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How to install How to install

How to install - PDF document

jasmine
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How to install - PPT Presentation

the loudspeakers etcpending of your speaker setup It also specifies the gain and destination of two auxiliary buses pre and post faderYou can create more tracks if needed using the Mix Master section ID: 874781

mode module trigger recording module mode recording trigger defines int glo threshold section menu signal nmi tempo start transposition

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1 How to install the loud-speakers, etc. p
How to install the loud-speakers, etc. pending of your speaker setup. It also specifie

2 s the gain and destination of two auxili
s the gain and destination of two auxiliary buses (pre and post fader).You can create

3 more tracks if needed using the Mix Mas
more tracks if needed using the Mix Master section to make it appear again.First choo

4 se a osc module in the Syn-thesis menu.
se a osc module in the Syn-thesis menu.A box appears asking you the name to give to t

5 he new object. Add a number to the propo
he new object. Add a number to the proposed name and validate with return.WARNING : Al

6 l modules must have a different name. Ot
l modules must have a different name. Otherwise the preset system will not perform cor

7 -rectly.The new module appears in the pa
-rectly.The new module appears in the patch. Switch to "edit mode" to be able to chang

8 e its position. Connect it to track1.Swi
e its position. Connect it to track1.Switch the DSP on in the master section to hear y

9 our new oscillator.ParametersModules hav
our new oscillator.ParametersModules have parameters that you can modify with the mous

10 e by changing the red value. For example
e by changing the red value. For example, our oscillator has two pa-rameters that you

11 can change this way : its Frequency and
can change this way : its Frequency and its Amplitude. The other way to change a param

12 eter value is to apply a modu value that
eter value is to apply a modu value that the function can reach.Glo/Int menuThis menu

13 sets the synchronization mode of the mod
sets the synchronization mode of the module. When the Glo mode is selected, the lectur

14 e is synchronized with the global tempo
e is synchronized with the global tempo of NMI. To start reading the function, press p

15 lay in the transport section. In Int mod
lay in the transport section. In Int mode, the mod-ule is set to Internal mode. It ca

16 n be then switch on and off by using its
n be then switch on and off by using its trigger input.BPMIn Int mode, specify the tem

17 po in beat per minutes.L (Loop)In Int mo
po in beat per minutes.L (Loop)In Int mode, defines if the sequence must be looped or

18 not.BeatsDefines the duration of the fun
not.BeatsDefines the duration of the function in beats.compkeyAllows to use the comput

19 er keyboard to gen-erate a signal in a p
er keyboard to gen-erate a signal in a patch. You can use the L (Learn) Defines a val

20 ue in samples which sets how the slide~
ue in samples which sets how the slide~ object re-acts when it receives decreasing val

21 ues. The more this value is big the less
ues. The more this value is big the less the module is reactive to the release of the

22 signal.OffDefines the minimum value to r
signal.OffDefines the minimum value to reach to switch off the trigger output. This wo

23 rks only if an attack has been detected
rks only if an attack has been detected before.OnDefines the value to reach to switch

24 on the trigger output. To be switched on
on the trigger output. To be switched on again, the trigger must be released first.gri

25 dseqThis module uses a grid object to ge
dseqThis module uses a grid object to generate a signal between 0. and 1. want to rec

26 eive the MIDI datas. Remember that you m
eive the MIDI datas. Remember that you must de-fine the mapping between the MIDI ports

27 and your external hardware in the Maste
and your external hardware in the Master section of NMI.notesseqThe notesseq module a

28 llows to define a sequence of signal whi
llows to define a sequence of signal which can be interpreted as a sequence of transpo

29 sitions when it is connected to a synth
sitions when it is connected to a synth module.AmpBy default, this module provide a si

30 gnal from -1 to 1. You can reduce this a
gnal from -1 to 1. You can reduce this ambitus by chanching this value.Glo/Int menuThi

31 s menu sets the synchronization mode of
s menu sets the synchronization mode of the module. When the Glo mode is selected, the

32 lecture is synchronized This module ge
lecture is synchronized This module generates a sequence of triggers that can be use

33 d to start any other modules in Najo (en
d to start any other modules in Najo (envelopes, recordings, etc). Each line of the ma

34 trix represents one of the 8 triggers ou
trix represents one of the 8 triggers outputs of the module. The tempo can come from t

35 he Global Transport or it can be the one
he Global Transport or it can be the one of the module itself.Glo/Int menuThis menu se

36 ts the synchronization mode of the modul
ts the synchronization mode of the module. When the Glo mode is selected, the lecture

37 is synchronized them into usual signals
is synchronized them into usual signals for NMI.Udp portSelect one of the four possib

38 le udp input port. Adjust the accelerati
le udp input port. Adjust the acceleration threshold in the trigger section of the mod

39 ule. The more it is big, the more you ne
ule. The more it is big, the more you need an hard gesture to generate a trigger. It a

40 lso separates better the gestures Sends
lso separates better the gestures Sends a trigger when the recording is finished. Def

41 ines the recording duration in beats at
ines the recording duration in beats at the current tempo of the Transport module. Qua

42 ntFixes a quantize value when starting a
ntFixes a quantize value when starting a new recording. For example 4 means that NMI w

43 ill wait the first beat of the next meas
ill wait the first beat of the next measure to start the recording.Input TriggerStarts

44 a new recording.Trigger OutputSends a t
a new recording.Trigger OutputSends a trigger when the recording is finished.loopThe

45 loop module splits a loop into slices an
loop module splits a loop into slices and replay them synchronized with the Defines t

46 he recording duration in beats at the cu
he recording duration in beats at the current tempo of the Transport module. QuantFixe

47 s a quantize value when starting a new r
s a quantize value when starting a new recording. For example 4 means that NMI will wa

48 it the first beat of the next measure to
it the first beat of the next measure to start the recording.Input TriggerStarts a new

49 recording.Trigger OutputSends a trigger
recording.Trigger OutputSends a trigger when the recording is finished.samplerThis mo

50 dule allows to play 12 samples as with a
dule allows to play 12 samples as with a classical sam-pler. For each keygroups, those

51 function are available:SoundDefines whi
function are available:SoundDefines which sample is played by the keygroup. This menu

52 Loop Start (LpStart) and the Loop End
Loop Start (LpStart) and the Loop End (LpEnd). The sound stops when the key is relea

53 sed. Low (Low Threshold)Defines the Low
sed. Low (Low Threshold)Defines the Low threshold of the clipping in dB (x1 on the gra

54 phic). This corresponds to the minimum v
phic). This corresponds to the minimum volume that a fre-quency band as to reach to be

55 gin to be heard. By increasing this valu
gin to be heard. By increasing this value, you remove the lowest noises in the sound.H

56 igh (High Threshold)Defines the high thr
igh (High Threshold)Defines the high threshold in dB of the clipping. All frequency c

57 rease the accuracy of the filter in the
rease the accuracy of the filter in the high frequencies.psychThis effect use the Irca

58 m psych~ Max ob-ject to perform a transp
m psych~ Max ob-ject to perform a transposition. This object was optimized to transpos

59 e monophonic sounds like a voice or wind
e monophonic sounds like a voice or wind instruments. It can transpose the pitch and t

60 he spectral envelope separately. This re
he spectral envelope separately. This results in a more natural transposition avoiding

61 the fa-mous "Mickey Mouse" effect.Trsp
the fa-mous "Mickey Mouse" effect.Trsp (Transposition)Defines the transposition amoun

62 t in cents.Frmts (Formants)Defines the t
t in cents.Frmts (Formants)Defines the transposition amount for the formants. reverbTh