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European Union Youth Orchestra European Union Youth Orchestra

European Union Youth Orchestra - PowerPoint Presentation

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European Union Youth Orchestra - PPT Presentation

Summer Concerts 2015 Summer Concerts 2015 Summer Concerts 2015 Summer Concerts 2015 ID: 730229

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Slide1

European Union Youth Orchestra Slide2

Summer Concerts 2015Slide3

Summer Concerts 2015Slide4

Summer Concerts 2015Slide5

Summer Concerts 2015Slide6

Other Summer Performances 2015 2 Late Night ‘Club’ Sessions Music Gallery Concert in Schloss Grafenegg with 9 groups performing 3 programme ‘trails’ 3 days of performances in the new Spazio Klassik portable concert space 3 MusicLabs dedicated to future careers, conducting and orchestral sound

Open Rehearsals

Outreach work

Global Exchange players

European Music Campus Orchestra ConcertSlide7

29 August 2015 Grafenegg Slide8

The Capital

Sounds Project 2016 -

2018

C

elebrating

the music and young musicians of 28

Countries, 28 Capitals, 1 Union

, &

40 years of

EUYO

Summer 2016: Spring 2017:

Amsterdam Brussels

Athens

Dublin

Berlin

Lisboa

Bratislava London

Ljubljana Luxembourg

Prague

Madrid

Warsaw Paris

Summer 2017: Spring 2018:

Bucharest Budapest

Copenhagen Nicosia

Helsinki Rome

Riga Sofia

Stockholm Valletta

Tallinn Vienna

Vilnius ZagrebSlide9

European Union Youth Orchestra Slide10

European Union Youth Orchestra Slide11

European Union Youth Orchestra Towards 2020

Europe’s most excellent young players are thus being

stretched not only by performances in great concert halls

with preeminent conductors and soloists, but also by the

challenge of making their own horizons into the future

through a variety of initiativesSlide12

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorT2020 VALUES: 1. Future Needs 2. Young People

3. Working Together

4. Expanding Opportunity

5. Promoting Excellence

6. Relevant Skills

Slide13

Towards 2020 . . . . . how do we get there? @euyotweets

| #T2020

How do we attract new audiences?

What skills do orchestral musicians need for 21

st

century audiences & society?

How should we train the next generation of musical leaders?

What about employment and jobs in Europe

?

How do we persuade “non-audiences”?

How do

we relate our European situation

to Global audiences

& societies

?

How do we deepen the experience of current audiences?

What would a model that was transferable to other sectors look like?Slide14

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 1: Building the Model

Slide15

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 1: Partners+Associates

Associates

Slide16

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Partners & Associates Innovation Transferability

Slide17

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPhase 1 Partners: Residency Partners: Busoni Competition (I), Grafenegg Festival (A), Megaron Thessaloniki (GR)

National Partners

:

Bozar

(B), Cyprus Symphony Orchestra Foundation (CY), Music Centre Slovakia (SK)

Orchestra Partner

: EUYO (UK)

Digital Partner:

John Goode

Cantate

(UK)

Evaluation Partner:

Culture Action Europe (B)

Slide18

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPhase 1 Associates: National Associates: in all 28 EU Member StatesNetwork Associates:

EFNYO, Sistema Europe

Global Associates

: New World Symphony, Sphinx Organisation USA,

Neojiba

Brazil

Slide19

T2020 Cycle Slide20

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorInnovation

Slide21

1. New Training Initiatives

Music Labs

European Music Campus

Apprenticeships

Global Exchange

Programme

Career ProgressionSlide22

1. New Training Initiatives2. Increased Orchestral Opportunities

Music Labs

European Music Campus

Apprenticeships

Global Exchange

Programme

Career Progression

New Alumni Teaching Projects

New Campus

T

raining Orchestra

Master Classes & New Orchestras

Developed RecruitmentSlide23

1. New Training Initiatives2. Increased Orchestral Opportunities 3. Audience Development

Spazio

Klassik

Adopt an Orchestra

30s/40s Project

REACT

Late Night Sessions

Pop Up Concerts

Music Labs

European Music Campus

Apprenticeships

Global Exchange

Programme

Career Progression

New Alumni Projects

New Campus

T

raining Orchestra

Master Classes & New Orchestras

Developed RecruitmentSlide24

1. New Training Initiatives2. Increased Orchestral Opportunities 3. Audience Development 4. New Online Spaces

Spazio

Klassik

Adopt an Orchestra

30s/40s Project

REACT

Late Night Sessions

Pop Up Concerts

Music Labs

European Music Campus

Apprenticeships

Global Exchange

Programme

Career Progression

New Digital Space

New App / Website

New Alumni Projects

New Campus

T

raining Orchestra

Master Classes & New Orchestras

Developed RecruitmentSlide25

1. New Training Initiatives2. Increased Orchestral Opportunities 3. Audience Development 4. New Online Spaces

5

. Evaluation

Spazio

Klassik

Adopt an Orchestra

30s/40s Project

REACT

Late Night Sessions

Pop Up Concerts

Music Labs

European Music Campus

Apprenticeships

Global Exchange

Programme

Career Progression

New Digital Space

New App / Website

New Alumni Projects

New Campus

T

raining Orchestra

Master Classes & New

Orchestras

Developed Recruitment

New Evaluation MethodologySlide26

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Transferability

Slide27

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Transferability Building an exemplar multi sector model useful for 2020s and beyond

Slide28

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPartnersInnovation

Transferability

Slide29

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 2: Developing the

Model

Slide30

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPhase 2: October 2015 – September 2017Refining, extending and mixing current T2020 Projects

New T2020 Partners, Associates, Projects and Orchestras

New T2020 Community

Matched Corporate Support

Slide31

Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral SectorPhase 2: PlanningFebruary – June: Stakeholder consultation

July – August: Application preparation

September: Writing of Application

October: Application Submission