteI have long regarded Eugene O’Neill as the greatest playwright that America has produced so far—and my ongoing fascination with his plays has been a centerpiece of my 28-year tenure as Artistic Director of Chicago’s Goodman Theatre. During this time Brian Dennehy has been my primary collaborator; his own love of this essential American writer has led to towering performances in half a dozen O’Neill productions through the years, including a memorable turn as Hickey in in 1990. Several years ago, Brian and I mentioned in an interview that we’d like to explore the play again, with Brian now playing the role of Larry Slade; Nathan Lane, a great friend of Brian’s, caught wind of this, and contacted me about his interest in Hickey, a role he’d long wanted to tackle. It took several years for our various schedules to mesh—but in the winter of 2012, Nathan, Brian and I began our work, along with a distinguished company of artists, many from our Chicago acting community. The resulting production, which opened at the Goodman in April of that year, was one of which we were all extremely proud, and we are thrilled to have the opportunity to continue our work three years later.No playwright is as complex, unwieldy, and daunting to confront as O’Neill, and none of his plays , written at the same time as his other masterwork, Day’s Journey into Night. Set in a bar in New York’s Bowery, the world, a varied group of former soldiers of fortune, entrepreneurs, political dissidents, and social doors of Harry Hope’s saloon, and their excitement at the impending arrival of Theodore Hickman, “Hickey” to his friends, a gregarious salesman who is the biggest dreamer of them all. Hickey does absurd, savagely heartbreaking, and utterly profound. Mammoth in structure and epic in ambition, is both an absorbing theatrical journey and an X-ray of the human condition, —Robert Falls, Although Eugene O’Neill completed a draft of depression over the “damned world debacle” of World War II delayed the play’s premiere until 1946. starring a little-known Jason Robards, Jr., was rapturously received, and was later adapted for a CBS to begin his American Film Theatre series, in an adaptation featuring Robert Ryan, Lee Marvin, and a young Jeff Bridges. James Earl Jones played Hickey in a 1974 Circle in the Square revival; Brian Dennehy essayed the role in Robert Falls’ 1990 Goodman Theatre production, which was reprised at Dublin’s Abbey Theatre. Almeida Theatre’s 1998 production, starring Kevin Spacey, came to Broadway for an acclaimed three-month run. This producpopular play in the theater’s 90-year history. PATRICK ANDREWS* (Don Parritt) previously appeared as Don Parritt in RedCompany; The Normal Heart at TimeLine Theatre Company; at Writers Theatre; Big RedThe Prideat About Face Theatre; People’s Templeican Theater Company; at Drury Lane at Victory Gardens Theater; The Sparrow Into the Woods Willy Wonka at Chicago Shakespeare Theater. Additionally, Andrews performed in the national tour of Broadway’s FosseRed McCarter Theatre; at Kansas City Repertory Theatre, and West Side Story at Walnut Cherrywoodat Mary-Arrchie Theatre Co.; and We Three Queertopia at About Face Theatre. On television, he has appeared in Chicago FireHenry Gamble’s Birthday PartyCompany, an artistic associate with About Face collective, and a member of the electro-art-pop band BAATHHAUS (Baathhaus.com). KATE ARRINGTON2012. Previous Goodman credits include Robert Falls’ production of Keach (also at Shakespeare Theatre Company in Washington, DC). Arrington is a member of Steppenwolf Theatre Company, where she has A ParallelogramFakePain and the ItchThe Well-Appointed RoomThe Violet HourLincoln Center Theater, Primary Stages, Soho Repertory Theatre, Classic Stage Company, Mint Theater Company, 59 East 59, and HERE Arts Center. She is a graduate of Northwestern University in performance studies.* (Larry Slade) previously appeared as Larry Slade in at Goodman Theatre in 2012. Previous GoodKrapp’s Last TapeDay’s Journey into NightA Touch of the Poet(also at Dublin’s Abbey Theatre), and Inherit the Wind Long Day’s Journey into (Tony Award for Best Actor), (Tony Award for Best Actor), and Translations. Off-Broadway, he appeared in Richard Nelson’s Conversations in Tesculum Public Theater; The Cherry Orchard at Phoenix Theatre. Regionally, Twelfth NightAll’s Well that Ends WellKrapp’s Last Tape Festival in Stratford, Ontario, and Rat in the Skull at Wisdom Bridge Theatre. He appeared in London’s West End in (Olivier Award for Best Actor). Dennehy’s select RatatouilleTommy BoyBaz Luhrmann’s Romeo + JulietGorky ParkPresumed Innocent30 RockLaw & OrderThe West WingMiami ViceFame in 2010.Ask Aunt SusanRaceworld premieres of Eric Bogosian’s VigilsDead Man’s Cell PhoneThe Birthday Party wolf Theatre Company; The Normal Heart At Home at the (Jeff Award nomination) at Victory Gardens Theater; The Taming of the Shrewat Chicago Shakespeare Theater; Picnic at Writers Theatre; Funny at Drury Lane Theatre; at Next Theatre Company, and Early and Often(Jeff Award nomination) at Famous Door Theatre Company. He made his Broadway thew Broderick in the hit revival of Neil Simon’s . Regionally, he has appeared at the Humana Festival of New American Plays at Actors Theatre of Louisville and the HBO Comedy and Arts Festival in Aspen, CO. Film credits At Any PriceWhile You Were SleepingA Piece of Eden. Television credits include The West WingArrested DevelopmentTwo and Law & Order: Special Victims UnitHBO’s * (Jimmy Tomorrow) previously appeared as Jimmy Tomorrow in VisitTempestTheater; Uncle Vanya at Court Theatre; at Drury Lane Theatre; at Light Opera Works; and Man of La Mancha at Chamber Opera Chicago. Harms received Jeff Awards for Hello, Dolly! The Fantasticksat Forum Theater, and La Cage aux Folles Candlelight Dinner Playhouse and Drury Lane Theatre. He toured with Robert Goulet in the 30th anniversary tour of The Fantasticks Fantasticks on the cast recording as Bellomy. Other touring Joseph and the Amazing Tech* (Willie Oban) previously appeared as Willie Oban in Other Desert CitiesRock ’n’ Rolland Passion Play: a cycle in three parts. Other Chicago credits Port Authority at Writers Theatre; Wait at Court Theatre; 100 Saints You at Steppenwolf Theatre Company; The Retreat from Moscow at Northlight Theatre; at Chicago Shakespeare Theater; Bombitty of Errors at both the Royal George Theatre and Chicago Shakespeare Theater. ReMilwaukee Repertory Theater; at Illinois Shakespeare Festival, and Work Song: Three Views of Frank Lloyd Wright Repertory Theatre and Arizona Theatre Company. Flags of Our FathersPublic EnemiesA Very Harold & Kumar ChristmasAt Any Priceforthcoming lms cial Selection, SXSW). Television credits include Gifted HandsChicago Fire. Hoogenakker’s voice work includes campaigns for McDonald’s, Miller, OnStar, and Sears.SALVATORE INZERILLO* (Rocky Pioggi) previously appeared as Rocky Pioggi in at Goodman Theatre in 2012. Favorite Dutch Heart of Man (Public Jesus Hopped the A TrainWe’d All Be KingsThe Last Days of Judas directed by Philip Seymour Hoffman. He has performed internationally at the Edinburgh Fringe Festival (Fringe First Award), London’s Donmar Warehouse, and the Arts Theatre in the West End. Recent television and lm appearances Person of InterestLaw & Order: SVU* (Piet Wetjoen) previously appeared as Piet Wetjoen in YouthThe Little Foxesat Victory Gardens Theater; Clybourne ParkLast of the BoysOrson’s Shadowat Steppenwolf Theatre Company; Romeo and The Feast: An Intimate Tempest Chicago Shakespeare Theater; The Priceand Punishmentat Writers Theatre; Wrecks at Proles Theatre; Northlight Theatre; Gross Indecency: The Three Trials of Oscar Wilde at Court Theatre; Gagarin Way at A Red Orchid at About Face at Lookingglass Theatre Company. Judd’s New York credits include Orson’s Shadow An Oak Tree Crime and Punishment Tribes Pittsburgh’s City Theatre; McCarter Theatre; Orson’s Shadow at Williamstown Theatre Festival, Westport Country Play house, and the Beaver Creek Theatre Festival; Long Day’s Journey into Night at Town Hall Theatre in Galway, Ireland.NATHAN LANE* (Theodore “Hickey” Hickman) Present Laughter Award nomination), The Wind in the WillowsOn Borrowed Time(Tony Award nomination, Drama Desk, and Outer Critics Circle Awards), Laughter on the 23rd FloorLove! Valour! Circle Awards), A Funny Thing Happened on the Way to the Forum (Tony, Drama Desk and Outer Critics Circle Awards), The Producers (Tony, Drama Desk, Outer Critics Circle, and Olivier Awards), The FrogsWaiting for Godot The Addams Family (Tony and Drama Desk nominations, Outer Critics Circle and Drama League Awards), and . Lane received the 1992 Obie Award for Sustained Excellence of Performance. Off-The Common PursuitThe Film SocietyThe Lisbon Traviata Desk and Lucille Lortel Awards, Outer Critics TrumboAward), Love! Valour! Compassion!(Obie Award), and Lips Together, Teeth ApartTelevision credits include The Good Wife Modern Family. Lane has received six Primetime Emmy Award nominations, two Daytime Emmy Awards, and a People’s Choice Award. Film credits include nomination, Screen Actors Guild and American Comedy Awards), Frankie and JohnnyStuart LittleThe Producers Swing VoteTeacherTheater Hall of Fame in 2008.ANDREW LONG (Bridge Project, directed by Sam Mendes) at BAM, the Old Vic, and the international tour. New York credits include Play Festival). He has toured nationally with War Horse. Regional credits include Henry VIII(Shakespeare Theatre Company, where he is a (Hartford Stage); M. Buttery (Repertory Theatre of St Louis); Good People Frozen (Studio Theatre, Helen Hayes Award); My Fair LadyI Am My Own Wife The Taming of the Shrew (Pioneer Theatre Company); Center) and productions with the Oregon, Illinois, and Alabama Shakespeare Festivals. Film credits Now, in the Wings on a World StageLARRY NEUMANN, JR.The Skin of Our Teeth. Recent Chicago credits Henry V ater; at Proles Theatre The Richard Nickel Story Mr. Rickey Calls the World at Lookingglass Theatre Company. Neumann received Jeff Awards for (First Folio Theatre), and Cider House Rules (both at Famous Door Theatre). Other Chicago The Madness of Edgar Allen Poe at First Folio Theatre, The Puppetmaster of Lodz at Writers Theatre, and Noble Fool Theatricals. He has appeared regionally at Milwaukee Repertory Theater, Madison Repertory Theatre, and Kansas City Repertory Theatre. Film and television credits include Merry GentlemanStranger Than Fiction* (Harry Hope) previously appeared as Harry Hope in Troilus and Cressida The Taming of the Shrew speare Theater. He has performed on Broadway opposite Mark Rylance, David Hyde Pierce, and Joanna Lumley in Matthew Warchus’ La (also in London’s West End). Ouimette is a Festival, where he has appeared in All’s Well That Ends WellThe Taming of the The TempestAs You Like ItTroilus and CressidaWaiting for GodotA Funny Thing Happened on the Way to the ForumThe Importance of Being EarnestTwelfth Night Dennehy), among others. He served as associate director of the Stratford Shakespeare Festival for Timon of AthSlings and ArrowsI Was a RatMurder Most LikelyAfter Firing Squad, and his voice-over work has been heard in numerous cartoons, including Maggie and the Ferocious Beast* (Cecil Lewis) previously appeared as Cecil Lewis in Romeo and JulietCry the Beloved CountryThe Good Person of SetChicago credits include Leontes in The Winter’s Tale at Chicago Shakespeare Theater; Capt. ShoHeartbreak House at Writers Theatre; Polonius in Twelfth NightPridament in at Court Theatre; and Fagin in at Drury Lane Theatre. He Henry IV Parts 1 & 2Stratford, England. Reeger was recently seen as at Fulton Theatre in Lancaster, PA. He co-authored the musical with Julie Shannon, which has received over 125 productions nationally. He has received a Jeff Award, an After Dark Award, and an Illinois Artist Fellowship. BRIAN SGAMBATIin Goodman Theatre’s Passion Play: a cycle in three parts. Broadway credits include Merchant of Venice starring Al Pacino, as well as the Lincoln Center productions of Tom StopJack O’Brien) and Plummer. Off-Broadway credits include A Public Reading of an Unproduced Screenplay About the Death of Walt Disney at Soho Rep; (directed by Pam MacKinnon) at Women’s Project Theater, and Landscape of the Body by Michael Greif) at Signature Theatre Company. Frost/Nixon Stacy Keach. Regional credits include Prelude to Two Noble Kinsmen (Old Globe). Film and televiLaw and Order. He holds an MFA from the University of California, San Diego. TARA SISSOM* (Pearl) previously appeared as Pearl in FratTupperware: An American Musical FableThat Sordid Little Story (Jeff Award for Best Original Music) at The New Colony, as well as Walk of Shame Victory Gardens Theater’s Fresh Squeezed series. Regional credits include Vanya and Sonia and Masha and SpikeThe Ladies Foursome Gulf View Drive at Flat Rock Playhouse. Street Theatre and The New Colony. She is a graduate of Elon University’s Music Theatre Program, Ann Reinking’s Broadway Theatre Project, and iO Chicago.LEE STARKTalking PicturesArtistic Home; the world premiere of the Pulitzer Prize-winning Company; Company; Eurydice at Victory Gardens Theater; Short Shakespeare! Romeo and Juliet Shakespeare Theater; Picture at Seanachaí Theatre Company, as well as productions with Walkabout Theatre Company member at Pearl Theatre Company in New York, Henry IV Pt. 1Playboy of the Western WorldTwo Gentlemen of Verona Repertory Theatre and Geva Theatre Center; at Cardinal Stage Company; Two Gentlemen of Verona the Idaho and Tahoe Shakespeare Festivals, and Pride and PrejudiceThe Cherry OrchardSeven Keys to Slaughter Peak Repertory Theater. She has appeared on P.D. directed for 2nd Story Chicago, American Theater Company, and the Artistic Home, and holds a BA in theater from Northwestern University.JOHN DOUGLAS THOMPSONA Time to KillSatchmo at the Waldorf Desk and Outer Critics Circle Awards) at WestTamburlaineOroonoko(Obie Award, Lucille Lortel Award, Joe A. Callaway Award, and Drama League Award nomination) at Theatre for a New at the Public Theater; Forest at Classic Stage Company; at Irish Repertory Theatre (Joe A. Callaway Award and Lucille Lortel, Drama League, and Women Beware Women at Red Bull Theater, and at New York Theatre Workshop. Regional credits Joe Turner’s Come and Gone (Mark Taper Forum, Ovation Award); at Hartford Stage; the title role in at Shakespeare & Company; Train at Wilma Theater (Barrymore Award), and productions at Williamstown Theatre Festival, New York Stage and Film, Trinity Repertory Company, American Repertory Theater, and Yale Repertory Theatre. Television and lm credits Madame SecretaryLaw & OrderLaw & Order: Special Victims Unit. He is a Fox Fellowship and Robert Brustein Award recipient. LEE WILKOFBreakfast at Tiffany’sThe Front PageKiss Me, Kate (Tony and Drama Desk Award Shop of Horrors(Drama Desk Award The Present Tense (Obie Award, Drama Desk Award nomination), at Yale Repertory Theatre, Baltimore Centerstage, McCarter Theatre, and the Williamstown Theatre Festival. Film credits include The School of RockBoy’s LifePrivate PartsBefore the Devil Knows You’re DeadYellowBrickRoadRoute 30Route 30, Too!, Route 30 3No Pay, Nudity playwrights of the 20th century. His accolades include four Pulitzer Prizes in Drama—more than Prize in Literature. He received his rst production in 1916 when the Provincetown Players per in Provincetown, MA. O’Neill’s work was widely produced both in Provincetown and New York during the next his rst Pulitzer, for four years after his rst Provincetown production. O’Neill’s reputation rose steadily throughout the 1920s; he received a second Pulitzer in 1922 The Hairy Apebrought O’Neill further popular and critical A Tale of Possessors He received the Nobel Prize in Literature in Long Day’s . O’Neill considered Long Day’s Journey into Night he left instructions for the play to be withheld for 25 years after his death. In the early 1950s, O’Neill and his wife moved to Boston, taking up in 1953. As the executor of O’Neill’s estate, his Long Day’s Journey into Nightpremiered in 1956 and won O’Neill his fourth Pulitzer in 1957, four years after his death.ROBERT FALLS (director) is the Artistic Director directed Rebecca Gilman’s Douglas Theatre in Los Angeles, following its premiere at the Goodman; Beth Henley’s at the New Group in New York; and , which opened the Lyric Opera of Chicago’s new season. Goodman credits include new plays by Steve Tesich, Eric Bogosian, John Logan, and Richard Nelson; the American premiere of Alan Ayckbourn’s and Arthur Miller’s nal play, Finishing the PicTalk RadioThe Rose Tattoo; Horton Foote’s Pulitzer Prize-winning Young Man from AtlantaLong Day’s Journey into Nighttogether earned seven Tony Awards, including best director and best revival. Widely regarded as a leading interpreter of Eugene O’Neill’s Ah, Wilderness!Touch of the Poetlong-running production of Elton John and Tim Opera, Grand Théâtre de Genève, Dublin’s Abbey Theatre, the Stratford Festival, Guthrie Theater, Lincoln Center, London’s Lyric Hammersmith, and in the West End. ery for SmokefallAsk Aunt SusanStages Festival, MaryCrowd You’re In Withpenwolf Theatre Company, Chicago Shakespeare Theater, McCarter Theatre, Court Theatre, Writers Theatre, Drury Lane Theatre, Chicago Children’s Theatre, Denver Center Theatre Company, Arden Theatre Company, Milwaukee Repertory Theater, American Players Theatre, Indiana Repertory Theatre, and the Illinois Shakespeare Festival. August: Osage (Steppenwolf Theatre Company, National Theatre in London, the Music Box Theatre on Broadway, and the US national tour). Depinet designed scenery for at London’s National Theatre. He also designed scenery for Michael Mann’s lm Public Enemiesan adjunct professor of design at DePaul University. He studied at Ball State University and the Yale School of Drama.MERRILY MURRAY-WALSH has worked with Robert Falls on three previous Theatre in 1990 and 2012, and at Dublin’s by Falls) and . Regionally, her work has appeared at Arena Stage (Helen Hayes Award), Westport Country Playhouse, Hartford Stage, Oregon Shakespeare Festival, Williamstown Theatre Festival, Children’s Theatre Company, South Coast Repertory, Actors Theatre of Louisville, Berkeley Repertory Theatre, Indiana Repertory Theatre, and the Old Globe, among others. Opera credits include works with Washington National Opera, New York City Opera, Glimmerglass Opera, Opera Virginia, Boston Lyric Opera, costume designer (with Tony Walton) for the lm , directed by Paul Newman and starring Joanne Woodward. Other lm and the documentary short Television credits include Kingsh: A Story of Huey P. LongIn Search of Dr. Seuss Award nomination); The Murder of Mary Phagan (co-designed with Judy Moorcroft; Emmy Award Lion RoaredWar Story: VietnamLonelyhearts as part of American Playhouse on Mellon University, and trained with John Conklin and Tony Walton. She is currently an artist in Daniel Beaty’s for Arts Emerson.NATASHA KATZ Jeff Award for her lighting design of designed lighting for the Goodman’s production Turn of the Century (Jeff Award nominaThe Addams Family(directed by Robert Falls). Her Broadway credits include (Tony Award), Mike Tyson: Undisputed Truth(Tony Award), Follies[Part 3 – Salvage] (Tony Award), TarzanThe 25th Annual Putnam (Tony Award), Twelfth Barrymoreworked extensively off-Broadway, including The Normal Heart. Regional credits include work at the Mark Taper Forum, Trinity Rep ertory Company, American Repertory Theater, Dallas Theater Center, Spoleto Festival, Alliance Theatre, and Seattle Repertory Theatre. Opera and dance credits include New York City Ballet, The Royal Ballet, American Ballet Theatre, San Francisco Ballet, Pennsylvania Ballet, Edinburgh International Festival, Metropolitan Opera, and New York City Opera. She has designed lighting for concert acts for Shirley MacLaine, Ann-Margret, and Tommy Tune, and in Las Vegas for The Masquerade Village. Permanent lighting installations include Niketown in New York and London and seum of Natural History in New York City.she has served as production dramaturg for more than 20 productions, including Robert Falls’ , David Cromer’s production of Bird of Youthand the world premiere of Rebecca Gilman’s with American Repertory Theater, Milwaukee Repertory Theater, Actors Theatre of Louisville, New Harmony Project, and Actors Shakespeare Project, among others. Arndt has taught at Boston University and DePaul University. She holds an MFA in dramaturgy from the A.R.T./MXAT Institute for Advanced Theatre Training at Harvard University, and a BA in linguistics from Pomona College.ADAM BELCUORE Children’s Theatre, Northlight Theatre, Seattle Children’s Theatre, Seattle Repertory Theatre, Writers Theatre, and About Face Theatre. ity Theatre Collective and served as the artistic 2nd Story, the storytelling event that is now the company’s namesake and primary focus. He currently serves on 2nd Story’s advisory board.TELSEY + COMPANY Something Rotten!An American in ParisFinding NeverlandHoneymoon in VegasThe Last Shipis Our YouthWickedPippinRock of Million Dollar QuartetNew York Spring Spectacular and productions for Atlantic Theater Company, MCC Theater, Public Theater, Second Stage, and Signature Theatre Company. Regional credits can Repertory Theater, Dallas Theater Center, Goodman Theatre, La Jolla Playhouse, New York Stage and Film, Paper Mill Playhouse, Signature Theatre, and Williamstown Theatre Festival. Film credits include FocusMost Violent YearInto the WoodsThe Last Five YearsStage Fright. Television Peter Pan Live!Penny Dreadfulcommercials. Telseyandco.comSmokefallPullman Porter BluesRaceRedLos Angeles), Turn of the CenturyRock ’n’ RollCrackersPassion PlayFinishing the PictureThe Rose TattooThe Beard of AvonThe VisitAll the Ragethe Open RoadLandscape Glengarry Glen Ross he received the Del Hughes Award for Lifetime sociation in New York City. He is included in the Who’s Who in America and is the recipient of the Jeff Award for Lifetime Achievement after 25 years of stage management at the Goodman. He is a 43-year member of Actors’ Equity Association.served as oor manager for Camino RealRaceRed. Hail has served as Frog and Toad at Chicago Children’s Theatre and Short ShakeShakespeare Theater. Regional stage managing at Peninsula New Play Proj Henry IV at Classic Actor’s at the Lake Tahoe Shakespeare Festival, and The Winter’s TaleThe Merchant of VeniceMy WayThe FantasticksDon’t Dress for DinnerTitus Andronicus Festival. Production assistant credits include Two Gentlemen of VeronaTwo Gentleman of VeronaFestival. We Will Rock YouRent(American Repertory Theater); PinkaliJimi & Mr. BCircle of Friendscan Girls RevueYork Classical Theatre). She earned her MFA in stage management from Rutgers University’s Mason Gross School of the Arts. GOODMAN THEATRE ally recognized for its artists, productions and programs since its founding in 1925 by William O. Goodman and his family in memory of their son, Kenneth Sawyer Goodman. The Goodman pillar in Chicago. Named the nation’s “Best Regional Theater” by Time including Tony Awards and Pulitzer Prizes. Under the leadership of Artistic Director Robert Falls and Executive Director Roche Schulfer, Goodman theater, and international collaborations. Over the than 100 world or American premieres. Robert Falls’ productions of Day’s Journey Into Nightbeen celebrated nationally and internationally, along with his artistic collaboration with actor Brian Dennehy. Diversity and inclusion are cornerstones of the Goodman’s mission; over have featured artists of color, and the Goodman 10 plays in August Wilson’s 20th Century Cyle. Each year the Goodman’s numerous education and community engagement programs serve Chicago production included Allstate, Fifth Third Chicago Tribune.ROCHE EDWARD SCHULFER as Executive Director. In 2014, he received the Visionary Leadership Award from Theatre 1986, under Schulfer’s partnership with Artistic Director Robert Falls, the Goodman has received numerous accolades including the Tony Award for Outstanding Regional Theater, recognition by Time magazine as the “Best Regional Theatre” in the US, the Pulitzer Prize for Lynn Nottage’s Ruinedand many Jeff Awards for achievement in Chicago theater. Schulfer has negotiated the er and two-time chair of the League of Chicago Theatres. Schulfer has been privileged to serve in leadership roles with Arts Alliance Illinois, Theatre Communications Group, Performing Arts Alliance, League of Resident Theatres, and the Arts & Business Council. He has been recogfor promoting diversity and equal opportunity in Chicago theater; American Arts Alliance; Arts Chicago Tribune as a “Chicagoan of the Year”; Arts Alliance Illinois; Joseph Jefferson Awards Committee; North Central College with an honorary doctor of ne arts degree; Lawyers for the Creative Arts; Season of Concern for support of faculty of the Theatre School at DePaul University Robert FallsArtistic DirectorRoche SchulferArtistic CollectiveProducerResident DirectorMary ZimmermanManilow Resident DirectorHenry GodinezResident Artistic AssociateRebecca GilmanRegina TaylorHenry WishcamperArtistic AssociatesPlaywright-in-ResidencePeter Calibraro Paul KappelTessitura Database ManagerMarissa FordProducing ApprenticeArtisticAssociate Producer/Director Tanya PalmerErica Sartini-CombsArtistic DirectorLiterary Management Assistant to the Producer Dorlisa MartinLisa FeingoldSharon MartwickKate WelhamVictoria S. RodriguezMolly McKenzieMajor Gifts Scott PodrazaAnnual Fund Coordinator Katie LaneWomen’s Board and Benet Relations CoordinatorHayley TrezzoProspect Research AssistantJosh CarterWilla TaylorTeresa RendeEducation Programs Bobby BiedrzyckiMarketing/Public RelationsDirector of Advertising Kimberly D. FurgansonMadeline WolfeMarketing Project AssociateTelemarketing ManagerTelemarketing Sales Shift SupervisorFredericka GastonFundraisingPublicityPublicity DirectorPublicity ManagerPublicity CoordinatorKelly RickertTicket ServicesDirector of Ticket Servicesof Ticket ServicesTicket Services ManagerAssistant Ticket Services ManagerEmmelia Halpern-GivensTicket Services Supervisor RepresentativeTerri GonzalezPaul LewisKeyana MarshallAlex MartinezRon PoppTicket Services RepresentativesProductionProduction ManagerAssociate Production Manager, AlbertRyan RetarthaAssociate Production Manager, OwenAmber PorterProduction ManagerProduction Stage Scenic ArtKarl KochvarResident Scenic Artist, Mary GriswoldScenic ArtistsSceneryTechnical DirectorAlex BergeronAssistant Technical John RussellScene Shop ForemanCasey KellyPropertiesProperties SupervisorStephen KolackProperties HeadChristopher KolzProperties CarpenterProperties ArtisanProperties Assistant Jay TollefsenAssistant Properties SupervisorGina PattersonLighting SupervisorPatrick Feder Supervisor Sherry SimpsonPatrick HudsonJay ReaRichard WoodburyResident Sound Designer House Audio SupervisorStephanie FarinaCrystal Jovae MazurJessica RodriguezTom KellerFirst HandOlivia Frances BallAmy FrangquistAustin PettingerKelly Rose CraftsRick JarvieWigsYvette WesleyWardrobeWardrobe HeadOperations & FacilitiesMark J. KozyFront of House Manager Kyle ShoemakeGuest Services ManagerArthur MathewsJenna Kate KarnMelissa YonzonGuest Services Cassandra RoseJonathan WallacePart-Time Guest Services Facilities CoordinatorRodrigo GarciaAdam KaufmanFacilities TechniciansTawanda BrewerTamara DavisPart-Time Custodial StaffValentino DavenportJohnathan KollerMichael KrystosekTara LevyKeri MackRebecca Miles-SteinerMarla MortrudReed MotzLauren PaustianKate PugradtTaylor PittmanRebecca Cao RomeroKarena SimsFront of House Staff Wright Tremaine LLPLegal Counsel