PPT-1 Framing a shot – Field of View

Wide Shot WS Establishes location COM 163 Chapter 6 Looking Through the Viewfinder 2 Framing a shot Field of View Medium Shot MS Brings us closer See the action COM 163 . Definition. the . process of capturing moving images on . film. (or digitally). everything . that has to do with cameras and lenses, with film/film stock (and its digital equivalents), exposure and processing of film/digital . Cassevetes. . Indie . Auteur. . John . Cassavetes. Films mistaken . as improvisational. precise . scripts/rough camera. long . takes that are meant to expose . the shakiness . of middle class life. All films are made . three. times:. Pre. -production. :. S. cript. /. S. toryboard. /. S. hotlist. 2. . Production. :. T. he . S. hoot. 3. . Post. -production. :. E. diting. /. S. core. 1. . PRE-PRODUCTION. Mise. -en-scène . Perspective Relations. Types of camera . lenses determined . by their . focal length . – distance between . the . centre. of the lens to the point where light rays converge on the . How movies are made. Cinematic techniques. the methods a director uses to communicate meaning and to evoke particular emotional responses in viewers.. Shots and Framing. Shot: a single piece of film uninterrupted by cuts.. an introduction. a useful word to know if you want to write effectively about film. – the objects, events, spaces, and the characters that inhabit those spaces, . The viewer constructs a . diegetic world. Non-scanning CT (computerized tomography). Standard CT system. CT(computerized tomography) creates 3D views of what is inside. General medical imaging technique to look inside of a patient’ body. Background. Angles, Framing and Focus. LT: Analyze how directors create effect through focus and composition in film. . SC: Make choices about how to shoot a short film and explain how choices connect to meaning. Analyze cinematographic choices made in a short film.. Angles, Framing and Focus. LT: Analyze how directors create effect through focus and composition in film. . SC: Make choices about how to shoot a short film and explain how choices connect to meaning. Analyze cinematographic choices made in a short film.. Mise. -en-scène. Framing. Camera height, distance, angle and level can be changed within the shot – mobile framing – a unique aspect of film. The change of framing is achieved by moving the camera during filming.. Though ideology has many definitions and is applied in many ways, perhaps the best way to approach it at first is as a person’s “worldview”. That is, what does a person believe to be the nature of reality?. Shot one. Description/Action: Showing the dirt road, with a single patch of marigolds. Framing. : Establishing Shot. Angle. : Eye Level. Music/Sound. : Non-. Diegetic. ; Sad/ Neutral. Dialogue/Narration. When describing camera positions, or choosing them yourself, you have to think about three important factors. • The FRAMING or the LENGTH. • The ANGLE. • If there is any MOVEMENT involved. When describing camera positions (or shots), different terms are used to indicate the amount of subject matter contained within a frame, how far away the camera is from the subject, and the perspective of the viewer. Each different shot has a different purpose and effect. A change between two different shots is called a CUT.. Microscope Review The diagram represents a cell in the field of view of a compound light microscope. In which direction should the slide be moved on the microscope stage to center the cell in the field of view