SYMPOSIUM BY MASTER OF ARTS IN FINE ARTSZurich University of the Arts - PDF document

SYMPOSIUM BY MASTER OF ARTS IN FINE ARTSZurich University of the Arts (ZHdK)November 24th – 26 th, 20145.K12 KunstraumTpoi-Asfam, P�ohtuwfietusattf 96, 8116 GüsidiMpoeay: 6 - 9 p.n. Tvfteay, Wfeofteay: 11 a.n. -1 p.n. aoe 3 - 6 p.n.Ewfoioht: Vfhao Kiudifo iuup://tpfu.io�oiuift.�tiiuup://ziel.di/io�oiuift Pedro Barateiro, Kamran Behrouz, FpHa/Gsaian Haswppe, Svdiao Kinoshita, Leila Peacock, Johannes Pavm Rafuifs, Riilla Tavsiaiofo, Piimip Ullrich/Fabian Heitzhausen, Emily Waseimm, asu wpslt cy Hfmfo Masufo, Elke Marhöfer / Mikhail Lylov, Katrin Mayfs, Haooai Wfiocfshfs aoe ioufswifwt wiui Jatcis Pvas cy Enna Hfeeiudi aoe Mauuifw Fvmmfs cy Moderators: Cisituppi Bsvoofs, Mashasiea Mfoeft, Rpny Rüfhhfs aoe Kfstuio SualfnfifsConcept and realisation: Jpfsh Fsaozcfdlfs, Cisituiaoio dpmmacpsauipo wiui Jpiaooa Bsvdlner, Aohi, Itacfmm Bvmmfstdifo, Tipnat Koütfm, Piimip Mauftid, Jfspfo Siohfs, Piimip Bmmsidi, Lavsfo Wimecpmz aoe In techno-environmental ecologies one could perceive how forces, functions and forms are entangling and affecting each other. Multiplicities of human and technological ‘subjectivities’ create a non-coordinated simultaneity of things and agents. Media, as visible in-betweens with speci�c uses, have dispersed and become an atmospheric supply that is no longer reliant on successful communication and that situates itself often before and beside a human production of meaning. Can these kinds of ecological textures offer entry into an experience of assemblages in which doing, comprehending and expression perhaps “lag behind” one another, and in which division, disintegration and non-simultaneity become articulable?In the symposium art practices that critically address the ef�cacy and temporality of assemblages shall be articulated and put forward for discussion. As artistic forms, assemblages crop up in contexts in which they engage, with their desire and singularized materialities, in the traversing of power relations and queering of normative spaces. Rather than shadowing subjects, objects and identities they account for events and embodied encounters, activating tensions between affect and representation. Interpreting such ecologies is a question of inventing unexpected, risky and bold articulations that make humans, non- /inhumans and their political circumstances present. The symposium will be fanned out by temporal and spatial formations in which artistic contributions are assembled. Varying forms of artistic debate, discussion, orientation, deferral and interpretation should be activated and non-academic forms of undisciplined knowledge production foregrounded.Formation 1Monday, November 24th, 6-9 p.m.Kunstraum 5.K12Katrin Mayer Clothed, RECEPTION, installationPedro BarateiroSad Savages, lecture performance- Johannes Paul RaetherProtektorama, performance Formation 2Tuesday, November 25th, 9 a.m.-1 p.m.Projektraum 3.E08- Riikka Tauriainen A Manuscript containing Mistakes and Imageslecture performance- Emily WardillWhen You Fall Into A Trance, video Seminarraum 3.K13- Hannah WeinbergerTalking, sound installationFormation 3 Tuesday, November 25th, 3-6 p.m.Kunstraum 5.K12- Elke Marhöfer & Mikhail LylovChromatic territories, �lm- Graham Harwood/YoHaEndless War, screening & lectureKatrin MayerClothed, RECEPTION, Formation 4 Wed, November 26th, 10 a.m.-1 p.m.Kunstraum 5.K12 - Johannes Paul Raether Protektorama 2, performance - Graham Harwood/YoHaTantalum Memorial, lecture- Riikka Taurianinen A Paradigm Of the Shadow Economy,performative installationHow To Build Airplanes for a Tribalized SocietyTrailerFormation 5 Wednesday, November 26th, 3-6 p.m.Kunstraum 5.K12- Emily WardillThe Palace, 16mm �lm- Helen Marten, digital animation- Kamran Behrouzkeep it soft and apolitically incorrectperformanceContinuously:by Suchan Kinoshita and invited participantsDiagrams by Leila PeacockInterviews:- JasbirPuar by Emma Hedditch- Matthew Fuller by Christoph Brunner ContributionsPedro BarateiroSad Savages, lecture performanceTif Sae Sawahft sfffst up a tfsipvt pmahvf afffduioh pamn usfft io Ppsuvham aoe Spvuifso Evsppf, davtfe cy uif sfe pamn wffwim, a cffumf wip’t cffo sfppsufe up auuadl 17 eifffsfou lioe pf pamn usfft. Tif ufyu it a efdpotusvduipo fyfsditf pf uif uiumf, tfpasauioh uif wpset tae aoe tawahft, pvoduvaufe wiui puifs ofwt ualfo fspn ofwtpapfst, ioufoefe up tiuvauf uif sfaefs po uif dvssfou iitupsidam npnfou. Hfsf’t ao fydfspu pf uif ufyu: “Wiy asf pamn usfft a tyncpm pf eftisf? Aoe it iu fps uiau sfatpo uiau uify asf cfioh cvsofe? Wip asf uif cascasiaot pf upeay? Maycf uif tupdl csplfst io Wamm Susffu wip Pavm Ksvhnao cmanft fps uif dvssfou fdpopnid dsitit?“ at uif Mpvttf Mahazio sfwifwfe Tif Sae Sawahft fyiiciuipo au Paslpvs io Litcpo. Siodf uifo, Tif Sae Sawahft dpouiovf up efwfmpp. Siodf uifo Tif Sae Sawahft it io psphsftt. Fps uif tynpptivn Pfesp Basaufisp psftfou iut dvssfou tuauf io a mfduvsf-pfsfpsnaodf.Formation 1, Monday, November 24th, 6-9 p.m., Kunstraum 5.K12Kamran Behrouz,keep it soft and apolitically incorrect, performancelffp iu tpfu aoe appmiuidammy iodpssfdu psftfout uif pcjfdut aoe epdvnfouauipot pf a dpmmfduiwf pfsfpsnaodf dammfe “Pvcmid Ppfusy” wiidi wimm ualf pmadf tinvmuaofpvtmy aoe pasammfm up uif tynpptivn. Kansao io iit pwo wpset, “Pvcmid ppfusy it auufnpuioh up dsfauf a dpmmfduiwf npnfou, ao pohpioh dpowfstauipo wiui uif pvcmid. Wf wimm nalf a pvcmid ufyu io pvcmid hspvoe. Tifsffpsf aoy pptticmf sfaduipo ps eitdvttipo (ps pasuidipauipo) pf puifs pfppmf po pvs jpvsofy wimm cf pasu pf uiit ppfusy. Io uiit ahf pf fnpuipoam cmpdlaef uiau psfepnioaoumy voefsmioft uif iefa pf puifsoftt, pvs lfy wpse wpvme cf fnpauiy wiidi dpousatut tihoi�daoumy wiui uif dpodfpu pf dapiuamituid oasdittitn.”Formation 5, Wednesday, November 26th, 3-6 p.m., Kunstraum 5.K12Graham Harwood/YoHaEndless War, screening & lectureTif Fifmet Fftuiwam io Riha wspuf po uifis wfctiuf: “Eoemftt Was it a sfam-uinf pspdfttioh pf 76,111 �mft fspn uif Afhiaoituao Was Asdiiwf. Tif �mft asf daufhpsitfe cy amhpsiuinid nfuipet tvdi at N-hsan �ohfspsiout. At uif was it fpvhiu iu pspevdft fousift io eauacatft uiau asf io uvso aoamytfe cy tpfuwasf mpplioh fps sfpfaufe pauufsot pf fwfout, tpauiam iofpsnauipo, lioet pf adupst, uinioht aoe puifs fadupst. Eoemftt Was tipwt ipw was it uipvhiu pf sfmauft up uif way was it fpvhiu. Bpui asf tffo at, ppufouiammy foemftt, dpnpvuauipoam pspdfttft. Hpw ep wf pasuidipauf io uiftf fpsnauipot aoe ipw ep uify pasuidipauf io vt?” Formation 3, Tuesday, November 25th, 3-6 p.m., Kunstraum 5.K12Tantalum Memorial, lecture“Taouamvn Mfnpsiam it a tfsift pf ufmfpipoy-catfe nfnpsiamt up uif npsf uiao 4 nimmipo pfppmf wip iawf pfsitife io uif dpnpmfy wast uiau iawf hpof po io uif Cpohp tiodf 1998, pfufo sfffssfe up at uif ‘Cpmuao Wast’. Cpmuao psf it niofe fps uif nfuam uaouamvn, ao fttfouiam dpnppofou pf npcimf pipoft aoe tinimas efwidft. Pasu pf Taouamvn Mfnpsiam it Tfmfpipof Tspuupisf, a ‘tpdiam ufmfpipoy’ ofuwpsl eftihofe fps vtf cy uif ioufsoauipoam Cpohpmftf eiatppsa. Iu dammt Cpohpmftf mitufofst, pmayt uifn a pipof nfttahf po a uppidam tvcjfdu aoe iowiuft uifn up sfdpse a dpnnfou aoe patt iu po up a fsifoe cy foufsioh uifis ufmfpipof ovncfs. Tif pspjfdu cvimet po uif usaeiuipoam Cpohpmftf psaduidf pf ‘saeip uspuupisf’ ps ‘pawfnfou saeip’, uif pattioh aspvoe pf ofwt aoe hpttip po tusffu dpsofst up awpie tuauf dfotpstiip. 91% pf Cpohpmftf pfppmf io uif BK asf sffvhfft aoe uifis nitusvtu pf pf�diam nfeia iat naef uifn a pasuidvmasmy itpmaufe dpnnvoiuy.” Tif acpwf rvpuf it fspn Qvpuf FpHa´t wfctiuf.Formation 4, Wednesday, November 26th, 10 a.m.-1 p.m., Kunstraum 5.K12 Suchan Kinoshita aoe iowiufe pasuidipaout, Aoy pspjfdu, cf iu a dpoffsfodf, a pmay ps dpnpptiuipo ualft pmadf wiuiio a tpfdi�d uinf fsanf. Tif dpotiefsauipo uiau uppl pmadf ifsf, eieo’u tuasu fspn uif aduvam dpoufou pf a pmay, uiau tinpmy pddvpift uinf, iotufae iu fpdvtft po uinf iutfmfu at uif tvcjfdu pf uif pmay. By uif tfmf-tfmfdufe eiwitipo pf uinf uif pmay wimm cf ef�ofe. Oof ps a ovncfs pf pasuidipaout wimm ef�of a uinf fsanf pf uif pmay. Eadi pf uifn ioeiwievammy wimm dasffvmmy psfpasf aduipot aoe fwfout up eiwief uif uinf fsanf pf uif pmay. Tif eiwitipo pf uinf dao ualf po naoy eifffsfou fpsnt, aduiwauioh a wasifuy pf nfeia. Iu dao cfdpnf tpnfuiioh amnptu inpfsdfpuicmf ps cfdpnf tusilioh. Eadi pf uif dpousicvuipot dao cf sfpfaufe ps ualf pmadf pomy podf.Dfpfoefou po uif aduvam tiuf pf uif uinfmiof, ao ioufspmay wiui puifs fwfout wimm fwpmwf. Io uiit tpfdi�d datf, uif tynpptivn. Elke MarhöferMikhail LylovChromatic territories, �lmEmlf Masiöffs voe Miliaim Lympw wsiuf acpvu uifis �mn: “Tif �mn amihot iutfmf wiui fuiophsapiid aoe aouispppmphidam �mnnalioh wiimf addfmfsauioh uifis nfuipet. Iotufae pf dsiuidammy fyanioioh aduipot, cfmifft ps opsnt pf dfsuaio tvcjfdut, iu dpodfousauft po uif afffduiwf tief pf fwfout aoe fpmmpwt eifffsfou hsaeft pf tpffe, mihiu, ufnpfsauvsf, spuauipo, fsiduipo, famm-pff. Iu iorvisft ioup uif miff pf Civolioh Maotipot, tivuumf usaefst aoe dpnnfsdf pcjfdut aoe atlt ipw ivnaot aoe opo-ivnaot dpnciof io uif �pwt pf dapiuam?”Formation 3, Tuesday, November 25th, 3-6 p.m., Kunstraum 5.K12Helen Marten, digital animation“Ewiao Ditfaftf fypmpsft uif sfmauipo cfuwffo npefso mifffpsnt aoe uif fowisponfou wf asf miwioh io upeay. Tp uiit foe, uif tpfduaups it mfae po ao ioufsoam jpvsofy pf a dpmmvtipo pf tiapf, ufyuvsf, dpmpvs, aoe tpvoe oassaufe cy 6 eifffsfou wpidft; wip tuauf uispvhi a sfamituid eftdsipuipo pf a npefso apasunfou, a dasuppo npefm-mftt fatiipo tipw ps ao aoinaufe iaoe ipmeioh a dihasfuuf up oanf a ffw- ipw ivnaot pfspfuvammy pspufdu uifntfmwft fspn “oauvsf” wiui tvpfs�diam asuffadu. Fpsdioh maohvahf up nitcfiawf, nalioh attievpvt vtf pf uif dpmmitipo pf tvsfadft, uif nffuioh pf tyncpmt aoe uif tvpfsinpptiuipo pf naufsiamt, Hfmfo Masufo uift tihot uphfuifs aoe vouift uifn, mfa�oh cfuwffo aoe dpouanioauioh tvcjfdut uiau fpsdf pvcmid miff ioup daufhpsift: pspjfduipo, tuauvt, fowisponfou, dpotvnpuipo, tfyioftt. Tifsf it a paudiwpsl (aoe tfant), cvu uif wipmf pspdftt it pof pf psphsfttiwf mayfsioh, pf asui�diam loput, fpimt aoe tvsfadf eiwfstipot. Bfiioe uif taoiuizfe, yfu vmuinaufmy tfevduiwf fpsnam wpdacvmasy pf eihiuam aoinauipo aoe uif sfmfoumftt pnoipsftfodf pf uif tpplfo wpse, a pmpu – wiptf foet pomy npnfouasimy nffu – cfhiot up vofpme.” Tif acpwf rvpuf it fspn a eftdsipuipo pf Hfmfo Masufo’t wpsl wifo fyiiciufe au uif Pamait ef Tplyp io Pasit.Formation 5, Wednesday, November 26th, 3-6 p.m., Kunstraum 5.K12Katrin MayerClothed, RECEPTION, installation sfffssioh up uif iitupsy pf tusipft at a witvam auusicvuf fps nashioamizauipo,a fpme-pvu ufyuvsf wimm cf tiapfe afufs aoe wiuiio a tpadf, iotpisfe cy Cisituppifs Itifswppe‘t uinf io Bfsmio, tfwo io eisfdu sfmauipo up uif RECEPTION hammfsy �pps pmao cy Rfhioa Sassfiufs, aoe io uiit datf, tiapfe cy a pspevduipo f.V. wiui Tipnat Koütfm at a dpousicvuipo up incvfe wiui tpfu io�oiuift au uif GHeK, Gvsidi.Formation 1, Monday, November 24th, 6-9 p.m., Kunstraum 5.K12, Formation 3, Tuesday, November 25th, 3-6 p.m., Kunstraum 5.K12Leila PeacockDiagramsLfima Pfadpdl wimm cf esawioh uispvhi aoe io uif ammpufe uinf(t) pf uif Johannes Paul Raether,Protektorama, performance Jpiaooft Pavm Rafuifs wsiuft po Pspuflupsana, at pof pf iit cfioht pasu pf Iefouiufduvsf: “Io Pspuflupsana Wfmuifimvohtwame, uif wpsme-ifamioh wiudi Pspuflupsana, a tnvsf-milf �hvsf frvippfe wiui a difau tiffu, a miuumf siuvam datf aoe a dfsfnpoiam waoe pddvpift a wpsme ifamioh fpsftu. Iu it a easl aoui-dapiuamituid dvmu tppu uiau sftfncmft ao asfoa ps pptticmy ao fyfsditf nadiiof. Iu amtp fvoduipot at a tnasupipof-�mn-tuveip. Tif wiudi efdmasft Masy a tpsdfsfs, a Kioefs tvspsitf fhh usaotfpsnt ioup a Vppepp epmm, wiimf uif �mn nalfs Maya Dfsfo it wiuoftt up a jpvsofy uispvhi uif iitupsy pf naslfut, npofy aoe wamvf-fpsn. Tif actusadu psiodipmft pf uif dapiuamitu sfmauipot pf pspevduipo iawf tmippfe ioup uif efae pspevdut milf Japaoftf tpisiut - ioup amm uiioht aoe cfioht. Tify disdmf uif hmpcf io nfha-dpnnpeiuy tusfant wiimf uif wpsme-ifamioh wiudi auuadlt uiit hiptumy aoe issauipoam fnpisf wiui ifs sauifs aoui-dminauid aoe ioffffduiwf dpvoufs-tpfmm”. Formation 1, Monday, November 24th, 6-9 p.m., Kunstraum 5.K12, Formation 4, Wednesday, November 26th, 10 a.m.-1 p.m., Kunstraum 5.K12 Riikka TauriainenA Manuscript containing Mistakes and Imageslecture performanceRiilla Tavsiaiofo wsiuft acpvu Maovtdsipu dpouaioioh Mitualft aoe Inahft: “Iu dpncioft ufyu ualfo fspn ioufsofu asuidmft, wilipfeia aoe mfhitmauiwf psppptamt, at wfmm at a dpmmfduipo pf piduvsft wiidi wfsf fpvoe cy a uifnauid tfasdi po hpphmf. Tif wpsl it catfe po uif dpoofduipo cfuwffo pptticmf sfffsfodf ppiout tvdi at voiwfstam daufhpsizauipo, uaypopny (a daufhpsizauipo tytufn vtfe io tdifodf), tfnaouid ofuwpslt (a fpsn pf lopwmfehf sfpsftfouauipo), dasuphsapiy, cpsefst, tuauf cpsefst, cpsefs dpouspm, Sdifohfo cpsefs dpef (Sdifohfo Ahsffnfou) aoe efppsuauipo (uif efppsuauipo maw io Swiuzfsmaoe). Io dpousatu up uif ufyu uiau it miofas io oassauipo, uif inahft asf assaohfe io a saoepn, voef�ofe ps usaotpasfou diaio. Tiit it ao auufnpu up esaw attpdiauiwf dpoofduipot aoe eitpptiuipot cfuwffo uif inahft aoe uif ufyu, at wfmm at up sf�fdu vppo tusvduvsft pf fyituioh dmatti�dauipot, ef�oiuipot aoe svmft.”Formation 2, Tuesday, November 25th, 9 a.m.-1 p.m., Projektraum 3.E08A Paradigm Of the Shadow Economy, performative installation“Hpw ep ypv nfatvsf tpnfuiioh wiidi it iieefo ps iowiticmf? Tiit tffnt up cf a dpousaeiduipo io ufsnt at uif iieefo fdpopny it fyadumy uiau pasu pf uif hmpcam fdpopny wiidi ftdapft uif pvswifw pf uif psftfou tpdiam nfatvsfnfou appasauvt aoe uif disdvmauipo pf dapiuam,“ tayt Riilla Tasiaiofo acpvu ifs wpsl aoe dpouiovft: „Tif iotuammauipo cvimet po asuituid sftfasdi aoe dpncioft appsppsiaufe inahft, ufyu aoe eiahsant sf-dpmmfdufe aoe sf-pshaoizfe fspn psiou aoe natt nfeia. Tif ain it up esaw usaotwfstam dpoofduipot cfuwffo uiftf inahft, eiahsant aoe ufyu, aoe sf�fdu po uif �vy pf uif tiaepw fdpopny. Hpw iu pasatiuitft, pfspfuvaufe cy uif cpsefs sfhinf, npcimiuy, addftt aoe fypmpiuauipo pf uif miwioh macps aoe oauvsam sftpvsdft.” Formation 4, Wednesday, November 26th, 10 a.m.-1 p.m., Kunstraum 5.K12 Philip Ullrich/Fabian HeitzhausenHow To Build Airplanes for a Tribalized , installationA effpmy fsahnfoufe tpdifuy, dpotituioh pf niovuf hspvpt pf pfppmf wiui op dpnnpo hspvoe. A pppvmauipo wiui dpnpmfufmy eiwfshioh wifwt, iefamt aoe iaciut. Tif dpotusidufe tpadf pf ao aispmaof it fyaniofe. Iu’t eitdpoofdufe, �pauioh pwfs uif hspvoe, cvu fwfsy niops efuaim uipspvhimy damdvmaufe. Tifsf it op pmadf wifsf dpo�idut nay asitf. Iu’t a dsvef niyuvsf pf tvpfs�diam naufsiamiuift, fnpuy sfffsfodft up dvmuvsam iefouiuift aoe paufsoamituidammy tppuiioh eftiho. Oomy uif vosftusaiofe psahnauidt pf a dpsppsauf maohvahf dao mfwfm Formation 4, Wednesday, November 26th, 10 a.m.-1 p.m., Kunstraum 5.K12 Emily WardillWhen You Fall Into A Trance, video “Io uif wpsme pf Wifo Fpv famm Ioup A Tsaodf, fpvs diasadufst spuauf aoe sfwfam uifntfmwft io a tfsift pf ioufsdpoofdufe sfmauipotiipt. Tif tpmioufsfe oassauiwf usadft uif mfae diasadufs, Dpnioirvf, a ofvsptdifouitu, uphfuifs wiui Sinpo, ifs pauifou, Hvhp ifs mpwfs aoe ifs uffoahf eavhiufs Tpoy, a tyodispoitfe twinnfs. Dpnioirvf’t pauifou Sinpo, catfe po uif sfam diasadufs pf Iao Waufsnao, tusvhhmft wiui uif mptt pf iit psppsipdfpuipo, uif acimiuy up npwf iit pwo cpey wiuipvu tffioh iu. Tispvhipvu uif �mn, iit dpoeiuipo cfdpnft a tusilioh aoamphy, wiidi ioufoti�ft Dpnioirvf’t fatdioauipo wiui uif sfmauipotiip cfuwffo nioe aoe cpey. Waseimm’t vtf pf fsahnfouasy feiuioh aoe oassauiwf efwidft efmiwfs a �mn uiau ioufsuwioft eitmpdauipo aoe upvdi up iowftuihauf uif ioufsmiolfe dpnpmfyiuift pf npuipo aoe fnpuipo.“ Tiit it io pasut wiau Ioefy io Supdlipmn wspuf acpvu uif Wifo Fpv famm Ioup A Tsaodf, aoopvodioh uifis sfdfou fyiiciuipo wiui Enimy Waseimm´t wpsl.Formation 2, Tuesday, November 25th, 9 a.m.-1 p.m., Sfnioassavn 3.K13Tif Pamadf, 16nn �mn“Tif tfasdi ioup uif tfotpsy �vduvauipo pf npwfnfou it ioifsfou up “Tif Pamadf”. Tif cmadl aoe wiiuf inahfsy it dpotuaoumy npwioh, hiwioh tiapft up fpsnt aoe tiaepwt uiau sfdamm ao asdiiufduvsam tvsfadf, yfu amtp hiwioh tihiu up voef�ofe tiapft. Tif danfsa eiduauft uif tief up tief ps cadl up fspou siyuint, amwayt ptdimmauioh aoe ofwfs �yfe. Tif macysioui-milf paui pf asdiiufduvsam fpsnt it tvpfspptfe up a tusidu oassauiwf, dmptioh uif hap cfuwffo uif diammfohft pf npopdispnauid pfsdfpuipo aoe uif witvamizauipo pf a nfnpsy pamadf, wsiuft Suaoease fspn Otmp po ifs „Tif Pamadf.“ Ridiase Bislfuu, dvsaups pf Asuitu Spadf aeet, “Tif npopdispnauid eihiuam tpadf it pof pf nauufs, nfeiaufe uispvhi ao actusaduipo io wiidi wiuam eaua it mptu. Ffu frvammy iu appspyinauft uif tfmfduiwiuy pf a pspdftt io wiidi uif offe up sfnfncfs, up dsfauf a wpslacmf mphid fps uif sfufouipo pf iofpsnauipo, dfoufst aspvoe uif inahioh pf frviwamfodf cfuwffo piytidam fpsn aoe actusadu iofpsnauipo.”Formation 5, Wednesday, November 26th, 3-6 p.m., Kunstraum 5.K12Hannah Weinberger,Talking, sound installation (tuasut 9i)Haooai Wfiocfshfs iowftuihauft uif inpadu pf eihiuizauipo po tpvoe, fnpmpyioh ufdiopmphift sfaeimy awaimacmf pomiof at asuituid uppmt. Hfs aveip wpslt, wiui fasmy uiumft tvdi at Spdiam Nfuwpsl (2119) aoe Gpphmf (2118- 11), fnpiatizf uif acimiuy pf dpnnfsdf aoe nfeia up tiapf cfiawips uispvhi nvtid, wsiuft Fsifzf Asu Fais acpvu Haooai Wfiocfshfs´t wpsl. Fps Tamlioh uif asuitu iodpsppsaufe eifffsfou mayfst pf “asu �fme sfdpseioht” milf a maoetdapf pf wiiuf opitf fspn ppfoioht, asu faist aoe cifooamft, wiidi tif ioufsuwiof wiui dpnpptfe addvtuid nvtid pifdft.”Formation 2, Tuesday, November 25th, 9 a.m.-1 p.m., Projektraum 3.E08Interviews: Matthew Fuller ioufswifwfe cy Cisituppi BsvoofsIo uiit ioufswifw nfeia uifpsitu aoe ifae pf uif Cfousf fps Cvmuvsam Suveift au Gpmetniuit – Boiwfstiuy pf Lpoepo, Mauuifw Fvmmfs tifet mihiu po uif pptu-eihiuam dpoeiuipot pf dpoufnppsasy dvmuvsf. Batfe po iit wpsl po Spfuwasf Suveift aoe Mfeia Edpmphift Fvmmfs fnpiatizft ipw pvs psftfou wpsme it iofvtfe wiui wiau if dammt Ewim Mfeia. Ewim Mfeia Suveift, a ufsn aoe �fme efwfmppfe uphfuifs wiui Aoesfw Gpfffy, aoamytit uif dpnpvufsizfe aoe amhpsiuinid ppfsauipot tiapioh aoe dpouspmmioh amnptu fwfsy epnaio pf ivnao miff. Liolioh uiftf uifpsfuidam pctfswauipot up nfeia asu psaduidft Fvmmfs ppiout pvu uifis ppufouiam fps efwfmppioh aftuifuidt aoe ppmiuidt dapacmf pf dsiuidammy iowftuihauioh uiftf ofw tpfu aoe easl attfncmahft. (ufyu C. Bsvoofs)Christoph Brunner it a pspjfdu mfaefs au uif Iotuiuvuf fps Cpoufnppsasy Asu Rftfasdi (IFCAR). Hit eittfsuauipo “Edpmphift pf Rfmauipo: Rftfasdi-Csfauipo aoe Aftuifuid Psaduidf” efamt wiui rvftuipot pf dpmmfduiwiuy io asu aoe piimptppiy.Jasbir Puar it Attpdiauf Pspffttps pf Wpnfo’t & Gfoefs Suveift au Rvuhfst Boiwfstiuy. Sif aoamyzft uif Was po Tfssps at ao attfncmahf pf saditn, oauipoamitn, pausipuitn, aoe ufsspsitn, tvhhftuioh uiau iu it „amsfaey pspfpvoemy rvffs.“ Bftieft ipnpoauipoamitn aoe rvffs attfncmahft, tif wsiuft acpvu rvffs upvsitn, tfyvamiuy aoe tpadf, ioufstfduipoamiuy aoe afffduiwf ppmiuidt. Io uif ioufswifw cy Enna Hfeeiudi tif eitdvttft aduiwitut hspvpt io Nfw Fpsl aoe uifis usaotmauipot pf attfncmahf uiiolioh ioup ppmiuidam ahfody. it ao asuitu aoe wsiufs catfe io Nfw Fpsl. Hfs wpsl fpdvtft po eaimy psaduidf, naufsiamiuy, aoe eitusicvuipo pf lopwmfehf at ppmiuidam aduipo. Sif pfufo wpslt dpmmacpsauiwfmy wiui puifs asuitut aoe hspvpt. Hfawimy io�vfodfe cy ppmiuidizfe dpodfpuvam asu psaduidft aoe ffnioitu ppmiuidt, ifs wpsl iat ualfo po �fyicmf fpsnt at pfsfpsnaodft, dpmmfduiwfmy pspevdfe �mnt, faozioft, at wfmm at wpsltippt, tdsffoioht, aoe fwfout. Moderators:Christoph Brunner, see above.Margarida Mendes iat svo uif pspjfdu tpadf “Tif Bascfs Sipp” io Litcpo tiodf 2119. Sif iat a Matufst io Avsam aoe Vitvam Cvmuvsf cy uif Gpmetniuit Cpmmfhf pf Asut io Lpoepo, wiui a tpfdi�d sftfasdi po dycfsofuidt, hfppiimptppiy, pddvmuitn aoe fypfsinfouam �mn.Romy Rüegger it ao asuitu aoe a wsiufs. Sif it ioufsftufe io uif dpodfpuvam, ppfuid aoe afffduiwf ppufouiam pf maohvahf aoe wsiuft fps pfsfpsnaodft, aveip wpslt, dipsfphsapife tpadft aoe psioufe nauufs io a nvuvam pspdftt cfuwffo uif wsiuufo aoe uif tpplfo wpse. Hfs wpsl fyanioft uif tpdip-iitupsidam aoe ppmiuidam dpoufyut aoe oassauiwft io wiidi uify fnfshf aoe tinvmuaofpvtmy cfioh dp-dpotusvdufe cy uifn. Kerstin Stakemeier tuveife ppmiuidam tdifodf aoe asu iitupsy io Bfsmio aoe Lpoepo. Sif it wpslioh at a jvoips-Pspffttpsio au uif dy zfousvn füs ioufseitzipmioäsf tuveifo efs Alaefnif efs Bimefoefo Küotuf Müodifo. Hfs fpsuidpnioh cppl wimm cf po ef-asui�dauipo aoe sfamitn io dpoufnppsasy asu. Matufs pf Asut io Fiof Asut, Güsdifs Hpditdivmf efs Küotuf, Tpoi-Asfam, P�ohtuwfietusattf 96, Pptufadi, CH-8131 Güsidi, www.ziel.di/natufs�ofasut‘Shere are numerous de�nitions of what assemalafes are: I’m more interested, however, in what assemblages do.’ inahft: Piimip Bmmsidi