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ART SPACE GALLERY ART SPACE GALLERY

ART SPACE GALLERY - PDF document

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ART SPACE GALLERY - PPT Presentation

Michael Richardson Contemporary Art wwwartspacegallerycouk mailartspacegallerycouk 84 St Peters Street London N1 8JS Tel 020 7359 7002 PRESS RELEASE MICHAEL BROUGHTON Beerwolf Paintin ID: 522081

Michael Richardson Contemporary

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ART SPACE GALLERY Michael Richardson Contemporary Art www.artspacegallery.co.uk mail@artspacegallery.co.uk 84 St. Peter's Street, London N1 8JS Tel 020 7359 7002 PRESS RELEASE MICHAEL BROUGHTON Beerwolf Paintings and Drawings 2014 27 June – 26 July 2014 Small Hotel I , 201 3 , oil on board, 19.5 x 28 cm In his paintings and drawings Michael Broughton takes as his subject the environs and objects of his everyday life – furniture, architecture, snooker tables; human paraphernalia and detritus that may be taken for granted or overlooked. This recent body of work, representing the pub and hotel environs o f Falmouth, moves away from the studio setting that so dominated his previous output. And, for the first time, we are presented with exterior views of a building – a subject repeatedly drawn over a two - year period, synthesised in paintings. The title of t his exhibition, Beerwolf , at once suggests a glibly - named bar and the Anglo - Saxon epic poem ( Beowulf ). It sums up the lifeworld of a hotel, seen from within and around in this group of paintings and drawings; yet, its literary allusion might encourage us t o find a symbolism in the objects represented, or a narrative to these scenes. Broughton’s phlegmatically titled subjects (for example, Snooker Room I ) however clarifies that there are no metaphors or allegories in these works. The artist’s sole aim is, ra ther, to describe the connected lives of objects and his encounters with them. Stylistically, Broughton unifies objects as collective, inter - dependent things. Snooker tables and chairs, lamps and timber beams are threaded together as one with line, gestur e and colour. While in the drawings charcoal markings are weaved to build continuous form and mass, the whiteness of the paper glimmers through as light from within. And in the paintings Broughton sees his subject in totality with a directionless ‘half lig ht’ that does not settle on particular objects, but rather serves as an immersive mid - tone. A muted palette and nebulous handling renders objects tantalisingly indistinct, thus out of reach. Broughton (b. 1977) trained at City of Bath College and Falmouth College of Art and has undertaken residencies at the Museo Del Prado, Madrid, and Tate Britain. He regularly shows in London and abroad, and has recently exhibited at MUBA, Tourcoing, Lille. An 18 page catalogue with 12 colour plates accompanies the ex hibition and can be viewed on line at www.artspacegallery.co.uk