Place a character from a literary text you have read into a new piece of your own writing Text Great Expectations by Charles Dickens Read chapter 1 and then write your imagined next chapter ID: 301215
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Controlled Assessment Task: Place a character from a literary text you have read into a new piece of your own writing.
Text: “Great Expectations” by Charles DickensRead chapter 1 and then write your imagined next chapter. You can select from: Magwitch or Pip
Magwitch
is a fearsome criminal, a fugitive from a prison ship when he meets Pip on the marshes one Christmas Eve.
Pip, an orphan
is being raised by his sister and her husband Joe in the marshes of
Kent.
Pip dreams of following in Joe’s footsteps as a blacksmith.
A
fter
a summons to meet Miss
Havisham
and her daughter
Estella,
Pip’s horizons open up and he starts to imagine a different future for himself.Slide2
Location and weatherYour character [Pip]Other character [Magwitch] and dialogue
Something happensRealisationStructureSlide3
Planning ideas2. Pip:
3. Magwitch:
1. Location:1. Weather:
4. What happens?:
5. Realisation/reflection/learning?:
3. Dialogue topic:Slide4
The marshes were just a long black horizontal line then; and the river was just another horizontal line, not nearly so broad nor yet so black; and the sky was just a row of long angry red lines and dense black lines intermixed. On the edge of the river I could faintly make out the only two black things in all the prospect that seemed to be standing upright; one of these was the beacon by which the sailors steered,—like an unhooped cask upon a pole,—an ugly thing when you were near it; the other, a gibbet, with some chains hanging to it which had once held a pirate.
Section 1: Describe location: Dickens in “Great Expectations”Slide5
Section 1:Describe weather: Dickens using the weather to create mood and atmosphere in another novelFog everywhere
. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on
the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards and hovering in the rigging of great ships;
fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards;
fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little 'prentice boy on deck. Slide6
Section 2: Character 1
Face shape and bone structure
Eyes and eyebrows
Nose, mouth
Body shape, posture and clothing
Hair – colour, length, style, condition
Clothing and items Slide7
Section 2: Character 2
Face shape and bone structure
Eyes and eyebrows
Nose, mouth
Body shape, posture and clothingHair – colour, length, style, condition
Clothing and items Slide8
Section 2: CharacterAgatha had a narrow, oblong face with angular cheekbones and a pointed chin. Her slit-like eyes were a clouded hazel, and her thinly plucked eyebrows were shaped into a deceivingly perfect arch that followed the slight curve of her eye. A long nose hooked over continually pursed lips, which were painted a bright red in an unsuccessful effort to mask their natural thinness. Bleached blonde hair, made thin from too many years of hair dye, hung straight down into an angular cut at her jaw. The sharp features of Agatha's face were merely a reflection of her entire body structure, and
everything—from her skeletal arms to her paper-thin waste—screamed of unnatural skinniness. She walked in long strides, her shoulders back and face held forward, wearing tall stiletto heels and a bold leopard-print mini-dress.Slide9
Section 3: Dialogue 1. Who talks first? Why? What is the response?
Facial expression / body language / gesture/ prop/movement?2. Remember to use specific word-tags. Do not overuse saidAlternatives include: whispered – answered – muttered – stuttered – declared – snapped – shouted – barked – bellowed – screamed. Do you have any of your own alternatives? Slide10
Section 4: Something happensWhat is going to happen between the two characters? Does the dialogue link/trigger this event?
Remember to use short, simple sentences for to emphasise the action in this section as well as other varied sentences too.Slide11
Ways of EndingCliffhanger:
Leave a character in jeopardy where they wonder/question how they will survive/escape/move on, etc
Echo:Repeat image, colour, weather or sentence from the opening and add a change to it.
Keyhole/ClueSuggest next development without giving any detail. Possibly ending in a question?
Extreme Close-up
:
End with
a focused description of something to show emphasis
Section 5: Realisation pointSlide12
bolt
bounce careen
dart dash dive
drop
plummet propel
rush
race
ram
rip
scamper
shove
speed
spin
spring
sprint
stride
swerve
swoop
zip
stray
sway
scramble
amble
crawl
creep
drag
drift
droop
heave
edge
loiter
lumber
plod
saunter
slink
Sight Words:
Movement
Texture
/ Touch
WordsSlide13
Above all, after all, indeed, as a matter of fact, the main issue is, chiefly, especially, actually, the most significant, the chief characteristic, the major point, the most necessary, extremely, to emphasize, to highlight, to stress, by all means, undoubtedly, more importantly, most important of all, most of all, moreover, furthermore, significantly, without a doubt, certainly, to be sure, surely, absolutely, obviously, more and more, of major interest, to culminate, in truth, the climax of, to add to that, without question, unquestionably, as a result, probability
Emphasis
Discourse markers for emphasisSlide14
Frankly, he/ she
Honestly, he/ she
She/he thought,He/ She supposed,
After all, No doubt,
He was/ she was afraid, Actually, A
s a matter of fact,
To tell the truth,
Unfortunately,
She/ he believed,
To express
attitude: