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Lesson 1 Part 3 Lesson 1 Part 3

Lesson 1 Part 3 - PowerPoint Presentation

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Lesson 1 Part 3 - PPT Presentation

Fra Angelico Lorenzo Ghiberti Fra AngelicoBlending Renaissance and Gothic Ideas An excellent painter and a monk of the highest character Never started a painting without saying a holy prayer This painting The Annunciation shows how he incorporated some of Masaccios ideas his earlier p ID: 615029

gothic ghiberti baptistry figures ghiberti gothic figures baptistry gates lorenzo paradise florence painting style cathedral story gilding divided ideas

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Slide1

Lesson 1 Part 3

Fra Angelico

Lorenzo GhibertiSlide2

Fra Angelico—Blending Renaissance and Gothic Ideas

An excellent painter and a monk of the highest character

Never started a painting without saying a holy prayerSlide3

This painting, The Annunciation, shows how he incorporated some of Masaccio’s ideas (his earlier paintings were done in the Gothic style)

He uses some elements of linear perspective in the architectural setting

However, he is not interested in overlapping the figures, and there is not as much effort to make the figures look round and solid is in Masaccio’s modeling techniques.

The facial expressions are more remote and placid--typical of the Gothic period and less like those of real people.Slide4

Lorenzo Ghiberti

Sculptor

Best known for his work on the

Baptistry of the Florence Cathedral.CONTEST!!!In 1401, the

C

ity Council of Florence sponsored a competition to find an artist to decorate the north doors of the

Baptistry

of the Cathedral

Baptistry

is where all children were baptised.Slide5

Ghiberti, Lorenzo

The Gates of Paradise

1425-52Bronze with gilding

The subject chosen was the sacrifice of Isaac.

Ghiberti was the winner

He spent the next 21 years of his life completing the 28 panelsSlide6

Ghiberti, Lorenzo

The Gates of Paradise

1425-52

Bronze with gildingSlide7

Ghiberti, Lorenzo

Detail from the

Gates of Paradise

The story of Joseph

1425-52

Bronze with gilding

80 x 80 cm

Baptistery, FlorenceSlide8

Brunelleschi vrs GhibertiSlide9

Brunelleschi’s

Gothic flatness

Each figure is separate and they do not relate to each other

Can be divided horizontally into 3 layers that are placed one on top of the other to retain Gothic styleSlide10

Ghiberti

More unified whole

Objects overlap in a more natural way

Figures communicate through glances or gestures

Divided vertically into two scenes that tell a part of the story

Reflects the Renaissance qualities of harmony and balance