PPT-DOCUMENTARY FILMS

AND NATURE CCGL9012 Media Politics and the Environment     A chronology Since early documentaries occupy a fuzzy middle ground between entertainment education art and voyeurism Early film depictions of nature. Conformity and Rebellion. Anticommunism before WWII. Fears of “premature anti-Fascists” such as Dorothy Parker, . Dashiell. Hammett, etc. before WWII. Support for republican Spain during the 1937 Spanish Civil War. The Expository Mode of Documentary Representation. Table of Contents. 1) General ideas of documentary films. 2) Five modes of documentary films. 3) Expository mode of documentary representation. 4) Robert Flaherty and his documentaries. Reflexive and . Performative. Modes of Documentary Films. Table of Contents. 1) Reflexive Mode of Documentary Representation. 2) . Dziga. . Vertov. and . Man with a Movie Camera. 3) . Performative. D. ocumentary. : . a non-fiction . film or TV . program which presents information, ideas or issues constructed for a variety of purposes. Documentaries focus on the real world and usually aim to instruct or to reveal some factual truth about it.. Camera angle . Camera distance. Camera movement. Shot duration. Lighting. Special effects. 1. Choice of subject. 2. Approach. . 3. Choice of shots. 4. Shot construction. 5. Sound track. 6. Editing. Documentary as Construction. Documentary styles:. 1. Interview: you ask questions and they answer them (you can be on or off screen). . Example: most Michael Moore (. Bowling for Columbine, Fahrenheit 9/11, Sicko. ) documentaries have frequent interviews along with #2 and #3. M. odes . of . Documentary. What makes a Documentary?. A documentary should meet the following criteria- . The events being filmed must not be staged, the events must exist above and beyond the activity of filming them.. In Stefan Żeromski Highschool in Żyrardów. . IX 2012-VI 2013. Difficult topics - our meetings with films. . IX 2012-Vi 2013. The . problem of violence, lack of tolerance for ethnic, religious, racial or sexual diversity, or exploitation of the poorest. Elize. S van . Eeden. 21. st. SASHT Conference. (celebrating the SASHT's 30. th. year). 6 October 2016 (Port Elizabeth). Managing. . Editor. Seamus Reynolds (. eNCA. ). Meg Rickards (. Director-writer. By Megan Northcote. Ashe County Public Library . program proposal. Project Overview. The Centennial Oral . H. istory . D. ocumentary . p. roject is an intergenerational, summer program where teens interview and film local adults and senior citizens as they share their stories and remembrances of West Jefferson over the last 100 years. . Biorefinery. Processes Group . Department of Chemical and Environmental Engineering. University of the Basque Country, . Pza. . Europa 1, 20018 San . Sebastian. , . Spain. jalel.labidi@ehu.es. Oihana . Elize. S van . Eeden. 21. st. SASHT Conference. (celebrating the SASHT's 30. th. year). 6 October 2016 (Port Elizabeth). Managing. . Editor. Seamus Reynolds (. eNCA. ). Meg Rickards (. Director-writer. End of the Line : Documentary and Zine Graham Scholars: Rachel Beglin, Claire Gregory, Noah Rothstein, Sarah Jernigan, Sarah Schachner, Maria Redoutey, Elena Essa, Eva Antebi-Lerman, Lou Finazzo, Maddy Schmitter and Renzi Wise Classical Hollywood Cinema. Mainly in a present world—though not necessarily the time the film was made . It is seen largely from outside the action, through point of view shots, memories, fantasies, dreams, or other mental states are sometimes included.