Summer Concerts 2015 Summer Concerts 2015 Summer Concerts 2015 Summer Concerts 2015 ID: 730229
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European Union Youth Orchestra Slide2
Summer Concerts 2015Slide3
Summer Concerts 2015Slide4
Summer Concerts 2015Slide5
Summer Concerts 2015Slide6
Other Summer Performances 2015 2 Late Night ‘Club’ Sessions Music Gallery Concert in Schloss Grafenegg with 9 groups performing 3 programme ‘trails’ 3 days of performances in the new Spazio Klassik portable concert space 3 MusicLabs dedicated to future careers, conducting and orchestral sound
Open Rehearsals
Outreach work
Global Exchange players
European Music Campus Orchestra ConcertSlide7
29 August 2015 Grafenegg Slide8
The Capital
Sounds Project 2016 -
2018
C
elebrating
the music and young musicians of 28
Countries, 28 Capitals, 1 Union
, &
40 years of
EUYO
Summer 2016: Spring 2017:
Amsterdam Brussels
Athens
Dublin
Berlin
Lisboa
Bratislava London
Ljubljana Luxembourg
Prague
Madrid
Warsaw Paris
Summer 2017: Spring 2018:
Bucharest Budapest
Copenhagen Nicosia
Helsinki Rome
Riga Sofia
Stockholm Valletta
Tallinn Vienna
Vilnius ZagrebSlide9
European Union Youth Orchestra Slide10
European Union Youth Orchestra Slide11
European Union Youth Orchestra Towards 2020
Europe’s most excellent young players are thus being
stretched not only by performances in great concert halls
with preeminent conductors and soloists, but also by the
challenge of making their own horizons into the future
through a variety of initiativesSlide12
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorT2020 VALUES: 1. Future Needs 2. Young People
3. Working Together
4. Expanding Opportunity
5. Promoting Excellence
6. Relevant Skills
Slide13
Towards 2020 . . . . . how do we get there? @euyotweets
| #T2020
How do we attract new audiences?
What skills do orchestral musicians need for 21
st
century audiences & society?
How should we train the next generation of musical leaders?
What about employment and jobs in Europe
?
How do we persuade “non-audiences”?
How do
we relate our European situation
to Global audiences
& societies
?
How do we deepen the experience of current audiences?
What would a model that was transferable to other sectors look like?Slide14
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 1: Building the Model
Slide15
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 1: Partners+Associates
Associates
Slide16
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Partners & Associates Innovation Transferability
Slide17
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPhase 1 Partners: Residency Partners: Busoni Competition (I), Grafenegg Festival (A), Megaron Thessaloniki (GR)
National Partners
:
Bozar
(B), Cyprus Symphony Orchestra Foundation (CY), Music Centre Slovakia (SK)
Orchestra Partner
: EUYO (UK)
Digital Partner:
John Goode
Cantate
(UK)
Evaluation Partner:
Culture Action Europe (B)
Slide18
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPhase 1 Associates: National Associates: in all 28 EU Member StatesNetwork Associates:
EFNYO, Sistema Europe
Global Associates
: New World Symphony, Sphinx Organisation USA,
Neojiba
Brazil
Slide19
T2020 Cycle Slide20
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorInnovation
Slide21
1. New Training Initiatives
Music Labs
European Music Campus
Apprenticeships
Global Exchange
Programme
Career ProgressionSlide22
1. New Training Initiatives2. Increased Orchestral Opportunities
Music Labs
European Music Campus
Apprenticeships
Global Exchange
Programme
Career Progression
New Alumni Teaching Projects
New Campus
T
raining Orchestra
Master Classes & New Orchestras
Developed RecruitmentSlide23
1. New Training Initiatives2. Increased Orchestral Opportunities 3. Audience Development
Spazio
Klassik
Adopt an Orchestra
30s/40s Project
REACT
Late Night Sessions
Pop Up Concerts
Music Labs
European Music Campus
Apprenticeships
Global Exchange
Programme
Career Progression
New Alumni Projects
New Campus
T
raining Orchestra
Master Classes & New Orchestras
Developed RecruitmentSlide24
1. New Training Initiatives2. Increased Orchestral Opportunities 3. Audience Development 4. New Online Spaces
Spazio
Klassik
Adopt an Orchestra
30s/40s Project
REACT
Late Night Sessions
Pop Up Concerts
Music Labs
European Music Campus
Apprenticeships
Global Exchange
Programme
Career Progression
New Digital Space
New App / Website
New Alumni Projects
New Campus
T
raining Orchestra
Master Classes & New Orchestras
Developed RecruitmentSlide25
1. New Training Initiatives2. Increased Orchestral Opportunities 3. Audience Development 4. New Online Spaces
5
. Evaluation
Spazio
Klassik
Adopt an Orchestra
30s/40s Project
REACT
Late Night Sessions
Pop Up Concerts
Music Labs
European Music Campus
Apprenticeships
Global Exchange
Programme
Career Progression
New Digital Space
New App / Website
New Alumni Projects
New Campus
T
raining Orchestra
Master Classes & New
Orchestras
Developed Recruitment
New Evaluation MethodologySlide26
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Transferability
Slide27
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Transferability Building an exemplar multi sector model useful for 2020s and beyond
Slide28
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPartnersInnovation
Transferability
Slide29
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 2: Developing the
Model
Slide30
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPhase 2: October 2015 – September 2017Refining, extending and mixing current T2020 Projects
New T2020 Partners, Associates, Projects and Orchestras
New T2020 Community
Matched Corporate Support
Slide31
Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPhase 2: PlanningFebruary – June: Stakeholder consultation
July – August: Application preparation
September: Writing of Application
October: Application Submission