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Debased Text vs. Multi-modal Text Debased Text vs. Multi-modal Text

Debased Text vs. Multi-modal Text - PowerPoint Presentation

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Debased Text vs. Multi-modal Text - PPT Presentation

Are comics Thrice damned Complexity Meaning Defining legitimate text Academic libraries Locke Simon Fantastically Reasonable Ambivalence in the Representation of Science and Technology in Superhero Comics ID: 503145

comics graphic novels instruction graphic comics instruction novels journal 2009 amp student quarterly traditional communicating technical english utilitypractical application instructional tool

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Slide1

Debased Text vs. Multi-modal Text

Are comics “Thrice damned”?*

Complexity**

Meaning***

Defining legitimate text****

Academic libraries*****

*

Locke, Simon. “Fantastically Reasonable: Ambivalence in the Representation of Science and Technology in Super-hero Comics.”

Public Understanding of Science

14.1 (2005): 25–46

.

**

Serafini

, Frank. “Expanding Perspectives for Comprehending Visual Images in Multimodal Texts.”

Journal of Adolescent & Adult Literacy

54.5 (2011): 342–350.

***

Jacobs, Dale. “More Than Words: Comics as a Means of Teaching Multiple Literacies.”

The English Journal

96.3 (2007): 19–25.

****

Botzakis

,

Stergios

. “Adult Fans of Comic Books: What They Get Out of Reading.”

Journal of Adolescent & Adult Literacy

53.1 (2009): 50–59

.

*****

Toren

, Beth Jane. “Bam!

Pow

! Graphic Novels Fight Stereotypes in Academic Libraries: Supporting, Collecting, Promoting.”

Technical Services Quarterly

28.1 (2010): 55–69.Slide2

UTILITY

Practical Application

As an Instructional Tool…

Attitudinal and Technical Instruction as per EisnerSlide3

Attitudinal and Technical InstructionSlide4

Technical InstructionSlide5

UTILITY

Practical Application

As an Instructional Tool…

Attitudinal and Technical Instruction as per Eisner

A means of communicating with students challenged by traditional texts*

*Gretchen Schwarz, “Expanding Literacies through Graphic Novels,”

The English Journal

95.6 (2006): 58-64.Slide6
Slide7

UTILITY

Practical Application

As an Instructional Tool…

Attitudinal and Technical Instruction as per Eisner

A means of communicating with students challenged by traditional texts*

A way to shake up the learning experience and go beyond traditional prose**

*Gretchen Schwarz, “Expanding

Literacies

through Graphic Novels,”

The English Journal

95.6 (2006): 58-64.

**Downey

, Elizabeth. “Graphic Novels in Curriculum and Instruction Collections,”

Reference & User Services Quarterly

49.2 (2009): 181-188

.Slide8

UTILITY

Practical Application

As an Instructional Tool…

Attitudinal and Technical Instruction as per

Eisner

A means of communicating with students challenged by traditional texts*

A way to shake up the learning experience and go beyond traditional prose**

Add vibrancy to the classroom

*Gretchen Schwarz, “Expanding

Literacies

through Graphic Novels,”

The English Journal

95.6 (2006): 58-64.

**Downey

, Elizabeth. “Graphic Novels in Curriculum and Instruction Collections,”

Reference & User Services Quarterly

49.2 (2009): 181-188

.Slide9

UTILITY

Practical Application

As an Instructional Tool…

Attitudinal and Technical Instruction as per Eisner

A means of communicating with students challenged by traditional texts*

A way to shake up the learning experience and go beyond traditional prose**

Add vibrancy to the classroom

Engages the student in an era of distraction***

*Gretchen Schwarz, “Expanding

Literacies

through Graphic Novels,”

The English Journal

95.6 (2006): 58-64.

**Downey

, Elizabeth. “Graphic Novels in Curriculum and Instruction Collections,”

Reference & User Services Quarterly

49.2 (2009): 181-188

.

***Jeremy Short and Terrie Reeves. “The Graphic Novel: A ‘Cool’ Format for Communicating to Generation Y,”

Business Communications Quarterly 72.4 (2009): 414-430.Slide10

UTILITY

Practical Application

As an Instructional Tool…

Attitudinal and Technical Instruction as per Eisner

A means of communicating with students challenged by traditional texts*

A way to shake up the learning experience and go beyond traditional prose**

Add vibrancy to the classroom

Engages the student in an era of distraction***

Reveals the evolutionary nature of modern media

*Gretchen Schwarz, “Expanding

Literacies

through Graphic Novels,”

The English Journal

95.6 (2006): 58-64.

**Downey

, Elizabeth. “Graphic Novels in Curriculum and Instruction Collections,”

Reference & User Services Quarterly

49.2 (2009): 181-188

.

***Jeremy Short and Terrie Reeves. “The Graphic Novel: A ‘Cool’ Format for Communicating to Generation Y,”

Business Communications Quarterly

72.4 (2009): 414-430.Slide11

UTILITY

Practical Application

As an Instructional Tool…

Attitudinal and Technical Instruction as per Eisner

A means of communicating with students challenged by traditional texts*

A way to shake up the learning experience and go beyond traditional prose**

Add vibrancy to the classroom

Engages the student in an era of distraction***

Reveals the evolutionary nature of modern media

Text + illustration =

?

Advantages

over text

alone****

Memory

Sense of Authority

Pace

Emotion

Accessibility

Attraction

*Schwarz,

Gretchen. “Expanding Literacies through Graphic Novels,”

The English Journal

95.6 (2006): 58-64.

**Downey

, Elizabeth. “Graphic Novels in Curriculum and Instruction Collections,”

Reference & User Services Quarterly

49.2 (2009): 181-188

.

***Short, Jeremy and Terrie Reeves. “The Graphic Novel: A ‘Cool’ Format for Communicating to Generation Y,”

Business Communications Quarterly

72.4 (2009): 414-430.

****

S. W. Smith. “

Academaesthetics

: How the

Essay

and

Comic

can

Save Each Other.”

Text

,

11.2 (2007):

1–55.Slide12

UTILITY

Practical Application

As an Instructional Tool…

Non-majors and “weaker”

students*

Comics as

outsiders**

Participatory***

Preference****

Humor*****

Promotion/Advocacy

*

Hosler

, J, and K. B. Boomer. “Are

Comic Books

an

Effective Way

to

Engage

Nonmajors

in

Learning

and

Appreciating Science

?”

CBE

Life Sciences Education

10.3 (2011): 309–317

.

**Duffy, Damian. “Out of the Margins ... into the Panels: Toward a Theory of Comics as a Medium of Critical Pedagogy in Library Instruction.”

Critical Library Instruction: Theories and Methods

. Ed. Maria T.

Accardi

, Emily

Drabinski

, & Alana

Kumbier

. Duluth, MN: Library Juice Press, 2010. 199–219

.

***Smith. (2007).

****Webb, E. N. et al. “Wham!

Pow

! Comics as User Assistance.”

Journal of Usability Studies

7.3 (2012):

105–117.

*****

Kennepohl

,

Dietmar

, and Herbert W.

Roesky

. “Drawing Attention with Chemistry Cartoons.”

Journal of Chemical Education

85.10 (2008):

1355–1360.Slide13

UTILITY

Practical Application

As an Instructional Tool…

Story/Narrative

Modeling

Situational

Dispels Stereotypes

Motivation

Multiple Voices

Fictionalizing to provide

context*

Retention and

recall**

Coming to terms with

our

own

illiteracy***

*

Tabachnick

, Stephen E. “A Comic - Book World.”

World Literature Today

81.2 (2007): 24–28.

**

Negrete

,

Aquiles

, and Cecilia

Lartigue

. “Learning from Education to Communicate Science as a Good Story.”

Endeavour

28.3 (2004):

120–124.

*** Smith (2007).Slide14

Use of Comics in the College Classroom

Teacher Education*

Management and Business Ethics**Sociology***

History****

Science*****

*

Herbst, Patricio et al. “Using Comics-based Representations of Teaching, and Technology, to Bring Practice to Teacher Education Courses.”

ZDM

43.1 (2010):

91–103.

**Short (2009

) and

Gerde

, Virginia W., and R. Spencer Foster. “X-Men ethics: Using

Comic Books

to

Teach Business Ethics

.” Journal of Business Ethics

77.3 (2008): 245–258.***Hall, Kelley J., and Betsy Lucal. “Tapping into Parallel Universes: Using Superhero Comic Books in Sociology Courses.”

Teaching Sociology 27.1 (1999): 60–66.****Decker, Alicia C., and Mauricio Castro. “Teaching

History

with

Comic Books

: A

Case Study

of

Violence

,

War

, and the

Graphic Novel

.”

History Teacher

45.2 (2012): 169–188

.

*****

Hosler

(2011) and

Tatalovic

, M. “Science Comics as Tools for Science Education and Communication: A Brief, Exploratory Study.”

SISSA

8.4 (2009): 1–17.Slide15

Student-Produced Comics

Student-created comics can impel students to use the following strategies*

Decide important points

Relate ideas to their own lives

Summarize

Fill in points not explicitly made

Make inferencesAsk questions*

Engler

, Steve, Christopher Hoskins, and Sylvan Payne. “Computer-produced Comics as a Means of

Summarising

Academic Readings in EAP Programs.”

International Journal of Pedagogies and Learning

4.4 (2008): 19–33.Slide16

Student-Produced Comics

Back to the

Narrative – looking at the research process through comics*

Student need to be heard

A way to reflect

Critical thinking and questioning assumptions

Framing themselves as charactersThe drama and conflict of researchAttempt to validate student experience

*Adapted from

Detmering

R., and Johnson A.M. “‘Research

Papers

have

Always Seemed

V

ery

D

aunting

’: Information Literacy Narratives and the Student Research Experience.”

Portal 12.1 (2012): 5–22.Slide17

Student-Produced Comics

Comic Life -

http://comiclife.com/

ComicBook

! – find it in

iTunesPixton

– www.pixton.com Design Comics - http://www.designcomics.org/ Slide18

New Directions

Student buy-in?

Full-length textbookImplementation of student-produced comicsSlide19
Slide20

AND they’re enjoyable as literature in their own right!

E

very artistic or literary medium has its masterpieces…works deserving of attention and study.

Entertainment and education, one and the same!

Graphic literature IS literature.Slide21

Recommended Reading

atomicrayguncomics@gmail.com

http://www.cmichaelhall.com

Abraham,

Linus

. “Effectiveness of Cartoons as a Uniquely Visual Medium for Orienting Social Issues.”

Journalism & Communication Monographs

11.2 (2009): 120.

 

Downey, Elizabeth. “Graphic Novels in Curriculum and Instruction Collections,”

Reference & User Services Quarterly

49.2 (2009): 181-188.

 

Eisner, Will.

Comics & Sequential Art

. Tamarac, FL: Poorhouse Press, 1985.

 

---.

Graphic Storytelling & Visual Narrative. Tamarac, FL: Poorhouse Press, 1996.

 Hall, Mike and Matt Upson. Library of the Living Dead: Your Guide to Miller Library at McPherson College. McPherson, KS: Atomic

Raygun

Comics, 2011.

 

McCloud, Scott.

Understanding Comics: The Invisible Art

. New York: HarperCollins, 1994.

 

---.

Making Comics

. New York: HarperCollins, 2006.

 

McLuhan, Marshall. “Classroom Without Walls.”

Explorations in Communication: An Anthology

Eds. Edmund Carpenter and Marshall McLuhan. Boston: Beacon Press, 3.

 

O’English

, Lorena, J. Gregory Matthews, and Elizabeth

Blakesley

Lindsay. “Graphic Novels in Academic Libraries: From

Maus

to Manga and Beyond.”

The Journal of Academic Librarianship

32.2 (2006): 173-182.

 

Schwarz, Gretchen. “Chapter 4: Graphic Novels—New Sites of Possibility in the Secondary Curriculum.”

Curriculum and Teaching Dialogue

12.1 (2009): 53-65.

 

---. “Expanding

Literacies

through Graphic Novels,”

The English Journal

95.6 (2006): 58-64.

 

---. “Media Literacy, Graphic Novels and Social Issues.”

Simile

7.4 (2007), Special Section: 1-11.

Short, Jeremy and Terrie Reeves. “The Graphic Novel: A ‘Cool’ Format for Communicating to Generation Y.”

Business Communications Quarterly

72.4 (2009): 414-430.