PDF-HIGHFIDELITY STEREO BOOMBOX Speaker Boombox USER GUIDE TPBLK p O

5 2 3 4 5 Tune k Tune 1 2 3 4 5 1 2 3 4 5 brPage 10br Saved 3 995 1 2 3 4 5 1 2 3 4 5 brPage 11br 1 O 2 3 4 5 1 O 2 3 n 4 5 brPage 12br 1 O 2 3 4 5 Alp ac ral O Airbag ep O brPage 13br O O O brPage 14br Rep ffl O Rep ffl O ffl O ffl O brPage 15br Rep. The status light blinks rapidly indicating the speaker is ready for pairing On your device Go to Settings and turn on Bluetooth Tap UE Mobile Boombox in the list of devices On the UE Mobile Boombox Hold down the Bluetooth button until the status lig Ms. Amber Huntington. Adapted from . Introduction to the Poem, Revised Second Edition. Robert W. Boynton and Maynard Mack. Every Poem Has a Speaker. The most important single factor in a poem considered as a dramatic situation is its speaker. Many slides adapted from Steve Seitz. Binocular stereo. Given a calibrated binocular stereo pair, fuse it to produce a depth image. image 1. image 2. Dense depth map. Binocular stereo. Given a calibrated binocular stereo pair, fuse it to produce a depth image. Many slides adapted from Steve Seitz. Binocular stereo. Given a calibrated binocular stereo pair, fuse it to produce a depth image. Where does the depth information come from?. Binocular stereo. Given a calibrated binocular stereo pair, fuse it to produce a depth image. Many slides adapted from S. Seitz. Multi-view . stereo. Generic problem formulation: given several images of the same object or scene, compute a representation of its 3D shape. Reconstruction (side). If necessary, rectify the two stereo images to transform . epipolar. lines into . scanlines. For each pixel x in the first image. Find corresponding . epipolar. . scanline. in the right image. Examine all pixels on the . Many slides drawn from Lana . Lazebnik. , UIUC. Basic stereo matching algorithm. For each pixel in the first image. Find corresponding . epipolar. line in the right image. Examine all pixels on the . Noah . Snavely. , . Zhengqi. Li. Single image stereogram, by . Niklas. . Een. Mark Twain at Pool Table", no date, UCR Museum of Photography. Stereo. Given two images from different viewpoints. How can we compute the depth of each point in the image?. Geometry. Various slides from previous courses by: . D.A. Forsyth (Berkeley / UIUC), I. Kokkinos (. Ecole. Centrale / UCL). S. . Lazebnik. (UNC / UIUC), S. Seitz (MSR / Facebook), J. Hays (Brown / Georgia Tech), A. Berg (Stony Brook / UNC), D. Samaras (Stony Brook) . J. M. . Read through both texts. Annotate your thoughts. Questions . Connections. Confusions. Clarifications. Poetic devices. Opinions. Images (draw a picture). Favorite lines. You have 7 minutes to review the texts and jot down your thoughts. Geometry. Various slides from previous courses by: . D.A. Forsyth (Berkeley / UIUC), I. Kokkinos (. Ecole. Centrale / UCL). S. . Lazebnik. (UNC / UIUC), S. Seitz (MSR / Facebook), J. Hays (Brown / Georgia Tech), A. Berg (Stony Brook / UNC), D. Samaras (Stony Brook) . J. M. . Several slides from Larry . Zitnick. and Steve Seitz. Why do we perceive depth?. What do humans use as depth cues?. Convergence . When watching an object close to us, our eyes point slightly inward. This difference in the direction of the eyes is called convergence. This depth cue is effective only on short distances (less than 10 meters). . 1. 2. Why do we perceive depth?. 3. What do humans use as depth cues?. Convergence . When watching an object close to us, our eyes point slightly inward. This difference in the direction of the eyes is called convergence. This depth cue is effective only on short distances (less than 10 meters). . Several slides from Larry . Zitnick. and Steve Seitz. Why do we perceive depth?. What do humans use as depth cues?. Convergence . When watching an object close to us, our eyes point slightly inward. This difference in the direction of the eyes is called convergence. This depth cue is effective only on short distances (less than 10 meters). .