Realism and Naturalism A look at American Styles & - PowerPoint Presentation

Slide1

Realism and Naturalism

A look at American Styles &

John SteinbeckSlide2

American Realism (1860-1890)

Realism tries hard (as its name suggests) to present the world as it really is -- the way, for instance, a photograph might capture it. Howells writes that "realism is nothing more and nothing less than the truthful treatment of material." Since it tries so hard to

be

truthful, realist literature, unlike much of the "romantic" writing that preceded it, never feels overblown, the way a fairy tale or a parable or a dream might. And it's rarely sentimental or emotional. It tends to read like a plain, sensible, sober

account

of whatever action it's describing. Slide3

Presentation of the Facts

This concern with delivering plain and simple truth leads realists to fill their works with details and facts drawn from everyday life. They can be facts about domestic life, about families and genealogies, about history, about politics, about business and finance, about geographical places...whatever. But to make us believe in the reality of the worlds they show us, realists fill their literature

with

facts to bolster the reader's feeling that, yes, this place I'm reading about

is

just like the everyday world I live in. Slide4

Everyday People

Speaking of the "everyday," it's another important concept in realist works. Realists, generally speaking, don't write about extraordinary people in fantastic situations. They write about plain, normal, everyday folks dealing with the trials and tribulations of plain, normal, everyday life. Melville's

Moby Dick

(1851), which pretty much defines the romantic literary period that came

before

realism, is about a crazed sea captain named Ahab who's obsessed with killing the biggest, fiercest whale in the world --

not

an everyday person in an everyday situation. Realist literature, on the other hand, might often leave you saying, "That one character totally reminds me of my aunt." Again, everyday folks doing everyday things. Slide5

Common Places

Since writers are most likely to be factual and convey a sense of everyday-ness when dealing with subjects they know intimately, many realists write specifically about places where they live or have grown up. There's a whole subcategory of American realism, in fact, called "local color," which tries hard to convey the reality of particular places in the U.S. It's interesting to note, too, that a whole lot of this local-color realism is set in different parts of the Midwest. Up until the realists' time, most American literature is about the East (New England especially). But the fact that the American West is becoming increasingly settled late in the 19th century -- and that Americans at this time are fascinated with the notion of "manifest destiny" -- leads to a boom in literature about the nation's newer territories. Slide6

Dialect

Setting their works in specific places leads realist writers to make use of specific

dialects

, or speech patterns that are particular to certain locales. Before the realists' time, most characters in American literature were simply expected to speak the Queen's English, like good gentlemen and ladies. In the realist period, though, writers make a conscious effort to let American characters speak various types of American English. A white man in rural Missouri doesn't, of course, speak like an English gentleman, so it wouldn't be factual and "truthful" to make him sound that way. Similarly, a black woman from rural Missouri may not speak the same way a white woman from the same place does, so it wouldn't be factual and truthful to make

her

speak in anything other than

her

dialect. Realists have to have an excellent ear to make their characters sound like real Americans. And by representing different American dialects, these writers help create a genuinely American body of literature -- that is, a set of works distinguishable from the European lit most Americans of that time have grown up reading. Slide7

Celebrating the Individual

Realism generally celebrates the

individual

. Most realist works feature a central character who has to deal with some moral struggle, hopefully to arrive at an important moral victory or realization before the story's over. And this, relatedly, often means much of the "action" in realist lit is

internal

action: we hear lots about what's going on in central characters' heads; we learn a lot about those characters'

psychologies

. Since realist characters live in the "everyday" world, interesting external things aren't always happening -- so the "internal" stuff has to take up the slack. One way or the other, though, realist writers are fascinated by individuals: they love the idea that single human beings must learn, grow, and change their worlds -- or be held responsible for failing to do these things. Slide8

Plot Driven

One last thing: realist works are generally

plot driven

, even if only subtly. This means they pivot around conflicts we as readers want to see resolved. A realist work, then, will typically have at least one protagonist (a main character -- not necessarily a likeable person or "hero") and at least one

an

tagonist (another character or a force that will try to prevent the protagonist from getting what s/he wants), and readers will wait to see, as they watch a sequence of increasingly dramatic events, who prevails. This is how any standard story works, but it's important to note that realism does these things, too, because the modernist stuff we'll look at later often refuses to provide plot, going in for more fragmented or "stream of consciousness" modes of storytelling instead.Slide9

Characteristics of Realism

Renders

reality closely and in comprehensive detail. Selective presentation of reality with an emphasis on verisimilitude, even at the expense of a well-made plot

Character

is more important than action and plot; complex ethical choices are often the subject.

Characters

appear in their real complexity of temperament and motive; they are in explicable relation to nature, to each other, to their social class, to their own past.

Class

is important; the novel has traditionally served the interests and aspirations of an insurgent middle class. (See Ian Watt,

The Rise of the Novel

)

Events

will usually be plausible. Realistic novels avoid the sensational, dramatic elements of naturalistic novels and romances.

Diction

is natural vernacular, not heightened or poetic; tone may be comic, satiric, or matter-of-fact.

Objectivity

in presentation becomes increasingly important: overt authorial comments or intrusions diminish as the century progresses. Slide10

Major Authors

Mark Twain

William Dean Howells

Rebecca Harding Davis

Joseph Kirkland

Henry James

Ambrose Bierce

Sarah

Orne

Jewett

Guy de Maupassant (French

)

Gustav Flaubert (French)

Anton Chekov (Russian)

George

Eliot (English)Slide11

American Naturalism (1890-1910)

The term Naturalism describes a type of literature that attempts to apply scientific principles of objectivity and detachment to its study of human beings

.

Naturalism

is an outgrowth of realism.

Like

realism, it wants to present an almost photographically accurate version of "real" life. It's full of facts and details about an everyday world ordinary people may well recognize. Its characters speak the same dialects real Americans speak. And it's generally plot driven.

Unlike

, Realism which focuses on literary technique, naturalism implies a philosophical position: for naturalistic writers, since human beings are, in Emile Zola's phrase, "human beasts," characters can be studied through their relationships to their surroundings.

The

Naturalist believed in studying human beings as though they were "products" that are to be studied impartially, without moralizing about their natures.Slide12

Uncontrollable Forces

Naturalist writers aren't interested in

individuality

the way the realists are. They don't think it's the individual's place to change the world, and whatever moral struggle s/he goes through may well not add up to a hill of beans. Naturalism's central belief, in fact, is that

individual human beings are at the mercy of uncontrollable larger forces

that originate both within and outside them. These forces might include some of our more "animal" drives, such as the need for food, sex, shelter, social dominance, etc. Or, in a more "external" vein, these forces might include the natural environment, the man-made environment, or finance, industry, and the economy. Something, though, is always beating down and controlling the lives of lowly individual humans in naturalist works. The whole point of this literary movement, in fact, is to demonstrate that this is inevitable. And yes, it's often pretty grim. Slide13

Political

Naturalist works are more likely to be

political

than traditional realist works. A great many naturalists (Upton Sinclair, for instance, whose

The Jungle

describes the plight of the working poor in Chicago's meat-packing industry) want to expose the

cruelty

of such "larger forces" as the U.S.'s voracious capitalist economy. It may, on one level, be inevitable that money will crush poor people, but it might also be true, these writers suggest, that we shouldn't turn a blind eye to it -- that we should, maybe, start thinking about bigger-than-the-individual political movements (like socialism) that can counter capitalism's exploitation of the poor. Slide14

Extraordinary Subjects

Naturalist works are more likely than realist works to deal with extraordinary (that is, beyond-the-ordinary) subject matter. In their desire to show how larger forces control and manipulate people, naturalist works often deal with subjects most comfortable middle-class readers of the time wouldn't have considered part of their ordinary lives: war, violence, crime, natural disaster, urban squalor, poverty.... Those more politically charged naturalist works I mentioned above are especially likely to depict things that would shock or jar readers, unlike the more "polite" realist works of, say, William Dean Howells or Henry James. Slide15

Major Authors

Jack London

Stephen Crane

Theodore Dreiser

Jack London

Edith Wharton

Richard WrightSlide16

John Steinbeck

Realist or Naturalist?Slide17

Of Mice and Men

John Steinbeck is known for his realistic writings that portray the life of Americans searching for something better.

Details are realistic

Experiences are common

Language is natural and dialectical

Also portrays human life as directed by greater forces.

No control over ultimate fateSlide18

Resources

http://public.wsu.edu/~

campbelld/amlit/realism.htm

http

://

faculty.bucks.edu/docarmos/RealismNaturalism.html