Early Christian byzantine Islamic Period REVIEW Read pages 275311 46 questions including vocabulary Studio Art Beginning Blog Imagine that the United States ws planning to adopt an official state religion How would such a development affect the kinds of art the government would ID: 663500
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Slide1
Introduction to Art
Chapter 13
Early
Christian, byzantine,
Islamic PeriodSlide2
REVIEW
Read pages 275-311
46 questions including vocabulary
Studio ArtSlide3
Beginning Blog
Imagine that the United States
ws
planning to adopt an official state religion. How would such a development affect the kinds of art the government would sponsor or even allow?Slide4
Historical
Timeline—Unit 5 (includes the Early Christian and Byzantine Art
Roman Empire legalized Christianity 313AD
Plans for the Vatican Palace begin in Rome
Muhammad, prophet of Islam, born in Mecca (A.D. 570)
Beowulf,
the Anglo-Saxon epic poem is written
slam spreads throughout Northern Africa
Charlemagne becomes the first Holy Roman Emperor
Charlemagne dies (814
)
Charlemagne dies (814
)
Feudalism emerges in Western Europe
Crusades begin in Europe (1095)
Pilgrimages
to Jerusalem begin
Pointed arch and flying buttress developed by French architects
King John of England signs the Magna Carta (1215)
Pointed arch and flying buttress developed by French architects
King John of England signs the Magna Carta (1215)
Dante completes
The Divine Comedy
(1321)
The Plague (Black Death) kills one-third of England’s population (1349)
Limbourg
Brothers produce a luxurious
Book of (p. 343) Hours
for the Duke of Berry (1413–1415)
Hundred Years’ War between England and France (1337–1453) Slide5
In quest of salvation
Remember: (Prior to examining the art of Asia, Africa, the Americas we left off with the art of ROME.
Prior to the fall of Rome, the Christians were persecuted because they did not worship the Emperor
While persecuted, they had to go “underground” for their religious service in the catacombs or underground passageways.
With the rise of King
Constinenople
, Christianity became “legal” and Christians could practice their faith.
How Rome Fell.Slide6
Questions to ask and answer
D
o you know why early Christians used art to express their religion? Have you ever seen a mosaic? What do you know about the Moors? The Roman Empire began to decline in the latter part of the second century.
The Christian Church gained power in the West. In the East, the Roman Empire became the Byzantine Empire. Christians, Muslims, and Jews
developed
a rich culture in which the arts flourished. Slide7
Catacombs
For many years, the Christian religion was not legal throughout the Roman Empire, resulting in much hardship and persecution for its many followers. Finally, in A.D. 313, Christianity was made legal when the emperor Constantine signed the Edict of Milan. Pictures with hidden Christian meanings were being painted long before that time, however.
Many of those early paintings were made on the stone walls of narrow underground passageways. When persecuted by Roman emperors, the Christians dug
catacombs,
or
underground passageways,
as places to hold religious services and bury their dead. In time, the catacombs grew into a vast maze of tunnels. A painting found on a catacomb ceiling
(Figure 13.3)
in Rome tells a great deal about the early Christians’ outlook on life and offers insights into the characteristics and purpose of their art. Slide8
M
ore than 1,650 years ago, an unknown Christian artist completed a painting on the rough ceiling of a gallery in one of the catacombs. The artist who painted on that rough catacomb wall borrowed heavily from art forms seen all over Rome, but these forms were given new Christian meanings. Slide9
BASILICAS
Not long after the catacomb painting was completed, the status of Christians
began to
improve. Christianity had spread rapidly across the entire Roman Empire,
and the
emperor Constantine finally granted Christians the freedom to practice their faith
openly
.
A
new kind of building was needed for the large numbers of worshipers. Again, the Christians borrowed from the Romans. Christian builders selected the basilica as their model. This was the long, spacious building that the Romans had used for their public meeting halls.
Christian churches were intended as retreats from the real world, places where worshipers could take part in a deeply
spiritual
event. The exterior of these
churches was
quite
plain
,
especially when compared to classical temples. The later addition of a campanile, or bell tower, did little to change the outer simplicity of these early churches. In contrast to the plain exterior, the inside of the church was designed for dramatic .
Sant
́
Apollinare
in
Classe
(interior, looking toward the apse). Ravenna, Italy.
534 AD
Slide10
MOSAICS
When eyes
strayed from
the altar, they
rose to view
walls richly
decorated with
mosaics.
A
mosaic
is
a decoration made with small pieces of glass and stone set in cement.
Christian
artists placed mosaics on walls where light from windows and candles caused them to flicker and glow mysteriously.
This
may be one of the reasons why early Christian churches came to be known as “Houses of Mystery.”
The Virgin and Child, 10
th
century CE, Hagia Sophia, Istanbul, Turkey, Mosaic.Slide11
Byzantine art
Byzantine art includes work created from the fourth century to the fifteenth century and encompassing parts of the Italian peninsula, the eastern edge of the Slavic world, the Middle East, and North Africa. So what is Byzantine art, and what do we mean when we use this term?Slide12
Periods of byzantine art
Early Byzantine (c. 330–750)
Middle Byzantine (c. 850–1204)
Late Byzantine (c. 1261–1453)Slide13
Early byzantine art 330-750
Constantine adopted Christianity
Moves capital from Rome to Constantinople (modern-day Istanbul)
Christianity flourished and gradually supplants the Greco-Roman gods.
This religious shift dramatically affects the art created across the empire.
Earliest Christina churches are built during this period including the
Hagia
Sophia
The interior of the church were mosaics.
Mosaics are small pieces of glass and stone set in cementSlide14
Mosaics
Virgin (
Theotokos
) and Child between Saints Theodore and George
, sixth or early seventh century, encaustic on wood, 2' 3" x 1' 7 3/8"
(St. Catherine's Monastery, Sinai, Egypt)Slide15
Mosaics
Similarly, mosaics, such as those within the Church of San Vitale in Ravenna, sought to evoke the heavenly realm.
In
this work, ethereal figures seem to float against a gold background that is representative of no identifiable earthly space.
By
placing these figures in a spiritual world, the mosaics gave worshippers some access to that world as well.
At
the same time, there are real-world political messages affirming the power of the rulers in these mosaics. In this sense, art of the Byzantine Empire continued some of the traditions of Roman art.Slide16
Byzanatine versus Roman Art
Byzantine art differs from the art of the Romans in that it is interested in depicting that which we cannot see—the intangible world of Heaven and the spiritual. Thus, the Greco-Roman interest in depth and naturalism is replaced by an interest in flatness and mystery.Slide17Slide18
Middle Byzantine period: 850AM-1204AD
The Middle Byzantine period followed a period of crisis for the arts called the Iconoclastic Controversy, when the use of religious images was hotly contested.
Iconoclasts
(those who worried that the use of images was idolatrous), destroyed images, leaving few surviving images from the Early Byzantine period.
Fortunately
for art history, those in favor of images won the fight and hundreds of years of Byzantine artistic production followed.Slide19
Middle Byzantine Period: Churches
Middle Byzantine period, with a focus on building churches and decorating their interiors.
There
were some significant changes in the empire, however, that brought about some change in the arts.
First
, the influence of the empire spread into the Slavic world with the Russian adoption of Orthodox Christianity in the tenth century. Byzantine art was therefore given new life in the Slavic lands.Slide20
Late byzantine: 1261-1453
Between 1204 and 1261, the Byzantine Empire suffered another crisis: the Latin Occupation.
Crusaders
from Western Europe invaded and captured Constantinople in 1204, temporarily toppling the empire in an attempt to bring the eastern empire back into the fold of western Christendom. (By this point Christianity had divided into two distinct camps: eastern [Orthodox] Christianity in the Byzantine Empire and western [Latin] Christianity in the European west.) Slide21
Late Byzantine
By 1261 the Byzantine Empire was free of its western occupiers and stood as an independent empire once again, albeit markedly weakened.
The
breadth of the empire had shrunk, and so had its power. Nevertheless Byzantium survived until the Ottomans took Constantinople in 1453.
In
spite of this period of diminished wealth and stability, the arts continued to flourish in the Late Byzantine period, much as it had before.Slide22
Late byzantine
Although Constantinople fell to the Turks in 1453—bringing about the end of the Byzantine Empire—Byzantine art and culture continued to live on in its far-reaching outposts, as well as in Greece, Italy, and the Ottoman Empire, where it had flourished for so long.
The
Russian Empire, which was first starting to emerge around the time Constantinople fell, carried on as the heir of Byzantium, with churches and icons created in a distinct “Russo-Byzantine” style(left).
Similarly
, in Italy, when the Renaissance was first emerging, it borrowed heavily from the traditions of Byzantium. Cimabue’s
Madonna Enthroned
of 1280–1290 is one of the earliest examples of the Renaissance interest in space and depth in panel painting. But the painting relies on Byzantine conventions and is altogether indebted to the arts of Byzantium.
Dr. Ellen HurstSlide23
The Decline of Byzantine
Khan AcademySlide24
Islamic art
I
n the seventh century A.D., a religion known as Islam (which means “followers of God’s will”) emerged in the Middle East. The
prophet of Islam was an Arab merchant named Muhammad, who was born in Mecca around A.D. 570.
Muhammad received personal revelations that forced him to challenge the superstitions of the Arabs, who worshiped many different idols.
Following years of meditation, Muhammad heard a divine call to be the last of the prophets and a teacher for all. He taught that there is only one god, Allah (in Arabic, “the God”), whose will should be followed in order
for people to live just and responsible lives.
Muhammad was opposed by those who wished to preserve established tribal and religious
customs
.
After Muhammad’s death, messages he received from God were assembled into the
Koran
(
kuh
-RAN), or Qur’an,
the holy scripture of Islam.
For Muslims, the Koran is the final authority in matters of faith. It also offers rules to guide the daily lives of Muslims.
Leaf from Qur’an, in
Maghribi
script. Islamic. North African. C 1300. Ink, colors, gold on parchment, 21” x 22”
Metropolitan Museum of Art, New York, NYSlide25
MOSQUE
During the early centuries of Islamic
his-tory
, the center of the Muslim world was an area known as the Fertile Crescent, composed of parts of present-day Iraq, Syria, and Palestine.
Included
among these was the
mosque,
or
Muslim place of worship.
The interiors of Islamic mosques are unlike the interiors of Christian churches. Christian artists created religious images as a way of teaching the religion to people who
could not
read.
Islamic
artists avoided portraying living creatures in mosques and other
religious
buildings, because they did not
want in
any way to diminish the greatness of God’s creative power by portraying such forms. Instead, these artists decorated mosques and other religious structures with ornate calligraphy, geometric patterns, and stylized plants and flowers.
Spiral Minaret. Mosque of Al-
Mutawakkil
. Samarra, Iraq. 848-52 AD.Slide26
Hagia
SophiaSlide27
Quiz: NoneSlide28
Ending Blog
What is the one thing you learned in this presentation that you didn’t know before?Slide29
Next Week
The Earl Medieval Period, pgs. 310 to the Art of Emerging Europe 351
Questions/Vocabulary= 56