Peter Liljedahl Simon Fraser University Canada Chiara Andrà University of Torino Italy An introduction Luca Fabio Davide Marco the problem A robot walks along a corridor it turns right with probability 13 and it turns left with probability 23 The ID: 508698
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Slide1
New Frameworks for Looking at Student Interactions
Peter Liljedahl
-
Simon
Fraser University (Canada)
Chiara
Andrà
-
University
of Torino (Italy)Slide2
An introduction
Luca Fabio
Davide
MarcoSlide3
the problem
A robot walks along a corridor, it turns right with probability 1/3 and it turns left with probability 2/3. The map shows the labyrinth where the robot has to move. Compute the probability for the robot to be in each of the
rooms.Slide4
the transcript
HOW DO WE EXPLAIN THIS?Slide5
how do we explain this?
some
very interesting and turbulent undercurrents of group
interactions
individual and social engagement with the mathematics
and
a social interaction around the mathematics
we wanted to codify this
… and to analyze this
… to understand better the
socio-mathematical interactionSlide6
socio-mathematical interaction
we
need to overcome the dualistic approach between the individual’s interior space and his social interaction, and focus more on sociocultural conditions (Roth & Radford, 2011) Slide7
socio-mathematical interaction
Learning
occurs in and through relations with others driven by collectively motivated
activity
activity
is a process with inner contradictions, differentiations, transformations, as well as emotions—necessary for the activity and responsible of its
development
group
interactions are complex socially and affectively charged environments
So, how
do we codify this?Slide8
the transcriptSlide9
analysis 1.0
students
are making sense of the task.
Marco
is dealing with fractions, he is interested in the
procedure
Luca seems
more interested in understanding the overall sense of the activity (“Why don’t we first compute how many probabilities are there in all?”
00.36)
Davide
is still grasping the sense of the task (“What do we have to compute?” 00:28), and he is struggling to follow Marco’s reasoning (“Why?” 00:37)
Both Luca (00:11) and Marco (00:42) come to notice that the highest probability is related to the first
room:
Luca – intuition
Marco – computation
How
is it that Marco does not see Luca’s contribution
?Slide10
interactive flowcharts
TWO TYPES OF SPEAKER’S META-DISCURSIVE INTENTIONS: THE WISH TO REACT TO A PREVIOUS CONTRIBUTION OF A PARTNER OR THE WISH TO EVOKE A RESPONSE IN ANOTHER INTERLOCUTOR
SFARD AND KIERAN, 2001
A VERTICALLY OR DIAGONALLY UPWARD ARROW IS CALLED A
REACTIVE ARROW
AND POINTS TOWARDS A PREVIOUS UTTERANCE
A VERTICALLY OR DIAGONALLY DOWNWARD ARROW IS CALLED A
PROACTIVE ARROW
AND IT POINTS TOWARDS THE PERSON – OR PEOPLE (RYVE, 2006) – FROM WHOM A REACTION IS EXPECTED
SOLID ARROWS ARE ON-TOPIC AND DASHED ARROWS ARE OFF-TOPICSlide11
interactive flowchartSlide12
analysis 2.0
proactive statements:
Marco
(n=7)
Luca
(n=3)
Davide
(n=0
)
reactive statements:
Marco (n=5)Davide (n=5)
Luca
(n=1 not counting the self-talk as a reaction
)
statements made that
are reacted
to:
Marco
(
n=6)
Davide
(
n=3)
Luca
(n=1, not counting the self-talk
)
Luca and his
solution
are being ignored!
… or is he?Slide13
Flowchart +
Gazes
where the speaker is looking
where non-speaker is looking
P paper (new
interlocutor
)Slide14
analysis 3.0
Luca
is
NOT
being ignored by
marco
00:25
Davide
is asking a question while
gazing
at the paper. But Marco is not looking at Davide
– he
is looking
at
Luca
00:27 Marco responds to
Davide’s
question while he continues to look at Luca
00:34
Marco responds to
Davide’s
question
while
he
is looking
at
Luca
Luca is
ignoring (avoiding
)
Marco
00:15
luca
looks at
marco
while reacting to him
00:25
luca
looks at
marco
while
Davide
is
asking
a
question
00:36 while
Marco is looking at the
paper
Why
is Marco so intent on
Luca?
why
is Luca ignoring Marco? Slide15
flowchart + intensity gazes
casual glances
intense and longer gazes (stares)Slide16
analysis 3.1
something
interesting happening at
00:25 – 00:45
00:25
Davide
a question; Luca looks at
marco
;
marco stares intently at
luca → luca looks away
00:34
marco
stares
intently at
luca
00:36
luca
glances at
marco
while
marco
is looking at the paper
00:37
marco
stares intently at
luca
00:42
marco
stares intently at
luca
there
is an affective aspect to the interaction between Luca and
Marco.
There are emotions, efficacy,
will
, and motivation in how Luca and Marco are interacting with each other. Slide17
fictional writing
Fictional writing is a technique that can help the researcher to go beyond the external and visible into the students’ inner subjective experience
-
Hannula
,
2003
envisioning
the inner monologue of the
student
creating
likely impressions, and connections that do not exist in the original
data
subjective
in
nature – but not
wholly
so
can help shed light on the students’ emotional disposition, attitudes and beliefs about mathematics
good
data
+
extensive analysis
→
inner
monologue
consistent
with the empirical
data Slide18
fictional writing Slide19
analysis 4.0
luca
feeling
a sense of avoidance about fractions
tries to think
on another level—a level that provides him with an overarching view of the
task
Any
time Marco uses fractions, Luca
escapes
avoiding Marco’s gazes
marco
has a
procedural view of
mathematics
is
concerned mostly with computations with
fractions—the
whole sense of the task is to do
computations
computation provides
him with a sense of likely
success—a sense
of self-confidence and
pleasure
pretends
to have understood everything and spread his knowledge to his
classmates
davide
is
aware that he is not a good student in
math
has
a willingness to
understandSlide20
analysis 4.0
Marco vs.
Davide
Davide
gives in to Marco
luca
vs. Marco
Luca is not prone to concede to Marco
differing views of mathematics
students’ gaze to each other but do not listen to each other
impede the interaction between Marco and Luca
Marco trying to catch
luca’s
attention and willing him to agree
luca
trying to avoid
marco
and not willing to bend to him
they cannot really interactSlide21
discussions
different codifications of the data allow us to see different things in the data:
Transcript
observing
the students’ utterances from a cognitive
perspective
inferred
their emotional dispositions
how knowledge
emerges and is shared amongst the group is seen by means of the words the students
say
interactive flowchart (+ gazes)
looked
at the students’
interactions through a behavioral
lens
and from an embodied
mind
paradigm
students
’ gestures, postures and glances are seen as constitutive components of the meaning making
process
the
ideas that emerge from the activity
are
in their gestures and glances––to the point that if we discard these elements as we did at the beginning of the paper we miss many relevant
facts
fictional writing
provides a
lens that helps us go deeper inside the students’ thoughts and
will
in
order to open a window on the students’ inner world it is necessary to repeatedly, patiently, and carefully look at their interactions, their words, and their
posturesSlide22
conclusions
Knowledge and emotions are distributed throughout the students’ hands, eyes, mind, and body, and
are inseparable from the
development of the
activity
Gazes
give us insights into this inner world and allow us to write a version of the inner monologues of each
participant
Other
monologues can be constructed from the data just like other conclusions can be extracted from different
analyses
Regardless
of what monologues result, however, one thing is clear—the interactions between these four students have a turbulent undercurrent of emotions and
intentions
The
use of interactive flowcharts documenting the verbal interactions and the gazes gives a window into these emotions and
intentions
Consciousness is in the first place not a matter of 'I think that' but of 'I can'.Slide23
thank you
liljedahl@sfu.ca